Kishio Suga

Parallel Universe (Mixed Media)

1989

What sets Nadira apart from her artistic peers, however, is the femininity of touch in her work. The Iraqi novelist, critic and artist, Jabra Ibrahim Jabra, wrote in 1983, ‘There is ...

What sets Nadira apart from her artistic peers, however, is the femininity of touch in her work. The Iraqi novelist, critic and artist, Jabra Ibrahim Jabra, wrote in 1983, ‘There is ...

What sets Nadira apart from her artistic peers, however, is the femininity of touch in her work. The Iraqi novelist, critic and artist, Jabra Ibrahim Jabra, wrote in 1983, ‘There is ...

What sets Nadira apart from her artistic peers, however, is the femininity of touch in her work. The Iraqi novelist, critic and artist, Jabra Ibrahim Jabra, wrote in 1983, ‘There is ...

Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

Yanira Collado (Dominican, American, 1975 ) "Que Ya Estan En El Olvido" Mixed Media unique fabric and painting assemblage collage on plywood Textile, clothing and found material on a custom-made frame. COA signed by the artist on 11/27/2020. Provenance: Oolite Arts, Miami Beach, where Collado was a resident artist. DIMENSIONS: H: 30" W: 24" As a child, Collado traveled between social structures: from Brooklyn, New York where she was born; to the Dominican Republic; to Miami, where her mother worked to become a tailor. Her use of construction materials summons the perception of a displaced personal and public history. She is a Caribbean African American artist with a Feminist leaning. In her practice, Collado displays an awareness of language conveyed through a keen analysis of identity, the latter referenced in her use of reclaimed literary texts and textiles, simultaneously opposed by various construction materials: wood, concrete, masonry brick, iron, and drywall. Materials with inherent geographic histories, processes, and economies imply varying degrees of personalized and public memory. "My connections are grounded to an alternate imagination: a Caribbean imagination and an alchemic consciousness. The Dominican Republic is a culturally rich country. Our musical narratives, folkloric traditions, oral histories, spiritual and supernatural beliefs are complex and embedded in our everyday life. All these components shaped my perceptions, sensibilities, and life experiences. I am always seeing the world through a Caribbean lens". Her artist residency fellowships include Bridge Red Art Center, North Miami, FL (2013-present), Project Row Houses, Houston, TX (2018), Oolite Arts, Miami Beach, FL (2019 – present), and the Joan Mitchell Foundation residency in New Orleans, LA (2020). She was awarded a South Florida Cultural Consortium Fellowship in 2021, and Ellie Creator Grant from Oolite in 2019, first place in the 2013 South Florida Biennial at the Art and Cultural Center/Hollywood, FL, and a Joan Mitchell Foundation Fellowship in 2018. Her work has been featured in group shows around the country including Perez Art Museum, Miami, FL; El Museo del Barrio, New York, NY; PRIZM Art Fair, Miami, FL; Storage Project Space, New York, NY; Oolite Arts, Miami Beach, FL; Project Row Houses, Houston, TX; Museum of Contemporary Art, North Miami, FL; Patricia & Phillip Frost Art Museum, Florida International University, Miami, FL; The Franklin, Chicago, IL; Florida Atlantic University, Boca Raton, FL; and NOVA University, Ft. Lauderdale, FL. Collado’s work was pictured in the Artforum Critic’s Pick, accompanying the review of Fragment, a group exhibition at Emerson Dorsch. In 2016, Collado had a one-person exhibit at the Museum of Art + Design at Miami Dade College, in collaboration with Bridge Red Studios. She had solo exhibitions with Dimensions Variable, Under the Bridge and Far Side Gallery in 2018. In 2019, an interview with her and Onajide Shabaka, mediated by Ryan N. Dennis, was published in BOMB Magazine. Her work is in the collections of Perez Art Museum Miami and El Museo del Barrio. Collado lives and works in North Miami, FL. SELECTED ONE & TWO-PERSON EXHIBITIONS 2022 Areíto/ Allusions of Sacred Geometry and Diaspora, Noyes Cultural Arts Center, Evanston, IL 2021 Alchemic Chants/ Reliquías Fragmentadas, Emerson Dorsch Gallery, 2018 Penumbras, Under the Bridge Art Space, Miami, FL Viento brujo, Farside Gallery, Miami, FL 2016 Original Conditions, MDC Museum of Art + Design/Bridge Red Studios, Miami, FL SELECTED GROUP EXHIBITIONS 2021 Under the Florida Sun: South Florida Cultural Consortium Fellowship Visual and Media Artists, curated by Mikhaile Solomon, Schmidt and Ritter Art Gallery, Florida. Exhibition Diverse Networks, Curate by Laura Marsh, Oolite Arts, Miami Beach, FL Performance 4 Ways: MY BODY, MY RULES, Perez Art Museum, Miami, This was an all-female group exhibition confronting the stereotypes, violence, limitations, and ideals imposed on the disputed image of the female body. The contemporary female image narrative through a feminist lens. The exhibition features artworks across all mediums, such as painting, sculpture, photography and video. Artists included Ida Applebroog, Ruth Bernhard, Louise Bourgeois, Patty Chang, Naomi Fisher, Anna Gaskell, Anna Bella Geiger, Andrea Geyer, Frances Goodman...

Laser cut plywood with oil and acrylic on canvas