Linda K Schinkel and Theodore M Schinkel

Mirror, Shrouded Path

2022

Eyes are windows to sentient beings' souls. This work is inspired by animals, humans and ecosystems living together in harmony where a symbiotic relationship exists. The souls seen a...

This work embraces when the pieces fit accessing the what one needs to achieve their goals. Simon Sinek (b. 1973), "Start with Why" inspired the artists in creating this work. Starti...

This work symbolizes the intuitive journey of an empath as she channels her inner knowledge. The work reminds viewers that they know more than they realize in fields of plenty in consciousness beyond the knowable realm. One is reminded to trust one's instinct, to take that leap of faith knowing that there is more there than meets one's eyes. In the reflection the viewer sees themselves and their surroundings as part of the Empath, allowing for a stronger connection with themselves and the world. Metalamirror™ works, build upon the duo's original artist process, Metalagram®, channeling their messages through a revolutionary medium comprised of one layer of handmade Metalagram® + one aligned layer of hand-made silver mirror. The Metalagram® layer, made with the artist duo's original artist process, exists as a separate layer under the aligned silver mirror. The artist duo creates this sculptural work at the intersection of old-world skills and 21st century technology. Lighting impacts this artwork with photons meeting the hand cut layered aluminum at different angles of incidence. Viewers' perception of the work changes as one navigates 180 degrees around the work. Spot lighting...

Viewers see and feel themselves gazing through this work in its' window of infinite possibilities. Einstein developed the ancient Greek philosophical nature of infinity. In this work...

This work mirrors back to viewers connecting with what is important and what is needed. Reflected in the broken shards of mirror, viewers become an integral part of the work. Autobio...

Past, present and future? Past is past, present is being present, and the future, well, who knows what lies ahead for each of us? Does one's mindset and ones's actions - both good an...

Stunning original mirror made by the artist, with 144 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly smaller mirror of the same style is available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

Stunning original mirror made by the artist, with 92 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly larger mirror of the same style is also available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

Ruth Asawa Bronze Flower, 1979 Cast Bronze relief plaque with original presentation box 5 1/4 × 6 1/4 × 1/4 inches Numbered from the Edition of 2500 Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright Cast at the Berkley Arts Foundry for Crown Zellerbach Ruth Asawa's estate is represented by David Zwirner. Unframed This beautiful, limited edition signed cast bronze flower plaque makes a distinctive and original gift! It bears the artist's incised signature and is uniquely numbered from the limited edition of 2500. In 1979, the Crown Zellerbach Corporation of San Francisco, which had worked closely with her on neighborhood arts programs, commissioned Asawa to make a series of bronze bas-relief plaques, including this beautiful piece, which were cast by the Berkeley Arts Foundry. Cast at Berkley Arts Foundry for Crown Zellerbach Another example of this work was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 13 of the exhibition catalogue. Ruth Asawa Biography American artist, educator, and arts activist Ruth Asawa (1926-2013) is known for her extensive body of wire sculptures that challenge conventional notions of material and form through their emphasis on lightness and transparency. Born in rural California, Asawa was first exposed to professional artists while her family and other Japanese Americans were detained at Santa Anita, California, in 1942. Following her release from an internment camp in Rohwer, Arkansas, eighteen months later, she enrolled in 1943 in Milwaukee State Teachers College. Unable to receive her degree due to continued hostility against Japanese Americans, Asawa left Milwaukee in 1946 to study at Black Mountain College in North Carolina, then known for its progressive pedagogical methods and avant-garde aesthetic environment. Asawa's time at Black Mountain proved formative in her development as an artist, and she was particularly influenced by her teachers Josef Albers, Buckminster Fuller, and the mathematician Max Dehn. She also met architectural student Albert Lanier, whom she would marry in 1949 and with whom she would raise a large family and build a career in San Francisco. Asawa continued to produce art steadily over the course of more than a half century, creating a cohesive body of sculptures and works on paper that, in their innovative use of material and form, deftly synthesizes a wide range of aesthetic preoccupations at the heart of postwar art in America. Asawa’s work has been exhibited widely since the early 1950s, including early solo exhibitions at Peridot Gallery, New York in 1954, 1956, and 1958. In 1965, Walter Hopps organized a solo exhibition of the artist’s sculptures and drawings at the Pasadena Art Museum (now Norton Simon Museum) in California, where Asawa completed a residency at the Tamarind Lithography Workshop the same year. Other solo presentations include those held at the San Francisco Museum of Art (1973); Fresno Art Museum, California (2001; traveled to Oakland Museum of California, 2002); de Young Museum, San Francisco (2006); Amon Carter Museum of American Art, Fort Worth, Texas (2012); and Norton Simon Museum of Art, Pasadena, California (2014). In 2018 to 2019, the Pulitzer Arts Foundation in St. Louis presented Ruth Asawa: Life’s Work, the first major museum exhibition of the artist’s work in more than a decade. An accompanying catalogue published by Pulitzer Arts Foundation and Yale University Press includes essays by Aruna D’Souza, Helen Molesworth, and Tamara H. Schenkenberg. The two-person exhibition, Lineage: Paul Klee and Ruth Asawa was on view at the San Francisco Museum of Modern Art in 2021. In 2022, Ruth Asawa: Citizen of the Universe was on view at Modern Art Oxford, England, and later traveled to the Stavanger Kunstmuseum, Norway. Opening September 16, 2023 at the Whitney Museum of American Art, New York is Ruth Asawa: Through Line, a solo presentation which will later travel to the Menil Drawing Institute in Houston. The artist’s works have also been included in significant group exhibitions, including Leap Before You Look: Black Mountain College 1933–1957, Institute of Contemporary Art, Boston (2015; traveled to Hammer Museum, Los Angeles, and Wexner Center for the Arts, Columbus, Ohio, 2016-2017); America Is Hard to See, Whitney Museum of American Art, New York (2015); Revolution in the Making: Abstract Sculpture by Women, 1947–2016, Hauser & Wirth, Los Angeles (2017); Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York (2017); The Pencil Is a Key: Drawings by Incarcerated Artists, The Drawing Center, New York (2019); and In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury, Art Institute of Chicago (2019). A selection of the artist's work was presented at the 59th Venice Biennale, The Milk of Dreams (2022). In addition to her wire sculptures, Asawa is well known for her public commissions, particularly in San Francisco and the wider Bay Area. These include the much beloved Andrea fountain in Ghirardelli Square (1966-1968) and the San Francisco Fountain outside the Grand Hyatt Union Square (1970-1973), the latter of which includes hundreds of baker’s clay images molded by local schoolchildren, friends, and other artists cast...

"Marilyn" 2017, by Carlos Alejandro Measures: 11.25" x 9.25" x 2" One of a kind piece, mixed media on wood 2017 Art is a way of living. For Carlos Ale...

Zane Elerte (1987) StoneGod Medal, brushed, polished granite, 75x11x40 mm "StoneGod" is a medal made of brushed and polished granite. The dimension...

Pablo Picasso ceramic Visage de femme (Woman's Face), 1953 is a vibrantly colored pitcher decorated with contrasting saturated greens against chestnut ...