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Jeff Whyman
Intergalactic Vessel Series

2015-2017

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Vase
By Louis Reilly
Located in Kansas City, MO
Louis Reilly Title : Vase Materials : soda fired stoneware Date : 2019 Dimensions : 14x6x6inches Kansas City ceramicist, Louis Reilly addresses issues of history and culture. Thoug...
Category

2010s Contemporary Mixed Media

Materials

Ceramic, Clay, Stoneware

Vase
Price Upon Request
Attached
By Stephanie Lanter
Located in Kansas City, MO
Artist : Stephanie Lanter Title : "Attached" Materials : Porcelain, glaze, stoneware, wire, thread Date : 2020 Dimensions : 20" x 9" x 8.5" Description : Manually slip-trailed sculpture...
Category

2010s Contemporary Mixed Media

Materials

Wire

Attached
$2,750 Sale Price
38% Off
Fruit Bat
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa Fruit Bat Medium: Black stoneware and white slip Year: 2021 Size: 28" x 10" x 3" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category

2010s Contemporary Sculptures

Materials

Stoneware, Slip

Fruit Bat
Price Upon Request
Gray Whale
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa Gray Whale Medium: Black stoneware and white slip Year: 2021 Size: 25" x 13" x 6.5" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category

2010s Contemporary Sculptures

Materials

Stoneware, Slip

Yellow Stingray
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa Yellow Stingray Medium: Black stoneware and white slip Year: 2021 Size: 10" x 19.5" x 2" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category

2010s Contemporary Sculptures

Materials

Stoneware, Slip

Find the Line
By Stephanie Lanter
Located in Kansas City, MO
Stephanie Lanter Title : "Find the Line" Materials : Porcelain, glaze, stoneware Date : 2018 Dimensions : 12" x 8.5" x 9" Description : Manually slip-...
Category

2010s Contemporary Sculptures

Materials

Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze

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