Pencil Mixed Media

This abstract mixed media piece depicts an incredible array of imagery and figures that are based on the visuals of a dream. Bright yellows, reds, blues and oranges blend together th...

Mirror to the Sun III Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primaril...

A bold, playful explosion of green, pink, and black, "FREQUENCY BLOOM" is an abstract graffiti-style statement piece that channels the electric moment of finding your inner rhythm—th...

Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...

Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...

Patricia Zippin Moon View VIII 1980s Mixed Media 24"x 16", unframed Titled, signed, materials, and dimensions in pen on reverse Patricia Jayne Zippin (1930-2015) She was born to B...

Patricia Zippin Silver Wrinkles 1980s Mixed Media 30.5"x 22.75", unframed Signed in paint bottom center Patricia Jayne Zippin (1930-2015) She was born to Ben and Dorothy Schubert on...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

Discover a rare and original mixed media collage (acrylic paint, graphite, and ink on paper) by renowned Colorado Springs artist Mary Chenoweth (1918-1999). This unique composition features a striking image of a biplane soaring over water, enhanced with delicate paper cutouts of both traditional and simplified Chinese characters. Created using watercolor and ink on paper, Chenoweth’s signature artistic style blends bold imagery with thoughtful cultural elements. The piece is hand-signed by the artist in the lower left and beautifully presented in a custom wood frame with an archival mat and UV 70 protectant glass. The frame’s outer dimensions measure 20 x 16 x 1 inches, while the artwork itself is 15 x 12 inches. A captivating addition for collectors of vintage aviation art...

Rolph Scarlett Untitled Mid-Century Modern Geometric Abstraction, ca. 1950 Gouache on paper painting Hand signed on lower right front This is a stunning original, signed vintage 1950...

Alan Shields Untitled double sided mixed media work, 1974 Mixed media: watercolor, string, and torn paper held in custom standing frame Signed, dated, and numbered lower edge '10/12 ...

Mark di Suvero Grass Power, 1979-2014 Mixed Media drawing: marker, ink and pencil on paper Hand titled, signed and inscribed to Nadine by Mark di Suvero Frame included: Floated and f...

Katherine Porter Geometric Abstraction, 1971 Watercolor and graphite on graph paper Signed and dated "Katherine Porter 1971" in pencil on the front Held in original vintage 1970s met...

Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...

Adrian HEATH (1920-1992) Untitled Composition Mixed media Signed and dated '64 Image 11.25" x 9"

“For What It Is” is a warm and light-filled abstract piece, blending soft Nordic tones with playful textures and thoughtful layers. The work evokes a quiet strength—a balance between...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Ilmars Blumbergs (1943-2016) Born into a family of servants. In 1963, he graduated from the Decorative Design Department of the Riga Applied Arts Secondary School, and in 1972, he g...

This abstract mixed media piece shows a thick black stripe at the top of the piece that eventually meets a blue stripe near the middle of the space. In the bottom third is a white sp...

Golfam Jozdani Saint Minecraft IV 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated...

Jodi Fuchs' abstract expressionistic artworks emanate undeniable energy and captivate the eye with their vibrant colors and dynamic brushstrokes. Influenced by the metaphysical aspects of life, Fuchs' work speaks to the reconciliation of chaos and stillness, a dichotomy inherent in the human experience. Through intuitive impulses, she creates pieces that explore the interplay between bold, chaotic elements and delicate, serene textures. Fuchs' signature style pushes the boundaries of traditional art forms, resulting in visually striking compositions that evoke a range of emotions in the viewer. With her unwavering commitment to her craft, Jodi Fuchs continues to create thought-provoking pieces that challenge our perceptions of abstract art. This original 20 inch high by 16 inch wide artwork is an acrylic and graphite composition on canvas. It is Fuchs’ fascination with the pure creative force: understanding it, harnessing it, and expressing it, that fuels her painting process. This painting is signed on the back. The sides of this artwork are painted and it does not require framing. Convenient local Los Angeles area delivery. Affordable continental US and worldwide shipping are available. A certificate of authenticity issued by the art gallery is included. Born in New York in 1964, Jodi Fuchs is an award-winning contemporary abstract painter based in Florida. Her education about color and pattern came on the job while working as a decorative painter for 20+ years. One hundred thousand wine labels by Georges Duboeuf have been adorned with her art. Fuchs' work has been featured on 50+ TV and film productions, graced the lobbies of hotels from New York to Miami to Portland Oregon, and has been exhibited and collected worldwide. REPRESENTATION Artspace Warehouse, Los Angeles, CA SOLO EXHIBITIONS 2017 Bar Mingo Portland, OR PIA Agency Portland, OR 2016 Last Thursday on Alberta Street Portland, OR 2015 Energy Moving Soul Center Kona, Hawaii 2013 Chakra Code 143 East Meets West, Los Angeles, CA 2011 Rose Café Venice, CA 2010 Jodi Fuchs Art Gallery Santa Monica, CA 2009 Rawvolution Café Santa Monica, CA 2007 Butter Brooklyn, NY 2006 Epoxy Box Venice, CA 2004 The Garage Show solo exhibition Santa Monica, CA 2001 Buddha’s Mudras and Biology Studio 6 Santa Fe, NM EXHIBITIONS 2023 “About Face”, Artspace Warehouse, Los Angeles, CA 2023 WADA Sumer Heat Show, St. Petersburg, Fl 2023 Las Laguna Gallery Abstract Show, Laguna Beach, CA 2022 “Clarifying Color”, Artspace Warehouse, Los Angeles, CA 2020 “In Search of Principle”, Artspace Warehouse, Los Angeles, CA 2019 Whole 9 Gallery, Culver City, CA 2019 Gallery, Hermosa Beach, CA 2019 Art + Home, LA Family Housing Benefit Los Angeles, CA 2018 Art + Home, LA Family Housing Benefit Los Angeles, CA Gallery Cerulean, Portland, OR 2017 Southeast Art Walk Portland, OR 2015 SOKO South Kona Artist Collective Tour Big Island Hawaii ETC Gallery Santa Monica, CA Kohala Mountain Gallery Hawi, Hawaii 2014 Abstract Art Now Collection Saatchi Art Online 2013 Rose Café Venice, CA Saatchi Art Online offices Santa Monica, CA Art 4 All People Malibu, CA 2012 Wall Space Gallery Los Angeles, CA Small Works Whole 9 Gallery Culver City, CA 2011 Urban Pop Jeanie Madsen Gallery Santa Monica, CA Moksha Festival Santa Monica, CA Japan Relief Initiative Show Architecture for Humanity 2010 Rethink Green Culver City, CA group show The Art of Summer Orange County Center Contemporary 2009 Access Institute group show San Francisco, CA 2006 Phresh/Live Group Show Venice, CA Epoxy Box Venice, CA 2002 Charge Art Barn Gallery Santa Fe, NM Compassion Art Barn Gallery Group Show Santa Fe, NM Collect Plan B Santa Fe, NM 1998 Abbot’s Habit Venice, CA 1997 Needles LACE Gallery Group Show Los Angeles, CA PUBLICATIONS 2012 –19 World Art Group best-selling artist for art publishing company 2009 -19 Poems Art Publishers bestselling artist for art publishing company 2014 Abstract Art Now Collection Saatchi Art Online 2013 Rose Café Venice, CA Saatchi Art Online offices Santa Monica, CA The Art of Summer Orange County Center Contemporary 2010 OCCCA Santa Monica: The Art of Summer catalog Poems Art Fine Art Publishers, Poster Line Family Circle magazine June issue painting featured 2008 Left Bank Art...

Jodi Fuchs creates artworks that speak to the chaos and stillness (and the reconciliation of these two forces) that is inherent in the human experience. She...

Patricia Zippin The Sun 1980s Mixed Media 11.25"x 15", unframed Signed bottom right in paint Patricia Jayne Zippin (1930-2015) She was born to Ben and Dorothy Schubert on January 5...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and white crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

Golfam Jozdani Saint Minecraft III 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

Alan Shields TV Re-Run B, 1978 Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board Signed, num...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Mirror to the Sun V Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Combining fractions of abstracted drawings into one, Kimler creates a whole new abstracted form. With expressive pours of black and brightly colored paints and brushwork in charcoal ...

Pat Adams Free More, 1989 Acrylic and encaustic painting with varnish on paper laid down on canvas Hand signed and dated on the upper left front Original artist's frame included This...

Victoria Barr Spirit, 1974 Crayon on Paper Signed and dated lower right front Frame included Provenance: Fischbach Gallery, New York, NY This bright, abstract 1970s artwork was created by Victoria Barr, daughter of the legendary developer of the Museum of Modern Art, Alfred H. Barr. There is a Fischbach Gallery label on the back of the frame. The Fischbach Gallery was, for many years, the gallery of record for the American artist Alex Katz. It is not easy finding Barr's work on the market at this time. Measurements: Framed: 23 inches x 29.5 inches x .5 inches Artwork: 23 inches x 29 inches Victoria Barr was born in New York, NY, in 1937 to the legendary MOMA curator and art historian Alfred H. Barr, Jr. and art historian Margaret Scolari Barr. Barr often traveled to Europe with her parents from the age of 14 onwards, meeting influential artists like Pablo Picasso, Henri Matisse, and Marc Chagall and collectors like Peggy Guggenheim. For high school, she went to Milton Academy...

Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...

Mirror to the Sun Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium o...

Untitled (Blue) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Mirror to the Sun II Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

Mirror to the Sun IV Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

KENNETH NOLAND Untitled, for Trustees of the Honolulu Museum of Art, 1984 Mixed Media collage with silver and colored foil on board. Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii." Frame included Measurements Framed: 12.5" x 12.5" x .3" Artwork: 8.75" x 8.75" This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue. Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

"Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essential...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essentiall...

D. Tongen "Orange, Brown, Black" 1980s 11.75"x10" Soft pastel and pencil on paper Signed in pencil lower right

D. Tongen "Yellow and Black" 1980s 19.75"x12.5" Soft pastel and pencil on paper Initialed in pencil lower right

Artist: Gunda Jastorff Medium: Mixed media on canvas Edition: original Size: 120 x 90 cm. Gunda Jarstorff is working predominantly on large canvases and has a minimal approach to co...

Combining fractions of abstracted drawings into one, Kimler creates a whole new abstracted form. With expressive pours of black and brightly colored paints and brushwork in charcoal ...

BRYAN INGHAM (BRITISH 1936-1997) COLLE VAL D'ELSA, 1991-92 oil and pencil on wood relief signed, titled and dated 'Bryan Ingham Colle Val d'Elsa 1991-1992 (relief)' (on the reverse)...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and black crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and black crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

"#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...

Untitled #529 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

Untitled #527 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

"#152 – GOOD GIRL" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 152 of a found copy of Ernest Heming...

Color pencil, ink pen and Chinese ink on wooden panel

Patricia Zippin Study For Anaganaga 3/6 1980s Mixed Media 30.25"x 23", unframed Signed in pencil bottom right and titled bottom left and signed and titled in pencil on reverse Patri...