Pigment Mixed Media
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Style: Contemporary
Medium: Pigment
"Untitled Open" (FRAMED) Art photography 32" x 28" inch Edition 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Untitled Open" (FRAMED) Art photography 32" x 28" inch Edition 1/1 by Ben Cope
From "If I could sleep, I wouldn’t" series
Mixed Media Photo and Oils. Comes in gold frame.
Ben...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
Elevate - Original Boho Minimalist Abstract Landscape Balloon Calm Artwork
Located in Los Angeles, CA
The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Gesso, Canvas, Mixed Media, Acrylic, Tissue Paper, Mica
Landfill I
Located in Stamford, CT
Landfill I, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry Pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
Landfill II
Located in Stamford, CT
Landfill II, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
Landfill III
Located in Stamford, CT
Landfill III, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
Landfill IV
Located in Stamford, CT
Landfill IV, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
Fruit of Poet (Abstract Olive Green Leaf Shaped Minimalist Wall Sculpture)
By Dai Ban
Located in Hudson, NY
"Fruit of Poet" by Dai Ban, 2021
42" X 22" X 12"
Foam Board, Venetian Plaster, Beeswax, Pigment
Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Foam Board, Pigment
PANTHEON.1
Located in Santa Fe, NM
Martin Etem is a multidisciplinary artist using drawing, painting, and sculpture to survey modern society’s ideologies and sociology. Influenced by past experiences and imagination, ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Mirror, Foam, Pigment, Inkjet
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope
2021
Photo on deconstructed paper
49.5” x 145.5” inch
Comes in white frame and plexiglass
Ben Cope...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
"Taliobamë'e nioge (Ancestral design of the mud)" Natural Ochre on Barkcloth
Located in London, GB
Brenda was a young girl during the turmoil of World War II and she remembers the 1951 eruption of Dahore Huvaimo (Mount Lamington). Brenda's mother was Go'ovino and her father was Va...
Category
2010s Contemporary Pigment Mixed Media
Materials
Pigment
"Untitled Closed" (FRAMED) Photography 30" x 26" inch Edition 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Untitled Closed" (FRAMED) Photography 30" x 26" inch Edition 1/1 by Ben Cope
From "If I could sleep, I wouldn’t" series
Mixed Media Photo and Oils. Comes in gold frame.
Ben Co...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
"Wo'ohohe (Ground-burrowing spider)" Natural Ochre on Bark Cloth by Brenda Kesi
Located in London, GB
Brenda was a young girl during the turmoil of World War II and she remembers the 1951 eruption of Dahore Huvaimo (Mount Lamington). Brenda's mother was Go'ovino and her father was Valéla, both Ematé clans people from old Enopé village between the Jordan and Maruma Rivers. It was here that her mother taught her how to sew her grandmother, Munne's, sihoti'e taliobamë'e - designs of the mud. This method of appliquéing mud-dyed barkcloth was first practiced by Suja, the first woman and mother of the world, as told in the Ömie creation story.
Brenda has begun to teach her sister Teresa Kione (Avur'e) to sew the ancestral Ömie sihoti'e designs such as wo'ohohe - ground-burrowing spider and taigu taigu'e - ancestral tattoo designs. Brenda lives happily by the Jordan River...
Category
2010s Contemporary Pigment Mixed Media
Materials
Pigment
PANTHEON.1
Located in Santa Fe, NM
Martin Etem is a multidisciplinary artist using drawing, painting, and sculpture to survey modern society’s ideologies and sociology. Influenced by past experiences and imagination, ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Mirror, Foam, Pigment, Inkjet
Terra Bruciata (Scorched Earth) - Small Abstract Painting with Raw Pigments
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on board. The artist works with natural earth,...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
Traces 32 (Whimsical Mixed Media Drawing of Hands Trailing Botanicals and Vines)
Located in Hudson, NY
"Traces 32" By Valerie Hammond
Created in 2012
38 x 25 inches unframed
Pigment, Color Pencil, wax, glass beads and thread on Japanese paper
Valerie Hammond's approach to her art mak...
Category
2010s Contemporary Pigment Mixed Media
Materials
Wax, Color Pencil, Pigment, Thread
MODULAR 13
Located in Tulsa, OK
Kathleen Hope
MODULAR 13
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
Traces 51 (Whimsical Mixed Media Drawing of Hands Trailing Botanicals and Vines)
Located in Hudson, NY
"Traces 51" by Valerie Hammond
Created in 2012
38 x 25 inches unframed
Pigment, Color Pencil, wax, glass beads and thread on Japanese paper
Valerie Hammond's approach to her art mak...
Category
2010s Contemporary Pigment Mixed Media
Materials
Thread, Wax, Color Pencil, Pigment
Sisters #4 (Contemporary Vertical Indigo Panel of Hands and Botanicals, Waxed)
Located in Hudson, NY
"Sisters #4", 2019 by Valerie Hammond
72 x 35 inches unframed
Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax
Vertical, indigo panels ...
Category
2010s Contemporary Pigment Mixed Media
Materials
Thread, Wax, Rice Paper, Color Pencil, Pigment
Sisters #2 (Contemporary Vertical Indigo Panel of Hands and Botanicals, Waxed)
Located in Hudson, NY
"Sisters #2", 2019 by Valerie Hammond
73 x 34.5 inches unframed
Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax
Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended.
In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.”
Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads.
Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...
Category
2010s Contemporary Pigment Mixed Media
Materials
Thread, Wax, Rice Paper, Color Pencil, Pigment
"Bridge" Agneta Hobin, Contemporary Mica and Steel Woven Installation
By Agneta Hobin
Located in Wilton, CT
"Bridge" Angeta Hobin, mica interwoven in metal threads, steel, 2001.
65" x 54" x 212" (Pictured), 8" x 294" (Flat)
"Bridge" was built from mica interwoven in metal threads and steel by Finnish artist, Agneta Hobin...
Category
Early 2000s Contemporary Pigment Mixed Media
Materials
Steel
MODULAR 4
Located in Tulsa, OK
Kathleen Hope
MODULAR 4
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 49
Located in Tulsa, OK
Kathleen Hope
MODULAR 50
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
Terra Bruciata (Scorched Earth) # - Small Abstract Painting
Located in New York, NY
Orazio De Gennaro's Terra Bruciata (Scorched Earth) is an 11 x 13-inch abstract painting on paper mounted on a board. Unframed. The artist works with n...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
Terra Bruciata (Scorched Earth) - Abstract Landscape Painting with Earth Colors
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on board. Unframed. The artist works with n...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
"MATHEMATICAL THEOREM", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
MODULAR 52
Located in Tulsa, OK
Kathleen Hope
MODULAR 53
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 48
Located in Tulsa, OK
Kathleen Hope
MODULAR 49
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
Terra Bruciata (Scorched Earth) - Small Abstract Painting with Earth Colors
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on a board. Unframed. The artist works with...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
'Crue" 28 panel, abstract painting installation, blue indigo, white, environment
Located in New York, NY
This multi panel installation evokes a visual imagery of flowing water, with deep blues, dark indigo and white. Each panel is positioned to relate to each other as a course of water running through the visual layout of the painting installation. The fluid shapes in these works were created using a bath of water in which the surface was soaked and infiltrated with indigo dye and raw pigment.
In Beth Dary...
Category
2010s Contemporary Pigment Mixed Media
Materials
Pigment
MODULAR 45
Located in Tulsa, OK
Kathleen Hope
MODULAR 45
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 28
Located in Tulsa, OK
Kathleen Hope
MODULAR 28
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Limestone
NOW IV - abstract mixed media street art painting w/ black asphalt & graffiti
By Mat Tomezsko
Located in Bryn Mawr, PA
Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...
Category
2010s Contemporary Pigment Mixed Media
Materials
Acrylic, Panel, Wood Panel, Asphaltum
MODULAR 47
Located in Tulsa, OK
Kathleen Hope
MODULAR 48
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 42
Located in Tulsa, OK
Kathleen Hope
MODULAR 42
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 6
Located in Tulsa, OK
Kathleen Hope
MODULAR 6
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 19
Located in Tulsa, OK
Kathleen Hope
MODULAR 19
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 50
Located in Tulsa, OK
Kathleen Hope
MODULAR 51
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 54
Located in Tulsa, OK
Kathleen Hope
MODULAR 54
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
"NEW YORK NIGHTS", sculpture, clay, relief, abstract, contemporary
Located in Toronto, Ontario
NEW YORK NIGHTS, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mo...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
MODULAR 38
Located in Tulsa, OK
Kathleen Hope
MODULAR 38
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
Terra Bruciata (Scorched Earth) #4 - Small abstract blue painting
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #4" is a 10 x 10 inch abstract painting on paper mounted on a board. Unframed. The artist works wit...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
MODULAR 20
Located in Tulsa, OK
Kathleen Hope
MODULAR 20
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
Terra Bruciata (Scorched Earth) #57 - Small Purple and Blue Abstract Landscape
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #57" is an 11 x 13 inch abstract painting on paper mounted on a board. The artist works with natural earth, charcoal, straw, pigm...
Category
2010s Contemporary Pigment Mixed Media
Materials
Mixed Media, Pigment, Charcoal, Rag Paper
MODULAR 66
Located in Tulsa, OK
Kathleen Hope
MODULAR 66
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
"CUBE, PYRAMID & SPHERE", sculpture, clay, abstract, geometric, installation
Located in Toronto, Ontario
CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Stone, Limestone, Slate
Abstract pigment on canvas painting: 'Chimera'
By David Mellen
Located in New York, NY
David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next fiv...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Pigment
MODULAR 63
Located in Tulsa, OK
Kathleen Hope
MODULAR 63
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 51
Located in Tulsa, OK
Kathleen Hope
MODULAR 52
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 34
Located in Tulsa, OK
Kathleen Hope
MODULAR 34
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 10
Located in Tulsa, OK
Kathleen Hope
MODULAR 10
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
Pigment mixed media for sale on 1stDibs.
Find a wide variety of authentic Pigment mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kathleen Hope, Vincent Pomilio, Yiching Chen, and Harold Wortsman. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment mixed media, so small editions measuring 0.1 inches across are also available
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