Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 13

James Spencer Russell
1958 Ink Collage "#1"

1958

$700
£530.62
€619.55
CA$980.50
A$1,103.73
CHF 583.91
MX$13,690.36
NOK 7,214.86
SEK 6,900.37
DKK 4,622.15
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

James Spencer Russell "#1" 1958 Collage with ink Signed lower right in pencil 24"x18" framed black gallery wood frame James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spent much of his life in New York City. He studied with Raymond Johnson at the University of New Mexico where he received his BFA, and with Donald Oenlenger at Yale University where he received his MFA. Russell exhibited his work in New York City with the Ruth White Gallery at 42 East 57th Street. His first one-man exhibition with the gallery, "Constructions", ran from April 21 through May 16, 1964. The exhibition was reviewed in The New York Times by Brian O'Doherty, the preeminent New York art critic of the era. Russell continued to exhibit all across the U.S. from 1961 to the 1990s, and was considered a pioneer of set design for conversion to color television, working at NBC Television in the 1950's. His one-man shows of watercolors and drawings resulted in the inclusion of pieces in the movies Midnight Cowboy and John and Mary. An avid jazz fan, his work was on the cover of Chico Freeman's album titled Chico., and exhibited at the American Federation of the Arts, the Rhode Island School of Design and at Southern Illinois University before he retired to his hometown of Kewanna, Indiana. Biography from Indiana State Museum
  • Creator:
    James Spencer Russell (1905 - 2000, American)
  • Creation Year:
    1958
  • Dimensions:
    Height: 21.25 in (53.98 cm)Width: 27.25 in (69.22 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very Good Condition- Minor wear consistent with age and history. Frame and mat have wear.
  • Gallery Location:
    Arp, TX
  • Reference Number:
    Seller: jsr1-11stDibs: LU1533215781172

More From This Seller

View All
1950s "Abstract #4" Ink and Gouache Painting Univ of Paris
By Donald Stacy
Located in Arp, TX
Donald Stacy "Abstract #4" c.1950s Ink & Gouache on paper 10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75” Signed in pencil lower right with label on reverse Came from artist's e...
Category

Early 20th Century Abstract Abstract Paintings

Materials

Paper, Ink, Gouache

1967 "Abstract 7" Ink Brush Drawing NYC Artist Michael Knigin Mid Century
By Michael Knigin
Located in Arp, TX
Michael Knigin Abstract 7 1967 Ink brush drawing on paper 10.5"x14" unframed $675 Signed and dated in ink lower left Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Michael Knigin, painter, printmaker, muralist, photographer, and teacher, was born in Brooklyn, New York on December 9, 1942. He received his BFA in 1966 from the Tyler School of Art, Temple University in Philadelphia. In 1964 he was awarded a Ford Foundation Grant, which enabled him to study printmaking at the Tamarind Lithography Workshop and collaborate with Rufino Tamayo. Knigin was a full professor at the Pratt Graphic Center in Manhattan between 1967 and 2003. From 1968 through 1972, he also co-owned and directed the Chiron Press where he worked with Andy Warhol, Louise Nevelson, Kenneth Noland, Larry Poons, and Tom Wesselman. In 1974, he served as Art and Technical Director of the Burston Graphics Art Centre in Jerusalem. In 1988, Knigin was appointed to the NASA Art Team and was sent to the Kennedy Space Center...
Category

Mid-20th Century Abstract Abstract Drawings and Watercolors

Materials

Paper, India Ink

1967 "Abstract 8" Ink Brush Drawing NYC Artist Michael Knigin Mid Century
By Michael Knigin
Located in Arp, TX
Michael Knigin Abstract 8 1967 Ink brush drawing, with acrylic paint on paper 10.5"x14" unframed $675 Signed and dated in ink lower left Came from ar...
Category

Mid-20th Century Abstract Abstract Drawings and Watercolors

Materials

Paper, India Ink

1967 Abstract 2 Purple and Yellow" Mid Century Watercolor Abstract
By Michael Knigin
Located in Arp, TX
Michael Knigin Abstract 2 Purple and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed $675 Signed and dated in ink lower left Came from artist's estate *Custom framin...
Category

Mid-20th Century Abstract Abstract Paintings

Materials

Paper, Ink, Watercolor

1967 "Abstract 3 Blue and Purple" Mid Century Watercolor Abstract
By Michael Knigin
Located in Arp, TX
Michael Knigin Abstract 3 Blue and Purple 1967 Ink brush and watercolor on paper 8.25"x11" unframed $675 Signed and dated in ink lower right Came from artist's estate *Custom framing...
Category

Mid-20th Century Abstract Abstract Paintings

Materials

Paper, Ink, Watercolor

1967 "Abstract 1 Orange and Yellow" Mid Century Watercolor Abstract
By Michael Knigin
Located in Arp, TX
Michael Knigin Abstract 1 Orange and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed Signed and dated in ink lower right Came from artist's estate *Custom framing a...
Category

Mid-20th Century Abstract Abstract Paintings

Materials

Paper, Ink, Watercolor

You May Also Like

Grass Power, original unique signed drawing, hand signed and inscribed; Framed
By Mark di Suvero
Located in New York, NY
Mark di Suvero Grass Power, 1979-2014 Mixed Media drawing: marker, ink and pencil on paper Hand titled, signed and inscribed to Nadine by Mark di Suvero Frame included: Floated and f...
Category

2010s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Paper, Ink, Permanent Marker, Pencil, Mixed Media

Up and Down Blues
By Mark Lembo
Located in Boston, MA
About the piece: INVITED The Lakeland Art Guild was founded in 1952 and is the oldest community organization in Polk County, FL. For the past 48 years, the LAG Melvin Gallery Art E...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Paper, Watercolor

Untitled
By Zao Wou-Ki
Located in PARIS, FR
A magnificent work in Indian ink and "levi" ink, counter glued on strong paper and accompanied by a certificate from the Zao Wou-Ki Foundation. Zao Wou-Ki was born in Beijing on 1 F...
Category

1990s Abstract Abstract Drawings and Watercolors

Materials

India Ink, Rice Paper

Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century
By Konrad Cramer
Located in New York, NY
Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century, Sight size is 16 x 12 inches. The drawing is currently at the framers. A photo will be posted asap. A...
Category

1930s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor

"#71 – THEN IT'S HOPELESS?", ink, pencil, gouache, found vintage book, poetry
By Amy Williams
Located in Toronto, Ontario
"#71 – THEN IT'S HOPELESS?" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 71 of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from the page to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text of the poem. Here the poem reads: "Then it's hopeless? / But sometimes I cannot hope. / I cannot." Note the poem is outlined in dark red and purple radiating lines, while outside there are lighter violet, blue and white lines. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
Category

21st Century and Contemporary Abstract Mixed Media

Materials

Paper, Found Objects, Ink, Gouache, Pencil

"#186 – WOUNDED WERE COMING", ink, pencil, gouache, found vintage book, poetry
By Amy Williams
Located in Toronto, Ontario
"#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
Category

21st Century and Contemporary Abstract Mixed Media

Materials

Paper, Found Objects, Ink, Gouache, Pencil