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Style: Contemporary
Medium: Ink
Linda Stein, Stillness and Diversity in Town 999 Contemporary 3D Drawing Collage
Located in New York, NY
Linda Stein, Stillness and Diversity in Town 999 - Contemporary 3D Sculptural Drawing Collage
In 2000, Linda Stein began a series called Knights of Protection. Her Knights functio...
Category
2010s Contemporary Ink Mixed Media
Materials
Cotton, Paper, Ink, Magazine Paper
Hear This
Located in Detroit, MI
Nashville and the string theory at the intersection of music + technology ground and provide inspiration for this work. The "Ghost Ballet for the East Bank Machine...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Metal
A Prominent Greek Profile 997 - 3D Sculptural Drawing Collage
Located in New York, NY
In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism.
In 2019, Stein re-conceived her Knights in a series called Knights, Revisited. A Prominent Greek Profile...
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink, Cotton, Board, Magazine Paper
"The Angel" by Anna Pennati - from William Blake and George Byron poems
Located in Milano, MI
Inspired by William Blake's poem "The Angel"
Exhibited in Milan (Italy) in 2005. Part of a series o 10
Exclusively on 1stdibs
measures are referred to the painting. Passepartout is ...
Category
Early 2000s Contemporary Ink Mixed Media
Materials
Paper, Oil Pastel, Ink, Acrylic
"Kitchen Melody 05" by Anna Pennati, ink on paper
Located in Milano, MI
Kitchen Melody is a series of ink-on-paper works inspired by kitchen utensils.
This work depicts the juicer
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
"Kitchen Melody 03" by Anna Pennati, ink on paper
Located in Milano, MI
Kitchen Melody is a series of ink-on-paper works inspired by kitchen utensils.
A corkscrew is depicted in this work.
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
"Kitchen Melody 02" by Anna Pennati, ink on paper
Located in Milano, MI
Kitchen Melody is a series of ink-on-paper works inspired by kitchen utensils.
This work depicts a coffee maker.
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
"Kitchen Melody 01" by Anna Pennati, ink on paper
Located in Milano, MI
"Kitchen Melody" is a series of ink-on-paper works inspired by kitchen utensils.
A blender is depicted in this work.
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
Stephanie Todhunter, Donna, Mixed Media, 2019
Located in Boston, MA
Artist: Stephanie Todhunter
Title: Donna
Year: 2019
Size: 8"x7"x4"
Material: Plaster of paris, found objects, spraypaint, alcohol inks
Category
2010s Contemporary Ink Mixed Media
Materials
Plaster, Found Objects, Ink, Spray Paint
Taking Place
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Archival Paper
Drawing in Water
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Archival Paper
The Fatigue of the Conquest
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Archival Paper
Untitled (Dolls and Children)
Located in New York, NY
James Louis Steg
Untitled (children playing and dolls)
30 x 22 “
Xerography on paper on paperboard
Unsigned
This is a unique work, a collage made from manipulated xerography.
James...
Category
1990s Contemporary Ink Mixed Media
Materials
Ink, Laid Paper, Black and White
Ritmo del Despertar-Contemporary, Japanese, Fantasy, Natural Materials
By Mari Ito
Located in Barcelona, Catalonia
Complete title: El Origen del Deseo - Ritmo del Despertar
(The Origin of Desire -Awakening Rhythm)
Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style ...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment
My Dress Bruce - Ltd Ed
By Kat O'Neill
Located in New York, NY
Composite of two photographs and label maker words that say Back off Caitlyn it is mine. A homage to the new Bruce Jenner. Both photographs shot in low...
Category
2010s Contemporary Ink Mixed Media
Materials
Metal
Religious Map - 21st Century, Contemporary, Old Paper, Medieval Ink, Collage
Located in Barcelona, Catalonia
Collage on canvas
“From an early age, I was known as the “searcher”. I was attracted to the spiritual side of life, its abstract qualities. My father, a dentist and antique dealer, ...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Canvas, Paper, Parchment Paper, Ink
Bark Framed #2
By Maria Elena González
Located in New York, NY
Cuban-born artist María Elena González is an internationally recognized sculptor based in Brooklyn, NY, and San Francisco, CA. González interweaves the conceptual with a strong dedic...
Category
2010s Contemporary Ink Mixed Media
Materials
Driftwood, Ink, Cardboard
Winter Air, Mixed Media Paper, Japanese Visual Artist, Sheep, Disegno, Hatching
Located in Knowle Lane, Cranleigh
Hideyuki Sobue is a visual artist from Japan, and a graduate of the Osaka University of Arts. He is based in the Lake District, UK, and specializes in drawing and painting—two artist...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Acrylic
ADORATION No. 2
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: ADORATION No.2
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 32" x 32"
Signatu...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
DESTINATION No. 4
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: DESTINATION No.4
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 36" x 36"
Signa...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
LAST LIGHT No. 3
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: LAST LIGHT No. 3
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 42" x 42"
Signa...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
NEMESIS No. 1
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: NEMESIS No. 1
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 20" x 50"
Signatur...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
HEART OF THE ANDES No. 2
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: HEART OF THE ANDES No.2
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 32" x 48...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
ECHO No. 4
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: ECHO No.4
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 40" x 16"
Signature: ...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
NAVIGATE No. 1
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: NAVIGATE No.1
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 36" x 36"
Signatur...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
"Lost on the Range", Portrait Art Painting, 2020
Located in Delaware , OH
"Lost on the Range", Portrait Art Painting, 2020
Lost on the Range is a Mixed Media Portrait Art Painting piece by Addison Jones. It was created using a collage-style layering tech...
Category
2010s Contemporary Ink Mixed Media
Materials
Canvas, Paper, Ink, Acrylic
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Located in Santa Fe, NM
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Category
2010s Contemporary Ink Mixed Media
Materials
Archival Ink, Archival Paper
A Thousand Kisses Deep, Lichtenstein vs Warhol
Located in New York, NY
Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...
Category
2010s Contemporary Ink Mixed Media
Materials
Stainless Steel
Diana vs Grace
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Ink Mixed Media
Materials
Plexiglass, Archival Ink, Mixed Media, Archival Paper, Archival Pigment
JFK vs Jackie & Jackie vs JFK
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Ink Mixed Media
Materials
Plexiglass, Archival Ink, Oil, Archival Paper, Archival Pigment
"Globalist Girl" Black, Gray, and Green Abstract Figurative Painting
By Mark Flood
Located in Houston, TX
Abstract contemporary figurative painting by Houston, TX artist Mark Flood. The piece depicts an abstract figure of a woman against a dark, grungy background. The artist signed the p...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Canvas, Acrylic, Archival Ink
Burnt Offering AP No. 2
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: Burnt Offering AP No. 2
Date: 2023
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Pastel, Ink, Oil, Photographic Paper
Hypnosis No. 3 (Tondo)
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: Hypnosis No. 3 (Tondo)
Date: 2023
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 30" x 30"...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Pastel, Ink, Oil, Photographic Paper
Untitled
Located in New York, NY
Signed and dated, l.r.
Ink on paper
Contact gallery for price.
This work is offered by CLAMP in New York City.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
"Take Off Your Close" Neutral Toned Abstract Contemporary Mixed Media Painting
By Mark Flood
Located in Houston, TX
Abstract contemporary archival ink on canvas by Houston, TX artist Mark Flood. The piece depicts a female celebrity with the words "take off your close" superimposed. The artist sign...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Canvas, Archival Ink
"Google Intermediary Morgue" Blue, Red, and Green Google Logo Abstract Painting
By Mark Flood
Located in Houston, TX
Abstract contemporary archival ink on canvas by Houston, TX artist Mark Flood. The piece depicts a distorted logo of Google against a gray background. The artist signed the piece on ...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Canvas, Archival Ink
"Skull Emoji" Blue, Black, Gray and White Emoji Abstract Contemporary Painting
By Mark Flood
Located in Houston, TX
Contemporary abstract archival ink print on canvas by Houston, TX artist Mark Flood. The piece depicts a text block with 171 skull emojis. The artist signed the piece on the back of ...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Canvas, Archival Ink
Sacrifice No. 2, Tondo
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: Sacrifice No. 2, Tondo
Date: 2022
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 42" x 42"...
Category
2010s Contemporary Ink Mixed Media
Materials
Birch, Pastel, Ink, Oil, Photographic Paper
Do Not Open 'Til Happy Hour
By Jack Smith
Located in New York, NY
Jack Smith Do Not Open ‘Til Happy Hour
c. 1960s
Pen on manila folder
12 x 9.5 inches
Contact gallery for price.
This work is offered by ClampArt in New York City.
Category
1960s Contemporary Ink Mixed Media
Materials
Paper, Ink, Pen
Der Mann, Homage to Egon Schiele, nude
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A dressed man is holding a woman's head in his hands. The woman knees and e...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
Schuhe, Strümpfe, Rock, Homage to Egon Schiele, nude
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A woman from behind with raised skirt and stockings.
The base is a photogr...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
Kauernder Mann, Homage to Egon Schiele, nude
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked man in crouching position.
The base is a photograph with painted n...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
Leidenschaft, Homage to Egon Schiele, nude
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
Two naked men in a passionate embrace.
The base is a photograph with paint...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
FRAU SCHUHE ANZIEHEND; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked woman is sitting on a bed and puts on her boots.
The base is a pho...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
MÄDCHEN IM BETTLAKEN; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked girl is lying in bedlinen.
The base is a photograph with painted ...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
MEIN KÖRPER GEHÖRT MIR; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked woman grabs her breasts.
The base is a photograph with painted nak...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
MANN UND FRAU AUF SOFA; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked woman is lying on a bed and a man with only pants on stands over he...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
DIE LAUFMASCHE; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked woman is kneeing and has a ladder in her stocking.
The base is a p...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
Das moderne Paar; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A dressed man is holding a woman's head in his hands. The woman knees and e...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
FRAU SITZEND MIT SCHWARZEN STRÜMPFEN; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked woman is sitting with crossed legs in a thinking pose.
The base is...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
MANN MIT MANTEL; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
A naked man wears a coat and covers his shame with his hands..
The base is...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Pencil, Archival Pigment
DIE FREUNDINNEN AUF DEM BETT; Homage to Egon Schiele
By Iris Brosch
Located in München, BY
UNIQUE PIECE
from the series "Our body belongs to us" - Homage to Egon Schiele
unique painted photographs
2 naked girls lying on a bed and touching each other.
The base is a photog...
Category
2010s Contemporary Ink Mixed Media
Materials
Archival Pigment, Ink, Pencil
Goofer Dust Blues
Located in Kansas City, MO
Artist : Jolynn Reigeluth
Title : Goofer Dust Blues
Materials : Etching, collage and watercolor
Date : 2016
Dimensions : 15" x 12" in.
Jolynn Reigeluth is an artist and freelance Gr...
Category
2010s Contemporary Ink Mixed Media
Materials
Printer's Ink, Watercolor, Color, Etching, Monoprint
Forbidden Fruit: Adam
Located in Kansas City, MO
Artist : Jolynn Reigeluth
Title : Forbidden Fruit: Adam
Materials : Etching, collage and watercolor
Date : 2018
Dimensions : 19" x 13" in.
Jolynn Reig...
Category
2010s Contemporary Ink Mixed Media
Materials
Printer's Ink, Watercolor, Color, Etching, Monoprint
45 Caliber Derringer
Located in New York, NY
45 Caliber Derringer, 2016
Mixed media on paper
9 x 12 inches
Category
2010s Contemporary Ink Mixed Media
Materials
Archival Ink, Mixed Media
Light Creates Shade III
By Chaco Terada
Located in Sante Fe, NM
Chaco Terada’s work addresses notions of light, time, and space – but in a completely unique fashion. Printed on two layered silk screens bound and separated by mats, her images lite...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Archival Pigment, Silk, Sumi Ink
Nocturne I
By Chaco Terada
Located in Sante Fe, NM
Chaco Terada’s work addresses notions of light, time, and space – but in a completely unique fashion. Printed on two layered silk screens bound and separated by mats, her images lite...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Archival Pigment, Silk, Sumi Ink
Ink mixed media for sale on 1stDibs.
Find a wide variety of authentic Ink mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Irena Orlov, Francisco Nicolás, Kory Twaddle, and Olivia Munroe. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ink mixed media, so small editions measuring 0.1 inches across are also available