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Jody AlexanderGenetics, Paleontology and Evolution, No. 12016
2016
$4,000
£3,006.94
€3,486
CA$5,584.62
A$6,255.07
CHF 3,254.72
MX$75,967.42
NOK 41,261.61
SEK 38,933.40
DKK 26,010.53
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About the Item
African backstrap woven cotton, bookcloth from discarded library books, stencils, thread, and mull.
- Creator:Jody Alexander (American)
- Creation Year:2016
- Dimensions:Height: 23 in (58.42 cm)Width: 56 in (142.24 cm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Mill Valley, CA
- Reference Number:1stDibs: LU35532300993
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View AllGenetics, Paleontology and Evolution, No. 2
By Jody Alexander
Located in Mill Valley, CA
Antique European linen, bookcloth from discarded library books, stencils, thread, mull, walnut dye, and Longstitch binding. Includes custom cla...
Category
2010s Contemporary Mixed Media
Hemingway and the Art of Awareness, No. 6
By Jody Alexander
Located in Mill Valley, CA
Reclaimed linen, bookcloth from discarded library books by Ernest Hemingway, stencils, thread, and mull with custom made clamshell box.
Category
2010s Contemporary Mixed Media
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Hemingway and the Art of Awareness, No. 2
By Jody Alexander
Located in Mill Valley, CA
Reclaimed linen, bookcloth from discarded library books by Ernest Hemingway, stencils, thread, and mull.
Category
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Materials
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Hemingway and the Art of Awareness, No. 1
By Jody Alexander
Located in Mill Valley, CA
Reclaimed linen, bookcloth from discarded library books by Ernest Hemingway, stencils, thread, and mull.
Category
2010s Contemporary Mixed Media
Seeds 4
By Jane Hambleton
Located in Mill Valley, CA
Graphite, acrylic gel medium, acrylics and oils on paper
Category
2010s Contemporary Mixed Media
Materials
Oil, Acrylic, Archival Paper, Graphite
Seeds 1
By Jane Hambleton
Located in Mill Valley, CA
Graphite, acrylic gel medium, acrylics and oils on paper
Category
2010s Contemporary Mixed Media
Materials
Oil, Acrylic, Archival Paper, Graphite
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Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
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