Digital Mixed Media

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 14 x 18 x 1.5 and it is Hand Embellished Giclee print on Canvas with UV Gloss Varnish. A certificate of authent...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...

"Chateau Marmont" Unique work 41" x 61.5" in by Oleg Char x James Peter Henry Medium: Hahnemühle Baryta Paper Work by Oleg Char x James Peter Henry Medium: Hand embellished Hahnemüh...

Vitiligo People # 4, 2001 is a felt permanent pen on lambda print mounted on aluminium. The work belongs to a series of 7 unique drawings on lambda print, all realized by Nedko Solakov...

Item Description Light Canvas III Sintra Print 31 X 79 inches high resolution video and video player 2.5 minutes loop edition 6 of 6 + AP This item needs a projector- not included in...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Monica DeSalvo’s “Space Junk” is a 22 x 30 inch surreal collage on a digital enlargement of an abstract acrylic monotype with pink, tan, orange, peach, sage, and white. Soft textures and depth are created by the uneven distribution of color and layering a day’s worth of final pulls with a Gelli plate, capturing faint impressions of items such as a feather. Collage elements include monotype fragments with botanical forms and vintage textbook...

Moments of Joy Painting Art Hand Textured Giclee on Canvas 45x45" Pink Blue State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited editi...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Materials : Multimedia Date : 2016 Dimensions : 6″ x 2″ x 8″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these...

Paul Kostabi - "Heading to Miami". Giclée print on heavy handmade cotton paper. Hand signed and numberd. Editions: 75. A beautiful artwork that looks good in every room and espec...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956 Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2013–2014 Winter Blues, Nancy Hoffman...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Collaged digital images from a circuit board on Epson archival paper, printed with Epson archival ink, mounted on archival museum board with MDF and wood backing. In Lay’s collag...

Wolfgang Hutter - "The first stars and the sky of the Aphrodite". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in ever...

Glowing Rose [2021] limited_edition Giclee print Edition number 20 Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:98 cm x W:96 cm x D:0.1cm Sold Unframed Pleas...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

TECHNIQUE DIGITAL PROCESSING SINCE 1999 From PHOTO-PAINTING comes in 1999 the DIGITAL PROCESSING with which I replaced the BRUSH with the MOUSE to digitally fill the gaps left by the...

MOTHERHOOD  THIS WORK (R:0370) of 1983 entitled "Motherhood of olive" combines the love for the countryside to what I had inside me for my mother. But it also comes from a large oliv...

THE DOVE This work R:6787 of 2020 is a tribute to the dove, symbol of candor, that freed the world from the Coronavirus! For me it became the symbol of all those doctors, nurses and ...

Monica DeSalvo’s “We didn’t take the plane—the plane took us!” is a lively 30 x 22 inch surreal collage on paper. Abstract areas of lime green, red, royal blue, and deep yellow embed...

This piece titled "Buscando un Tesoro I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 20"h ...

This piece titled "Buscando un Tesoro II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This piece measure 20"h ...

This piece titled "Buscando un Tesoro III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 20"...

This piece titled "Es Imaginario Pero Refiere a Lo Real III, Knife Drawing" is an original piece by Lucha Rodíguez and is made from hand scoring giclée print on metallic paper. This ...

This piece titled "Es Imaginario Pero Refiere a Lo Real II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This ...

This piece titled "Es Imaginario Pero Refiere a Lo Real I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This pi...

This piece titled "Orientarse o Perderse VI, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 1...

This piece titled "Orientarse o Perderse V, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 17...

This piece titled "Orientarse o Perderse IV, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 1...

This piece titled "Orientarse o Perderse III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure ...

This piece titled "Por Ahí Voy I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"w ...

This piece titled "Refugio o Trampa IV, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 7"h x ...

This piece titled "Por Ahí Voy III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"...

This piece titled "Por Ahí Voy II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This piece measure 12"h x 12"w ...

This piece titled "Espectáculo de Proximidad III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece meas...

This piece titled "Espectáculo de Proximidad II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand-scoring on metallic paper. This piece measure 5.5"h x 5....

This piece titled "Espectáculo de Proximidad I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring on metallic paper. This piece measure 5.5"h x 5.5...

Intersection of the jungle and the animals living in the wild can be experienced in this work. The artwork "Hungry Eyes", a Metalamirror - a multilayered handmade sculptural work on ...

JJ Adams 2015 collection, "The X-Ray Illuminated Light Box Series" was an illuminated light-box (original) followed by a limited edition digital print release...

THIS WORK (R:0260) of 1994 is a self-portrait made with the technique PHOTOPITTURA with the photographic element represented by a part of my face inserted in a two-dimensional painte...

THIS WORK (R:0345) of 1987 entitled "City against nature" represents the cementification of the territory, necessary to build high-rise buildings, which involves desertification symb...

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956 Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2013–2014 Winter Blues, Nancy Hoffman...

This piece titled "Surge" is an original piece by Han Cao and is made from embroidery, inkjet print, and a vintage photograph. This piece measures 15.25"h x 12.25"w framed and is shi...

This piece titled "Fallen" is an original piece by Han Cao and is made from embroidery, inkjet print, and a vintage photograph. This piece measures 21" x 17.25" framed and is shipped...

This piece titled "Sakura" is an original piece by Han Cao and is made from embroidery, inkjet print, and a vintage photograph. This piece measures 21.25"h x 17.25"w framed and is sh...

Cropped and deconstructed images of a Kauai beachfront, palm trees and a pair of roosters are represented on 14 x 11 inch Yupo translucent paper in Patty deGrandpre’s contemporary abstract mixed media print titled “Two Roosters Running Amok on Poipu Beach”. This one of kind piece pays homage to this notorious Kauai beach and the roosters and chickens that have become so familiar to the Hawaiian Islands. DeGrandpre thoughtfully combines and layers block printing ink and digital inkjet in hues of blue, orange, yellow, red, and gray. A screen of clouds provides both contrast and texture within the distinct fields of vivid color and the pair of red roosters to create this graphic interpretation of a tropical Hawaiian landscape...

This hybrid representational and abstracted work unites wispy urban palms with world's beyond the visible eye. Influenced by tarot card and palm reading mystics, viewers can find foo...

Monica DeSalvo’s “Lucidity” is a 38 x 24 inch digital reproduction of a surreal collage on paper embellished with mixed media. Yellow arcs cascade into ...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand ...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956. Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2013–2014 Winter Blues, Nancy Hoffman...