Katharine Weber

Blue Pond, Mixed Media on Canvas

2016

Step into the vibrant world of "Singapore Splendor," a groundbreaking limited edition series of diverse works of art that beautifully captures the essence of the incredible city-stat...

This piece is From the Artist's Personal Favorites Collection! TITLE: "SEMBLANCE OF ORDER" - SERIES: "Rhetorical Fallacies" Modern 3 Dimensional Painted Wood Relief Constructio...

A collage depicting travel through a maze of rocky slopes supporting various village and buildings. Acrylic and mixed media. Wired and ready to hang. :: Mixed Media :: Modern :: ...

Original Abstract Angel Red White Blue "New Media Art Form " & Mixed Media on Canvas. Huge minimalist inspirational art. My Abstract spiritual / metaphysical artworks combine new med...

found paper collage, acrylic & charcoal on art paper From the artists statement: Floral still life has been the primary theme in my work since 1993. Instead of a representational approach, however, I prefer an abstracted, "architectonic" view of my subject. I paint on constructions made of found wood and panels made of new wood (usually birch), sometimes using techniques borrowed from printmaking. I also create works on paper, including self-published prints. I create imagery by drawing with architects' tools (such as a french curve) and by collaging found elements from old books, magazines, postcards, and the like. I frequently use images from early 20th century books on mechanical drawing and engineering (a personal connection to my late father, about stories of paths not taken.) Formal concerns predominate over symbolic or emotional ones, informed by Minimalism and Pop, with a nod to Dada. Tactility and an obsession with surface are evident in all my work: encaustic-like waxy acrylic paint on found-wood constructions; sticky and mottled passages on lithographic monotypes; and matte and almost-porous-looking surfaces on found-paper collages. More recently I began using found diagrams and photos of gears...

William Haendel framed 16.75 X 17 paper 11.5 X 12.5 Bas relief on hand-made molded, cast, paper; Visual statement of modernist society’s role in conformity of the individual and acquiescence to nationalism. Toy Soldiers in tin, lead or plastic, cast into the paper. Bill Haendel...

Reginald Wilson was born in 1909 in the small town of Butler, Ohio. Determined from boyhood to be an artist, he arrived at the Art Students League of New York when he was twenty. He studied with John Stuart Currie, among others, meanwhile making a living with odd jobs like that of office boy or night watchman. He was an easel painter in the Federal Art Project and served for three years as an airplane mechanic in the US Army Air Force during World War II. He and the artist Carolyn Haeberlin were married in 1942, moving in 1945 to where they made their home in a 200-year-old farmhouse. Wilson’s paintings and works in other media were exhibited widely beginning in the 1940’s, in New York City and in major museums and universities across the country. In Woodstock he showed at a number of galleries including that of the Woodstock Artists Association where he won the 1973 Sally Jacobs-Phoebe Towbin Award. His mid-Twentieth century contemporaries included Karl Fortess...

Mixed media on Whatman board. Signed (at lower left): WINOLD/REISS