Kat Flyn
The Science is Not Settled
2020

Name: The Science is Not Settled
Brand: Kat Flyn
Price: 4423.17 AUD
Availability: InStock
Rating: 5 (36 reviews)

$2,800

£2,153.95

€2,500.12

CA$3,948.67

A$4,423.17

CHF 2,323.21

MX$53,784.36

NOK 29,419.43

SEK 27,926.95

DKK 18,659.36

About the Item

Of course, the Science is settled with regards to the connection between tobacco and lung cancer. In response to the impact this had on the tobacco industry, big corporations began viewing science and scientists with alarm. Consequently, we now find we can no longer agree on how to respond to current crises such as the Covid-19 pandemic and Climate Change as conservative forces cast doubt on whether or not the science is settled. KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art – a soft drink box into a tenement building (Affordable Housing 2017), a jewelry box into a wheel chair (Last Lily Foot 2016), an old shoe shine box into a hearse (Katrina 2018). The result is her work is closer in appearance to Folk Art than Assemblage Art. The artist says of her practice... Strictly speaking I am an assemblage artist, but in fact I construct more than assemble my works. I search out collectables, artifacts and wood carvings and then build scenes to make statements regarding American society. Even when using artifacts from earlier centuries, my theme is almost always about contemporary America. Social injustice, racism, sexism, and violence - aspects of our national psyche – exist in the present but have their seeds planted in our past. Additionally, the artifacts I use, often are meant to amplify the meaning of the work. For instance, the Black stereotype wood figures I use in many of my pieces were almost certainly crafted by a White person. By using such artifacts I ask: what kind of society produces such items in the first place? In my art I make a strict distinction between found objects and saved objects. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional value, having been discarded by its owner as worthless or broken. A saved object on the other hand has retained value, either because it was intrinsically valuable or because emotional value had been added to it (such as a photograph, an old shoe, a vintage toy) and consequently it was saved rather than discarded. The fact that I only use “saved objects” often results in viewers being attracted to the individual pieces within my works rather than seeing the narrative I am attempting to portray.

Creator:

Kat Flyn (1946, American)

Creation Year:

2020

Dimensions:

Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)Depth: 5 in (12.7 cm)

Medium:

Mixed Media

Movement & Style:

Contemporary

Period:

21st Century

Condition:

Gallery Location:

New Orleans, LA

Materials

Mixed Media, Wood

NO SENSE - 2018 Technique: Mixed media, collage and ink on grain paper 300 grs Dimensions: 24 x 30 cms Signed by the artist, with his certificate Cut out stickers, stick stickers and drop ink stains "... This is how Christophe Stouvenel says" KIKI "defines his No Sense series. Surrealist inspired and Dada, everything starts from the idea of assembling on paper grain, in the manner of a child but with the rigor of an adult, elements as disparate as shreds of old papers...

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