Joseph Cornell

Untitled (Black Sand Box)

circa 1952

Milton Avery's "Seated Nude with Velvet Ribbon," created circa 1950, is a pencil on paper artwork measuring 13 3/4 x 16 3/4 inches, signed in ball-point pen and blue ink at the lower...

Milton Avery's "Standing Nude seen from Behind," created circa 1950, is a pencil drawing on cream wove paper measuring 11 x 8 1/2 inches, signed in pencil at the lower right recto. T...

"Untitled" (1969-1972) by Jack Youngerman is a unique color paper cutout and layered collage, measuring 11 x 11 inches, signed and dated by the artist. This striking work represents ...

This captivating mixed-media work by Hans Arp, titled *Poupée sur fond noir* (1960), exemplifies the artist's signature surrealist style, blending abstraction and organic forms. Sign...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Acrylic on canvas paper, mounted on masonite with black enamel painted frame.

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...