Ink Mixed Media

'Untitled #6 in 2017 by New York City base, French artist Sandrine Kern. Acrylic, oil, and ink on paper, Paper: 13.25 x 17 in. / Frame 19 x 25 in. This abstracted landscape work on ...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

An exercise in language and rule making. Partly intuitive, partly randomized, modular blocks are arranged and rearranged on the letterpress bed. Colors are placed, shifted, or replac...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

PVB-7600 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized paper adhered by a matte medium to create graphic imagery of text and color blocks on top of a canvas dyed in ink. This painting is gallery wrapped with canvas on top of stretcher bars. Mack's paintings have been described as "intellect on top of emotion". Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. Collections include High Museum Atlanta...

Framed size: 28.50h x 23w in J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters...

J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters around New York, Ivcevich ph...

Turbulence IV 64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 67.5" x 46.5": $12,500

David Hare Cronus Asleep in the Cave, 1971 Acrylic, ink wash, graphite, paper collage on paper on board 26 x 35 inches “Freedom is what we want,” David Hare boldly stated in 1965, b...

David Hare Cronus Waiting, 1990 Ink and Wash on Paper on Board 34 x 25 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...

Represented by George Billis Gallery, NYC & LA --Pulling imagery and motif from organic form, architecture, media and design I create densely layered, mixed-media paintings that ar...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

This great piece captures in its blues, emeralds, greens, and whites the elegance of "Sacred Waters." The textures and built-up surface bring light and reflections into the space, an...

This 72 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...

Dancing On The Floor Mixed Media on paper. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Contemporary abstract collage inspired by the beauty of a natural landscape of New York State. The artist employs paper, gold leaf, ink, and glass to recreate silhouettes of mountain...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Clifford Singer. Curve Sketching Polar Coordinates. 2024. This work is a continuation of Lemniscate developed in the early 2000s.

Asymptote Illustration. 2024. Is a continuation of Asymptote Series from early 2000s.

Hypotrochoid. 2024. Is a continuation of Hypocycloid work that the artist has been researching.

Clifford Singer. Damped Harmonic Oscillation. 2024. Is a continuation of Damping Coefficient 2024 which the artist has done. more than 10 variations in the series.

Brachistochrone Problem. 2024. Is a continuation of studies with mathematical curvatures by artist.

French Geometry. 2024. Is a continuation of work with Parabolas since the late 1990s.

Hypocycloid. 2024. Has been developed in 2024.

Spiral Construction is a co1200tinuation of Spiral Series beginning in the late 1980s.

Clifford Singer. Non-Linear Rational Functions. 2024. Integrating 4 Non-Linear Rational Functions through connectivity of collinear line intersections.

Infinite Strip. 2024. Is a continuation of Asymptotes which the artist has been investigation since the early 2000s.

Double Generation of Hypocycloid. r1= R-r. 2024. Is a continuation of Hypocycloid and Spirals.

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

A collage by New York artist Miranda Maher. Made with Ink, Indian marble paper and Japanese Chiyogami paper on handmade Japanese paper. Miranda Maher’s ...

Michel Tabori’s paintings are about emotional experiences and blissful acts. He uses colors and textures as sensory triggers. His paintings tell a story, but Tabori shies away from t...

Hypermorphing II is an abstract painting. The calligraphy brushstrokes in mixed-media, such as: the black ink and the metallique acrylics merged to perform a metaphorical movements. ...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s pieces are inspired by nature. On the surface of these dynamic compositions, colors bleed int...

Information Superhighway, Original Contemporary Abstract Expressionist Drawing 16" x 20" Ink with Silverpoint, Paint, and Metal Foil on Paper Panel This highly geometric abstract ex...

Abstract painting created with ink extracted from ball-point pens.

Abstract painting created with ink extracted from ball-point pens.

Abstract painting created with ink extracted from ball-point pens.

Abstract painting created with ink extracted from ball-point pens.

Points Of Inflection 2024 is a new concept in the work which has been realized as Archival Ink on Canvas, measuring 24 x 24 x 2 inches.

Damping Coefficient is an continuation of Algebraic Relativization of Geometry 2022 now available for sale.

Geometrical Clouds is an ongoing series since1974. This was originally a pencil and ink on paper drawing. It has be reimagined as Archival Ink on Canvas.

Geometrical Birds is a Series which I started in 1975 as pencil with ink on paper and ink on raw canvas. This Geometrical Bird has been reimagined as archival ink on canvas.

Linear drawing was done in 1975 along with many other drawings done in this style using pencil with ink on paper. This work has been reimagined as archival ink on canvas.

Logarithmic Study. 1974. Archival Ink on Canvas. Originally done on Logarithmic Engineering Graph Paper and thjen transferred as watercolor on paper is now reimagined as archival in...

12"x9" mixed media collage: acrylic, metallic watercolor and papers, ink, collage dressmaking patterns, framing options available. Linda Ganjian's artwork captivates with its ornat...

Oblique Strophoid. 2023

Ancient Tombstones of The Hamptons Photographed and Layered with images to create abstract narratives. Archival Ink. Produced by Dye Sublimation - whi...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and familiarity with the medium, enabling...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and familiarity with the medium, enabling...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and fam...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...