Jane Parkes

White Clearing

2015

Born in New York City to an economist father, and a culture loving mother, Jane gravitated to art along with her three siblings. All through school she was exposed to inspiring teachers and in 1980 graduated from New England School of Art and Design where she studied graphic Design. Drawn more to the craft of making art than to the commercial side, Jane worked making architectural models for Ben Thompson in Boston and Peter Marino in New York. After raising two boys in New York, Jane began working full time as an artist in New York and in Swans Island...

Jane S. Parkes Born in New York City to an economist father, and a culture loving mother, Jane gravitated to art along with her three siblings. All through school she was exposed to inspiring teachers and in 1980 graduated from New England School of Art and Design where she studied graphic Design. Drawn more to the craft of making art than to the commercial side, Jane worked making architectural models for Ben Thompson in Boston and Peter Marino in New York. After raising two boys in New York, Jane began working full time as an artist in New York and in Swans Island...

Jane S. Parkes Born in New York City to an economist father, and a culture loving mother, Jane gravitated to art along with her three siblings. All through school she was exposed to inspiring teachers and in 1980 graduated from New England School of Art and Design where she studied graphic Design. Drawn more to the craft of making art than to the commercial side, Jane worked making architectural models for Ben Thompson in Boston and Peter Marino in New York. After raising two boys in New York, Jane began working full time as an artist in New York and in Swans Island...

Oil on wood

This artwork is part of a series called "Geometric Sculpture" and is a unique 3D sculpture that features a variety of vibrant colors including yellow, orange, red, blue, dark blue, and black. The sculpture is abstract in nature and showcases geometric shapes that add actual depth and space to the piece, making it visually striking and aesthetically pleasing to the viewer. Zach Touchon has expressed a desire to step outside the traditional format and focus on movement and 3D effects. As a result, the sculpture creates shadows that further enhance the 3D effect, making the piece truly dynamic and engaging. Touchon has also mentioned his goal to create even larger pieces in the future, pushing the boundaries of the series and the medium itself. Overall, this artwork is a visually stunning and unique addition to the "Geometric Sculpture" series, showcasing the artist's dedication to creating pieces that challenge traditional art forms and create a sense of depth and movement. -- Zach Touchon is a contemporary LA-based abstract expressionist artist. Besides that, Touchon is also an actor, a singer, a screenwriter, and an owner of the Touchon Gallery. Zach Touchon is a second-generation and a successor to his famous father's, Cecil Touchon's, artistic path. By rethinking abstract expressionism ideas, using different media he creates large abstract artwork along with small collages, huge murals, and interior installations. The main focus of his art is depth and space and finding a semantic and aesthetic balance between them. As a muralist, Touchon joins the ranks of such great LA street artists as WRDSMTH, Retna, Shepard Fairy, and Dirt Cobain...

Textured and expressive composition by an unknown artist (20th Century). Constructed of a sheet of clay laid on wood, the piece is divided into nine sections. Each section is treated with a different texture, color, or set of inscriptions. The middle section contains writing, and the upper right section has a bold red plus symbol. Possible signature in the lower right corner. Unframed, but mounted on a raised wood panel...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...