Metal Mixed Media

Set of 10 Arcanos (Framed), 2019 From the Ventura Series. 1. The Fool 2. The Wizard 3. The Empress 4. The High Priest 5. The Hermit 6. The Hanged Man 7. The Devil 8. The Star 9. The ...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, artist inventory nu...

John Paul Robinson creates original contemporary wall sculptures from coloured glass that are filled with light. This piece features elegant arched deep blue tubes of glass that are polished to a smooth finish and overlap one another to create a dynamic composition. The Canadian artist often explores themes related to how the world works. This is one of a series intended to represent the dual nature of light as both a particle and a wave. In physics, the wave nature of light is referred to as a "probability wave". “The thickness of the glass and curvature of the lens conspire to create their own optical effect. As your gaze moves across the piece it causes the small grains of coloured glass to shift just a bit. Starry Starry Night...

I am usually not thinking so much about a finished work, but am inspired, accepting and mystified by the process of creating it. I see each of my works as a rehearsal in enduring un...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...

Canvas 3D ‘The Way’ 2016 Linen yarn, textile stripe, stainless steel wall hanger; size of the textile: 134 x 70 cm (140 cm circuit). Canvases 3D are decorative fabrics entirely desi...

Light Refraction #23, 2015 by Natasha Zupan From the series Light Refraction Oil, fabric, encaustic, 24K Gold, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a st...

Magdalena Morey – “Interlude 2” (2017) This is the second painting in the “Interlude” series. As with the first painting in the series, I wanted to capture the incredible sense of e...

"MIES" is a sculptural floor lamp designed by Iskandar Jani, inspired by the structural columns of the German Pavilion, designed by Mies van der Rohe for the 1929 International Expos...

Jennifer Bartlett Dear Dad, 2004 Enamel over silkscreen grid on baked enamel and steel plates 19 3/4 x 19 3/4 inches Signed verso

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about feeling, she creates magic and captures the moment by infusing her art with strong emotive qualities. Zabel communicates each scene with precision. Her work evokes the Impressionists, but depicts modern love and adventure. Couples stand at bar top tables...

Frida Willis (Swedish, born 1971) "Violet Midas" 2023 Oil paint, Gold Leaf, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. Frida Willis masterfully ...

Collectors searching for a statement contemporary mixed media artwork with crushed crystals, mirrored surfaces, black textures, and metallic sculptural elements will be captivated by...

Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about feeling, she creates magic and captures the moment by infusing her art with strong emotive qualities. Zabel communicates each scene with precision. Her work evokes the Impressionists, but depicts modern love and adventure. Couples stand at bar top tables...

This stunning modernist abstract enamel plaque composition is dated circa 1960. The brutalist design has contrasting red, orange, black, and white colors. There is no visible artist ...

Untitled 10 [Dissecting the Unknown 10], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Be...

Untitled 05, 2016 Mixed media on metal sheet (Signed on reverse) 69,78 H × 39,98 W x 12,6 D in 177 H × 99 W x 32 D cm Berszán’s black silicone structures arise through a process of ...

Untitled 02, 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán’s work speaks of repul...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Autumn's Golden Heart is an original painting by Nicky Chubb. Nicky Chubb is available online and in our gallery at Wychwood Art. Nicky comments "My work is essentially optimistic, w...

Number 2 by NTEL Acrylic, spray paint, enamel, metal found object, wood and found paper collage on canvas. Classic confident gestural abstract style by the artist, graffiti and stree...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Hole, 2022, by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 21.2 in H x 16.1 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Directive Forces, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20 in H x 15.5 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Jamie, 2017 by Hunter & Gatti From the series of IWMYAS Wax, acrylic oil pastel on glicée print archival metallic paper. Image size: 107 cm H x 83 cm W Signed front and signed back w...

Robert Melee, b.1966, is an American multi-disciplinary artist who has been exhibited extensively in solo and group exhibitions in both national and international venues, including: ...

Robert Melee, b.1966, is an American multi-disciplinary artist who has been exhibited extensively in solo and group exhibitions in both national and international venues, including: ...

Robert Melee, b.1966, is an American multi-disciplinary artist who has been exhibited extensively in solo and group exhibitions in both national and international venues, including: ...

Robert Melee, b.1966, is an American multi-disciplinary artist who has been exhibited extensively in solo and group exhibitions in both national and international venues, including: ...

Robert Melee, b.1966, is an American multi-disciplinary artist who has been exhibited extensively in solo and group exhibitions in both national and international venues, including: ...

Pyxis Bronze and Red Pigment 13" x 14" x 9" Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Sisyphean Circle 3-23 (Sagitta) Granite and galvanized and powder-coated steel 36" (height) x 40" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object st...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Acrylic paints, oil paints, and gold leaf My paintings explore the relationship between elements such as the skies, the oceans, the natural environment such as the formation of rocks, cliffs, and weathered material. In my work, I aim to bring together certain properties of each of these elements to create an experience and understanding of the world and the contrasting relationships between each of these ideas. The use of texture in my work is formed using material which has been subjected to the forces of the weather, and I love to use ‘untouched’ and ‘natural’ material in my work to form the basis of all my paintings. It is the idea of bringing together a number of natural materials in my work that inspires me. The contrast between elements such as the roughness of the texture, the smoothness of the ink or paint. and the reflection of the metallics brings about a composition and structure that is unique. The impact of the weather, space, and seasons has been important in determining the structure of each of the paintings and the way the different elements and materials react to one another. The use of ink in my work has been a work in progress that I have been experimenting with over the past year. The use of this new medium has proved to be invaluable to the message and direction that I would like my work to take. On each of the works, I manipulate the Ink using air from my mouth as I want to form a stronger relationship with the canvas and the way that the ink Is manipulated. I have particularly enjoyed the added contrast which has been created between the variety of mediums being used. Textured mixed media original abstract painting by Rajan Seth.

Tactile memory #120, by Natasha Zupan Mixed Media on wood, Manton de manilla silk knots, 24K gold, acrylic and oil Size: 18 in. H x 15 in. W x 3 in D. Mounted on a stretcher Natasha...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Eilene, bronze portrait, female by John Waddell, Arizona sculptor Waddell was born in Des Moines, Iowa in 1921 and moved to Evansville, Indiana at the age of ten. There he began to ...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity.

Katrina Revenaugh Piccolo Giardino Numero 3 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 6 x 6 x 1.75 inches Signed: On Verso COA provided...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI... Th...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

One of the 12 original works that the artist created to accompany his book, Arabian Love Story. “Wilderness is a lonely empty place thinking about the one you love.” Wadsworth's word...

Tactile Memory #66, 2020 by Natasha Zupan Oil, 24K Gold, and mixed media on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautifully unites the ...

Another area of focus while exploring the number 3 has been the three centers within the body for creation; the mind, the heart, and the groin/sexual center. From the power center o...

Contemporary DC comic inspired work by Texas based artist Michael Macedo Meazell. Created with UV cured inks on aluminum, the work has a unique sheen. The piece features a collage of different pop culture images from Superman comics and other sources to create an otherworldly landscape. Signed and dated on the reverse. Currently unframed, but options are available. Artist Biography from the Artist: "I have made art for as long as I can remember. When I was in high school in Beaumont, Texas, I would draw constantly. During high school, I took classes in painting, drawing, and design at the Beaumont Art Studio, Beaumont Art League, and the Art Institute of Houston. During the mid to late 1980s, I studied art, concentrating on design, drawing, sculpture, and painting at Lamar University and the MFAH Glassell School of Art on a scholarship. After leaving school I worked on the installation crew at the Contemporary Arts Museum Houston. That was a great time, because I was working with some talented people who are still making art today – David McGee and Tierney Malone to name a couple. While I was there, I learned museum quality handling of art and installations. I began making art with found materials while attending Lamar University, mostly wall-dependent works and collage from found wood, fabric, paper, and paint. I have always been a scavenger, partly because I never had much money and partly because it is a medium that I identify with. I continue working on assemblage and collage today, incorporating drawing, painting, printmaking, and traditional sculpture techniques into my pieces, often using objects that have a storied history to myself or others. I incorporate objects from others in my own work and for commissioned works of art. I worked at Judy Youens Gallery from 1990-1993, doing whatever needed to be done. She specialized in glass, so I became an expert in handling fragile works of art, which included installing them, building custom crates, and preparing them for shipping. While at the gallery I was also on the Art League and Texas Accountants and Lawyers for the Arts boards. I designed, curated, and installed over 100 exhibitions though the 90s. I studied with a master carpenter from 1994-1999 and learned how to use a variety of hand and power tools, sourcing material, building techniques, as well as repurposing and fixing just about anything. This has served me well. Combining my art and design skills with my new building skills, I designed dozens of home remodels from single rooms and outdoor deck tops and complete homes from the ground up. I still do design work and consultations. I served on the Art League of Houston Board of Directors from 1991-1994, where I was president of the Artist Committee and a member of the Executive Committee. In 1997 I moved into an empty shell of a warehouse and immediately finished out the space with a large studio, kitchen, full bath, and bedroom loft. My Barnes Street Studio was next door to artist Harvey Bott...

Printed on high gloss paper, mounted to acid free foamcore Edition of 5 of 10 Three sizes Made to Order Aluminum Dibond backing and a UV protective laminate. Ready to Hang Comes wi...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...