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Style: Contemporary
Medium: Archival Paper
Cut Work: "Blue Grey Circle Out'
Located in New York, NY
Elizabeth Gregory-Gruen’s Cut Work series is a free hand paper cutting process that charts the contours of our ever-changing emotional experience through the movement of form, line, ...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Adhesive, Archival Paper
They Surveyed the Mountain Peak as a Philosophical
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Basket
By Nancy Baker
Located in New York, NY
paper construction on wood panel
9"x 12" (available unframed)
Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on ma...
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Glitter, Mixed Media, Paint
The Forward March Loses Ground
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
She’s Come Undone from the Chasing the Fog:Learning How to Breathe Series
Located in Los Angeles, CA
Archival pigment prints from a scanned polaroid, taken with a vintage SX70 Polaroid camera
Available in various sizes
Chasing the Fog :: Learning how to Breathe is an exploration of...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Thread, Acrylic, Archival Paper
"$4.20" by Charles Patrick with Mixed Media Butterflies
Located in Greenwich, CT
This work is sourced directly from the artist.
Butterflies cut from $2 bills, arranged in the shape of a pot leaf, and pinned with stainless steel entomology ...
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Canvas, Plexiglass, Wood, Paint, Paper, Acrylic, Pins, Archival Paper
To Break To Blossom 23-12
Located in New York, NY
Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Watercolor, Archival Paper
Footprints
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Ink, Archival Paper
Into Mystery Land
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Territory Over Land
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
No Such Border
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Geological Markers
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Architecture of the Anthropocene
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
I Am EWxited
Located in Lake Worth Beach, FL
I Am EWxited 2018
Pencil signed, title and dated.
Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a painter...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Acrylic, Archival Paper
"Purple Mountain with Boomerang, " Original Mixed Media on Paper by David Barnett
Located in Milwaukee, WI
"Purple Mountain with Boomerang" is an original mixed media piece by David Barnett, signed in the lower left corner. This tiny painting features a mounta...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper, Giclée
'Treading Water in The Deep End #2' - figurative - black & white - Kara Walker
Located in Atlanta, GA
'Treading Water In The Deep End #2' is a black and white figurative work made of cut paper.
Jerushia Graham is inspired by the works of Elizabeth Cat...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper
'Treading Water in The Deep End #2' - figurative - black & white - Kara Walker
Located in Atlanta, GA
'Treading Water In The Deep End #2' is a black and white figurative work made of cut paper.
Jerushia Graham is inspired by the works of Elizabeth Cat...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper
'Treading Water in The Deep End #5' - figurative - black & white - Kara Walker
Located in Atlanta, GA
'Treading Water In The Deep End #5' is a black and white figurative work made of cut paper.
Jerushia Graham is inspired by the works of Elizabeth Cat...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper
I Mirror
Located in Boca Raton, FL
(85 x 61 inch framed + $2,400)
New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social m...
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Mirror Metamorphosis II
Located in Boca Raton, FL
48 x 48 inch framed + $2,000
New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hands held to the face shield...
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Butterfly with Mended Wing #2
Located in Los Angeles, CA
Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Thread, Acrylic, Archival Paper
Ethereal Lake
Located in New Orleans, LA
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plaster, Charcoal, Tar, Archival Paper, Photographic Paper
Boys Club
Located in New Orleans, LA
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plaster, Charcoal, Tar, Archival Paper, Photographic Paper
Ice Showers
By Nancy Baker
Located in New York, NY
paint and mixed media on cut paper
9"x 9" (available framed)
Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on mac...
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Acrylic, Archival Paper, Mixed Media
Taking Place
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Ink, Archival Paper
Drawing in Water
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Ink, Archival Paper
The Fatigue of the Conquest
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Ink, Archival Paper
The Second Flight
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Aerial Exploration
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Undercurrents
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
The Plume of Nationalism
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Henson and Peary - Past Entanglements
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Ghost in the Land
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
BF Algae 1 Green & Red
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
BF Algae 2
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Wet Lands
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Meandering - Loss and Hope
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Eco-sphere Biosphere Stratosphere
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Geo-Frack Run Off I
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
The Divide Polarized
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Outlander, Contemporary Photographic Collage by Justine Kurland
By Justine Kurland
Located in New York, NY
Outlander, Contemporary Photographic Collage by Justine Kurland
Justine Kurland “Outlander”
2022
Signed
Collage (Unique)
48 x 43.5 inches
Contact gallery for price.
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Photographic Paper
Blue
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 22 x 16 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Spray Paint, Acrylic, Archival Paper
Pink
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 22 x 16 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Spray Paint, Acrylic, Archival Paper
Green
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 18 1/2 x 14 1/2 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Spray Paint, Acrylic, Archival Paper
Orange
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 18 1/2 x 14 1/2 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Acrylic, Spray Paint, Archival Paper
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Located in Santa Fe, NM
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Ink, Archival Paper
Heart Message, by Melanie Yazzie, work on paper, framed, yellow, abstract, blue
Located in Santa Fe, NM
Framed work on paper with monotype elements
Hand pulled and painted 1/1 unique work of art
As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage....
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plexiglass, Mixed Media, Archival Paper, Monotype
Diana vs Grace
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plexiglass, Archival Ink, Mixed Media, Archival Paper, Archival Pigment
JFK vs Jackie & Jackie vs JFK
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plexiglass, Archival Ink, Oil, Archival Paper, Archival Pigment
Desert Sands, 2022, beadwork on paper, bead art, landscape, cactus, cacti, sky
Located in Jersey City, NJ
Pop and Contemporary Pop / Figurative Art / Use of Common Materials
Desert Sands, 2022, beadwork on paper, bead art, landscape, cactus, cacti, sky, skyscape, mountainscape, plant life, desert scape
Delightful beadwork by Molly Craig...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Glass, Archival Paper
CUSTOM Contemporary Art, Gold Leaf Portrait, Modern Art-Harmony
Located in Delaware , OH
CUSTOM Contemporary Art, Gold Leaf Portrait, Modern Art-Harmony
ABOUT THIS PIECE:
“Harmony, (Behtyie-A13)” is mixed media portrait art by Addison Jones featuring her own portrait ph...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Gold Leaf
"Fan Dancer", Hand-Cut Black Paper, Figurative, Woman with Fan, Illustration
By Joe Boruchow
Located in Philadelphia, PA
Boruchow's paper cutout is float-mounted over satin to give the shadows of the details visibility. The piece is in an archival custom frame with UV protective, low-glare, museum glass.
Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe Strauss.
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Archival Paper
Vanitas: The Deluge - Full Series of Four
By Joe Boruchow
Located in Philadelphia, PA
American artist Joe Boruchow's hand-cut paper series, "Vanitas: The Deluge," is custom float-mounted over satin to give the shadows of the details visibility. Each piece in this tetraptych is in a separate 26½”h x 23¼”w archival custom frame with UV protective, low-glare, museum-rated glass as pictured.
Please note: This listing is for the full series of four pieces pictured, which are sold together as a tetraptych/quadriptych piece of artwork. Please send us a direct message if you would like to see additional images of the artwork.
Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe...
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Archival Paper
Signals
By Joe Boruchow
Located in Philadelphia, PA
Boruchow's paper cutout is float-mounted over satin to give the shadows of the details visibility. The piece is in an archival custom frame with UV protective, low-glare, museum glass.
Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe Strauss.
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Archival Paper
"Metronome" Framed cut paper
By Joe Boruchow
Located in Philadelphia, PA
Joe Boruchow's paper cutout is float-mounted over satin to give the shadows of the details visibility. The piece is in an archival custom frame with UV protective, low-glare, museum glass. This piece measures 14⅝”h x 9⅛”w in the pictured black frame.
Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe Strauss.
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Archival Paper
Archival Paper mixed media for sale on 1stDibs.
Find a wide variety of authentic Archival Paper mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Hiro Yokose, Jessica Houston, Kim Frohsin, and Audrey Anastasi. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper mixed media, so small editions measuring 0.1 inches across are also available