James Louis Steg

Untitled (Dolls and Children)

1990

Collage of two Japanese lovers, very elegant, framed in wooden frame. Provenance: Rocky Aoki , Founder of Benihana Private Collection, New York

Moonscape with collaged battle scenes (See detail image) Mixed media with collage using xerox Signed and dated, JL Steg 1992 lower right Condition: Very Good Provenance: Artist S...

Robert Indiana’s message of HOPE has been an important, poetic language spanning his long career. The Four Seasons of HOPE was created for his solo exhibition at the historic Four Se...

Screenprint in black and white Saunders Waterford High White Paper Signed and dated recto in pencil The KAWS motif has become instantly recognizable with traditional cartoon characters transformed into vibrant, playful, and near-abstract enigmas. Known for his iconic characters with X’s on their eyes and gloves, KAWS delivers his classic dose of street-art meets contemporary art in this brilliant and minimalist work. Published by Pace Prints...

Screen Print in colors on Museum Board, Edition of 100 Signed and Dated Provenance: Artist Studio Private Collection. CA Private Collection, NY

KAWS Blame Game The complete set of 10 screenprints in colors, 2014, each signed and dated in pencil from the Edition of 100 (There are 20 artist's proofs), in the original portfolio case. Please note: Each print is 35 x 23 inches. Unframed The KAWS motif has become instantly recognizable with traditional cartoon characters transformed into vibrant, playful, and near-abstract enigmas. Known for his iconic characters with X’s on their eyes and gloves, KAWS delivers his classic dose of street-art meets contemporary art in this brilliant and minimalist work. Published by Pace Prints...

Tracey Emin Rothko Comfort Blanket, 2010 Blanket, Embroidery, Thread, Linen 7 × 7 inches Edition 14/100 Hand signed and numbered with ink title and inscription on tag "Rothko Comfort Blanket for Private Views and Other State Occasions." Held in original Emin International packaging (unframed) An article in Artnews recounts the story: When Tracey Emin was going to the Royal College of Art in London in the late 1980s, she broke down while viewing a radiant pink-and-yellow Mark Rothko painting...

Work for EMBODIMENT TERRAIN.

DONALD BAECHLER Untitled painting for ACRIA, 1996 Mixed media with ball point pen, acrylic paint, industrial varnish and paper collage on canvas board Hand Signed and Dated. Framed with official label verso. artist frame included Measurements: Framed: 13.4 inches (vertical) x 10.8 (horizontal) x 1.25 (width) Artwork: 8 inches (vertical) x 6 inches (horizontal) Makes a fantastic gift! This unique signed collage by Donald Baechler is one of a series of unique pieces the artist made to benefit ACRIA a New York-based charity that supports AIDS victims. ACRIA, pioneers of HIV research, prevention & awareness, have now merged with the Gay...

The present illuminated folio page contains a fine miniature depicting three figures hunting while on horseback, an image meant to accompany a historic epic. During the medieval period, hunting was an important pastime of male nobility throughout the Islamic world. The Quran itself explicitly endorses hunting and the use of animals to aid in capturing prey: "Lawful to you are foodstuffs that are good to eat and any game that, at your wish, is captured by beasts of prey which train as you do dogs, according to the method that Allah has taught you, after you have spoken the name of Allah over it." (Q 6:4) Muslim princes and nobles enjoyed the chase of the prey via horseback, using bow and arrow, crossbows, and blowpipes to capture their prey Horseback riding itself trained young men in the necessary skills for armed combat and warfare, developing their speed and strength. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

The present illuminated folio page contains a fine miniature depicting four figures playing polo. Polo, also called 'chagun,' was the sport of kings and princes of central Asia and Iran, and the sport probably originated there in the 6th century BCE. Polo matches appear in a large number of early Persian texts, including in the writings of the 10th century epic writer Abu l-Qasim al-Firdawsi: He describes numerous polo matches in his famous 'Shahnameh' (The Persian Book of Kings). This particular illumination also is closely related to an example held at the Smithsonian Museum of Asian Art: a folio from 'Guy u Chawgan' (The ball and the polo-mallet) which shows a polo game with the dervish and the shah. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

René Galassi uses in his plastic technique: resins, paper, pure pigments, clay, golden and silver leaf, concrete and sand. Always seeking for new and textured materials. In his last ...