D. Silva

Contemporary Art, Figurative Expressionist Composition Mixed Media on Paper 2018

2018

CONTEMPORARY ART Expressionist composition Mixed media on paper Signed and dated 2018 D. Silva Measure:70x50 cm /28x20 in Private collection.

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon....

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon. His work is represented in numerous private and public collections, national and international. Several exhibitions in galleries and public spaces have attracted public attention, allowing expose his work abroad, including France, Germany, Canada and USA. "Agora Gallery" in New York, writes about his "strong bold colors figures populate the paintings of JParames, strange characters evolve in mysterious scenes, triggering a clash of primary colors. This type of palette and composition, resemble the latest works of Matisse and Miró, "quoted in the prestigious newspaper Express. "Family Life...

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon. His work is represented in numerous private and public collections, national and international. Several exhibitions in galleries and public spaces have attracted public attention, allowing expose his work abroad, including France, Germany, Canada and USA. "Agora Gallery...

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon. His work is represented in numerous private and public collections, national and international. Several exhibitions in galleries and public spaces have attracted public attention, allowing expose his work abroad, including France, Germany, Canada and USA. "Agora Gallery...

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon....

Matthew the Fervid, 2017 Printmaking and mixed media on paper and re-board 165x121x68cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages - carefully crafted from scraps of newspaper, sheet music, magazines and tissue paper - celebrate key players in Savannah's jazz scene, from sultry female vocalists to wiry male saxophone players. A tribute to the late jazz bassist Ben Tucker, a true Savannah legend, is especially moving, incorporating a pencil sketch of the standing bass player as well as newspaper clippings of other Savannah jazz musicians. Mitchell grew up in a shotgun house in North Carolina, a style of vernacular architecture that is particularly prevalent in the South. Mitchell fills his sculptural homes with objects of metaphorical and symbolic, iconic, importance. In Home Sweet Home he includes the American flag, a photograph of Martin Luther King Jr. and Malcolm X, and a china plate depicting The Last Supper, among other items that convey a personal and historical narrative. He notes that making art acts “as a ‘record’ of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus, and narrative of my work.” While this contains elements reminiscent of folk art and outsider art this is a quite sophisticated tour de force. He was included in the show Complex Uncertainties, Telfair Museum: Modern and contemporary art comprise painting, prints, drawing, photograph, sculpture, and works in new media, representing American artistic achievement from 1945 to the present day. The exhibition includes works by artists such as Bruce Davidson, Elaine de Kooning, Carrie Mae Weems, Sam Gilliam, Ethel Schwabacher, Radcliffe Bailey...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

"Sweet Licorice I" is a framed mixed media work on canvas by Maura Segal, with abstract shapes in a monochromatic field of black with a continuous line in lavender to draw the eye ar...

"Concrete" is a framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them to the canvas und...

"Sand Castle" is a framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them to the canvas ...