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Louis ReillyVase2019
2019
About the Item
Louis Reilly
Title : Vase
Materials : soda fired stoneware
Date : 2019
Dimensions : 14x6x6inches
Kansas City ceramicist, Louis Reilly addresses issues of history and culture. Though his exploration stays within the context of ceramic culture and its role in society. Reilly's vessels in Current Works represent his continued curiosity in the history of ceramics while striving to seek new paths in soda firing. Pots with a taut shape are softened by the buildup of glaze and pattern on the surface of the pieces during firing. The contrast of a structured form and soft surface has gripped Reilly's interest throughout his career.
Contemporary Ceramics, Ceramicware, Stoneware, Soda Fire, Functional Ceramics, Peter Voulkos, Bernard Leach, Lucie Rie, Otto Heino, Vivika Heino, Toshiko Takaezu, Edith Heath, Alison Britton, Ken Eastman, Rupert Deese, Shoji Hamada, George Ohr, American Ceramicists
- Creator:Louis Reilly
- Creation Year:2019
- Dimensions:Height: 14 in (35.56 cm)Width: 6 in (15.24 cm)Depth: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:Seller: LOR_1905_0071stDibs: LU60834505581
About the Seller
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Artist : Stephanie Lanter
Title : "Attached"
Materials : Porcelain, glaze, stoneware, wire, thread
Date : 2020
Dimensions : 20" x 9" x 8.5"
Description : Manually slip-trailed sculpture...
Category
2010s Contemporary Mixed Media
Materials
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$2,750 Sale Price
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Gray Whale
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa
Gray Whale
Medium: Black stoneware and white slip
Year: 2021
Size: 25" x 13" x 6.5"
Description: Slip-trailed skeleton sculpture
Signed
COA provided (by representing gallery)
------------------------------
ARTIST STATEMENT
“We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek
The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human.
BIO
Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category
2010s Contemporary Sculptures
Materials
Slip, Stoneware
Price Upon Request
Yellow Stingray
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa
Yellow Stingray
Medium: Black stoneware and white slip
Year: 2021
Size: 10" x 19.5" x 2"
Description: Slip-trailed skeleton sculpture
Signed
COA provided (by representing gallery)
------------------------------
ARTIST STATEMENT
“We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek
The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human.
BIO
Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category
2010s Contemporary Sculptures
Materials
Slip, Stoneware
Price Upon Request
Fruit Bat
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa
Fruit Bat
Medium: Black stoneware and white slip
Year: 2021
Size: 28" x 10" x 3"
Description: Slip-trailed skeleton sculpture
Signed
COA provided (by representing gallery)
------------------------------
ARTIST STATEMENT
“We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek
The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human.
BIO
Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category
2010s Contemporary Sculptures
Materials
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Price Upon Request
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By Stephanie Lanter
Located in Kansas City, MO
Stephanie Lanter
Title : "If Nothing Else"
Materials : Porcelain, glaze, stoneware
Date : 2019
Dimensions : 15" x 15.5" x 8"
Description : Manually sl...
Category
2010s Contemporary Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Price Upon Request
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By Stephanie Lanter
Located in Kansas City, MO
Stephanie Lanter
Title : "You"
Materials : Porcelain, glaze, stoneware
Date : 2019
Dimensions : 15" x 10" x 6"
Description : Manually slip-trailed word sculpture on coil built pedestal
Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.”
Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh, Eva Hesse, Lee Bontecou, Judith...
Category
2010s Contemporary Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Price Upon Request
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