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Jessica HoustonShe dug out one more cell...2022
2022
$1,800
£1,376.68
€1,575.48
CA$2,561.89
A$2,773.78
CHF 1,474.69
MX$33,453.76
NOK 18,545.10
SEK 17,289.32
DKK 11,766.83
About the Item
“She dug out one more cell just under the ice surface, leaving nearly a transparent sheet of ice like a greenhouse roof; and there, alone, she worked at sculptures … But she could not bring them north. That is the penalty for carving in water. ”
Over the Edge of the World locates itself in the entangled legacies of polar expedition narratives. The human history of the polar regions has largely been shown through the lens of a colonial frontier space—a place to conquer, a sublime tabula rasa. Over the Edge of the World uses mixed-media works to challenge the glorification of military, masculinity, and progress. The work upends the colonial fantasies that still cling to these landscapes in order to tell other (hi)stories—those of ice, whales, and people who intentionally left no trace.
- Creator:Jessica Houston (1970, American)
- Creation Year:2022
- Dimensions:Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU47610875662
Jessica Houston
Jessica Houston (MA, Columbia University) has traveled from pole to pole, using color and light to entangle and provoke questions related to our changing natural world, and our nature within it. She has created site-specific works for the NJ MOCA (NJ); the Castello di Corigliano (Puglia, Italy); and The Albany Airport (Albany, NY). Select exhibitions include Art Mûr Gallery, Montréal, Canada; The Hyde Collection Museum, Glens Falls, NY; and The Latimer House Museum, New York, NY. She has been invited to residencies at The Albers Foundation and CAMAC Center for Art, Science and Technology in France. Her works are funded by The Canada Council for the Arts and are in the collections of La collection Prêt d’œuvres d’art, Musée National Des Beaux-Arts du Quebec; Bibliothèque et Archives nationales du Québec (BAnQ), Montréal, Québec; Bank of Montréal, Toronto; and the Consulate General of Monaco, Montréal. She has lectured at The Art Institute of Florence; Columbia University; Concordia University; and OCAD University.
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A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
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A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
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A summary report...
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Located in Montreal, Quebec
“A SUMMARY REPORT OF THE YELCHO EXPEDITION TO THE ANTARCTIC, 1909-1910. Although I have no intention of publishing this report, I think it would be nice if a grandchild of mine, or somebody’s grandchild, happened to find it some day; so I shall keep it in the leather trunk in the attic, along with Rosita’s christening dress and Juanito’s silver rattle and my wedding shoes...
Category
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To Hang In Between
By Jessica Houston
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...
Category
2010s Contemporary Mixed Media
Materials
Oil, Wood Panel
Mine At Last
By Jessica Houston
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Mixed Media
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Archival Paper, Magazine Paper
Between Them
By Jessica Houston
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Mixed Media
Materials
Oil, Wood Panel
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