Kohei Nawa

PixCell - Hanafuda #5 (Hanami-de-ippai)

2006

LOT:20231226S01 Paul Augustin Aïzpiri [Model Of Petrouchka] Artist signed in lower left and titled in lower center Mixed media on paper mounted on cardboard Unique

LOT:20220115M12 Printed signature under the feet Edition of 250 COA will accompany this work

LOT:20240327N01 Tomokazu Matsuyama [Soul Sister Dead End #4] Acrylic and mixed media on canvas Artist signed, inscribed '4, 2018 NYC' on the reverse Unique Provenance: from the artis...

LOT:20240327N02 Tomokazu Matsuyama [Soul Sister Dead End #6] Acrylic and mixed media on canvas Artist signed and dated '4, 2018 NYC' on the reverse Unique Provenance: from the artist...

LOT:20221222S01 Medium: Collage with colour samples and watercolour Estate stamp and dedication on the reverse Literature: Rotzler, Willy: Johannes Itten....

LOT: 20220810N02 Provenance: Mendes Wood

"Wine and Fish" is a framed mixed media on panel work by Dennis Campay, depicting a skillet with fish and vibrant sides alongside a glass of wine. Campay's painterly brushstrokes abs...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

Triple shot of Marilyn Monroe. Gold acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Would ship rolled from artists' studio. About the Artist: Russell...

Cédric Bouteiller is a French multidisciplinary urban artist known for his complex and layered mixed-media works. Born in 1970, he studied Fine Arts ...

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend as inspiration for pattern and color, as well as charts, iconography, and satellite imaging.' -Gin Stone...