Vienna Secessionist Portrait Etching, 1920s
View Similar Items
1 of 7
Johannes FischerVienna Secessionist Portrait Etching, 1920sCirca 1920
Circa 1920
About the Item
- Creator:Johannes Fischer (1888 - 1955, German)
- Creation Year:Circa 1920
- Dimensions:Height: 17 in (43.18 cm)Width: 15 in (38.1 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:Vienna Secession
- Period:
- Condition:Light vintage patina due to age.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 601031stDibs: LU2982742482
You May Also Like
- Judgment HourBy Robert Flemming & Mizin ShinLocated in Buffalo, NYAn original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...Category
2010s Expressionist Figurative Prints
MaterialsPaper, Mixed Media, Drypoint, Etching, Aquatint, Photogram
- Morning Glow in LoveLocated in West Hollywood, CAABOUT THE PAINTING 40" X 28" Monoprint In this enchanting morning scene, the essence of love and connection amidst the beauty of nature is captured skillfully. The backdrop reveals a...Category
20th Century Expressionist Figurative Prints
MaterialsOil
- Genre Scenes Compositions - Original Artwork after Angelika Kauffmann - 1780Located in Roma, ITGenre Scenes Compositions is an original artwork realized in 1780s After Angelika Kauffmann. The artwork consist in a pair of mixed colored hand wa...Category
Late 18th Century Modern Figurative Prints
MaterialsPaper, Etching, Watercolor
- For Leslie Gore, Mo Tucker Laura Nyro and Mama Cass: What Girls Know About GridsBy Kiki SmithLocated in New York, NYKiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handm...Category
Early 2000s Contemporary Mixed Media
MaterialsMixed Media, Handmade Paper, Photographic Paper, Etching
- Hand Colored Etching Vintage Hollywood Legends Etching with Watercolor PaintingBy Ann ChernowLocated in Surfside, FLTitled: Avalon Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. Sheet measures 18-in. x 24-in. Image is smaller. please see photos. Ann Chernow, née Levy, born 1936 in New York City, is known for her portrait-style illustrations that evoke the images of female cinematic figures of the 1930s and 1940s. Born and raised in New York City, Chernow studied music and art from a young age and acquired an affinity for the arts. Chernow was exposed to several movies that left a lasting impression and prompted her to make the likenesses of leading ladies. Bette Davis, Joan Crawford, Norma Shearer and Katharine Hepburn were the subjects of some of her works in the late 1990s. Chernow has worked extensively in the mediums of lithograph, silkscreen, etching, and colored pencil. Her first formal art education was at the Memorial Art Gallery in Rochester in the early 1940s, where she attended art classes in the museum galleries. After her family moved to Flushing in 1946, she studied under a local Italian painter, Giuseppe Trotta. Years after taking lessons with Trotta, Chernow eventually entered the School of Fine Arts at Syracuse University in 1953, but transferred soon after to New York University, where she earned her Master of Arts degree in 1969. As an undergraduate and graduate at NYU (1955–69), Chernow studied under the direction of several artists. Her instructors and mentors included Howard Conant, Jules Olitski, Irving Sandler, Lawrence Alloway and Hale Woodruff, all of whom influenced her through their teachings and artistic viewpoints. Toward the end of her academic education and for a few years afterwards, she worked for the art educator Victor D’Amico, and taught at the studio school of the Museum of Modern Art (1966–71). In the 1950s, Chernow’s style was centered on colorful abstractions, which were influenced by Jean Dubuffet, who was famous during that period. She subsequently dabbled in a variety of styles in the 1970s, including pop art, huge billboard paintings, sepia drawings of individual women and colored pencil drawings. Feminist art. Already in 1968, she had begun to explore lithography, although she only began to work seriously in printmaking (both lithography and etching) in 1978. She reached the height of her career with a number of evocative paintings in the late 1980s and early 1990s, which depicted starlets of the 1930s and 1940s, as in Artist and Models (1998). In these later works, Chernow used close-ups of women who were quickly passed by the camera, as opposed to celebrated vintage Hollywood film...Category
1990s Pop Art Figurative Prints
MaterialsWatercolor, Etching
- Hand Colored Etching Vintage Hollywood Legends Etching with Watercolor PaintingBy Ann ChernowLocated in Surfside, FLTitled: Birds of a Feather Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. Sheet measures 18-in. x 24-in. Image is smaller. please see photos. Ann Chernow, née Levy, born 1936 in New York City, is known for her portrait-style illustrations that evoke the images of female cinematic figures of the 1930s and 1940s. Born and raised in New York City, Chernow studied music and art from a young age and acquired an affinity for the arts. Chernow was exposed to several movies that left a lasting impression and prompted her to make the likenesses of leading ladies. Bette Davis, Joan Crawford, Norma Shearer and Katharine Hepburn were the subjects of some of her works in the late 1990s. Chernow has worked extensively in the mediums of lithograph, silkscreen, etching, and colored pencil. Her first formal art education was at the Memorial Art Gallery in Rochester in the early 1940s, where she attended art classes in the museum galleries. After her family moved to Flushing in 1946, she studied under a local Italian painter, Giuseppe Trotta. Years after taking lessons with Trotta, Chernow eventually entered the School of Fine Arts at Syracuse University in 1953, but transferred soon after to New York University, where she earned her Master of Arts degree in 1969. As an undergraduate and graduate at NYU (1955–69), Chernow studied under the direction of several artists. Her instructors and mentors included Howard Conant, Jules Olitski, Irving Sandler, Lawrence Alloway and Hale Woodruff, all of whom influenced her through their teachings and artistic viewpoints. Toward the end of her academic education and for a few years afterwards, she worked for the art educator Victor D’Amico, and taught at the studio school of the Museum of Modern Art (1966–71). In the 1950s, Chernow’s style was centered on colorful abstractions, which were influenced by Jean Dubuffet, who was famous during that period. She subsequently dabbled in a variety of styles in the 1970s, including pop art, huge billboard paintings, sepia drawings of individual women and colored pencil drawings. Feminist art. Already in 1968, she had begun to explore lithography, although she only began to work seriously in printmaking (both lithography and etching) in 1978. She reached the height of her career with a number of evocative paintings in the late 1980s and early 1990s, which depicted starlets of the 1930s and 1940s, as in Artist and Models (1998). In these later works, Chernow used close-ups of women who were quickly passed by the camera, as opposed to celebrated vintage Hollywood film...Category
1990s Pop Art Figurative Prints
MaterialsWatercolor, Etching