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Jacqueline Dee ParkerExodus : contemporary collage2018
2018
$3,975
£3,019.11
€3,472.53
CA$5,553.85
A$6,193.18
CHF 3,231.34
MX$75,992.60
NOK 41,129.75
SEK 38,969.54
DKK 25,916.77
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About the Item
Jacqueline Dee Parker’s collages are interdisciplinary in approach and concept. Her materials include antique literature and music books and other ephemera. Just as words, sounds, and images rooted in memory may trigger the composition of a poem, collage is a mode of perception that prompts integration of different sorts of accumulated language. Fragments of lived experience are the bricks and mortar the artist uses to build new spaces informed by time’s passage.
Early life in the home of an architect and a violinist shaped Jacqueline Dee Parker’s aesthetic. Exposure to the art of architecture encouraged interest in spatial relationships, taught her to read elevations and visualize their 3-D intentions, and, at construction sites, to appreciate the evolution of concept to form. Music played through and where words ended, roused layers of emotional response, and altered the sense of place and time. Together, these ingredients fostered an affinity for abstraction and design.
- Creator:Jacqueline Dee Parker (1965, American)
- Creation Year:2018
- Dimensions:Height: 32 in (81.28 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1911210739562
Jacqueline Dee Parker
Jacqueline Dee Parker is an artist and a poet who was born in New York City and raised in New Haven, Connecticut. She holds a BA from Sarah Lawrence College and an MFA in creative writing with a secondary emphasis in painting and drawing from Louisiana State University. Parker has served as an instructor at Louisiana State University since 1993, and taught in the Department of English before joining the School of Art in 2003. Prior to life in Louisiana, Parker lived and worked as a freelance graphic layout artist in New York City, Boston, and Detroit. Her poems appear in literary journals and anthologies, including Atlanta Review, The Southern Review, Chelsea, and American Diaspora: Poetry of Exile, among others.
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Early life in the home of an architect and a violinist shaped Jacqueline Dee Parker’s aesthetic. Exposure to the art of architecture encouraged interest in spatial relationships, taught her to read elevations and visualize their 3-D intentions, and, at construction sites, to appreciate the evolution of concept to form. Music played through and where words ended, roused layers of emotional response, and altered the sense of place and time. Together, these ingredients fostered an affinity for abstraction and design.
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