Pigment Mixed Media
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Style: Contemporary
Medium: Pigment
John Van Alstine, Pyxis (Tower), Sculpture 2012
Located in Stamford, CT
Pyxis
Bronze and Red Pigment
13" x 14" x 9"
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Bronze
John Van Alstine, Twister '23 II, Sculpture 2023
Located in Stamford, CT
Twister '23 II
slate and pigmented and sealed steel
34.5" (height) x 11.5" (width) x 6" (depth)
Stone and metal, usually granite or slate, and found object steel are central in my s...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Slate, Steel
"The Night of Ponte Vecchio N 1" landscape gold leaf pigments paper italy peace
Located in Kowloon, Hong Kong
Keishi paints with the classic Japanese technique called Nihonga - he prepares the paper with gold leaf, then paints on top with mineral pigments, thus creating a special perspective...
Category
2010s Contemporary Pigment Mixed Media
Materials
Gold Leaf
"The Night of Venice N 1" landscape gold leaf pigments paper italy gondola calm
Located in Kowloon, Hong Kong
Keishi paints with the classic Japanese technique called Nihonga - he prepares the paper with gold leaf, then paints on top with mineral pigments, thus creating a special perspective...
Category
2010s Contemporary Pigment Mixed Media
Materials
Gold Leaf
Abstract Painting on Canvas 'Untitled, (Some things will not change')
Located in Bruxelles, BE
Juliette Lemontey (b. 1975, Metz, France) is a French artist based in Arles. Her work is an intimate exploration of the human presence, capturing both the weight and fragility of the...
Category
2010s Contemporary Pigment Mixed Media
Materials
Textile, Canvas, Cotton Canvas, Linen, Thread, Chalk, Wood Panel, Graphi...
"Bruges N 1" landscape gold leaf pigments paper belgium calming dreamy romantic
Located in Kowloon, Hong Kong
Keishi paints with the classic Japanese technique called Nihonga - he prepares the paper with gold leaf, then paints on top with mineral pigments, thus creating a special perspective...
Category
2010s Contemporary Pigment Mixed Media
Materials
Gold Leaf
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"Yoni", reconstructed egg assemblage, Hanging Sculpture
Located in Philadelphia, PA
This piece titled "Yoni" is an original piece by Kate VanVliet and is made from eggshells, mica, PVA. This piece measures 14.5”h x 9.5”w x 2.5”d and comes with 3-D printed screw cove...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Mica, Acrylic, Organic Material, Found Objects, Glue
"Donut (Chocolate)", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Donut (Chocolate)" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 3.5”w x 1.5”d and ships with the pi...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"The Tickler", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "The Tickler" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5” x 5”x 3.5”.
Kate VanVliet is a sculptor and...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Mica, Acrylic, Found Objects, Glue
"Donut (Mint)", reconstructed egg assemblage
Located in Philadelphia, PA
This piece titled "Donut (Mint)" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 3.5”w x 1.5”d and ships with the picture...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Found Objects, Mica, ABS
"Chimaera: Green #15", reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #15" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.25”h x 2”w x 2”d and ships with the pic...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Day in the Life: Chimaera #12", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Glue, Found Objects, Mica, Acrylic
"Day in the Life: Green #22", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #22" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
"Day in the life: Green #25", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the life: Green #25" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Glue, Found Objects, Acrylic, Mica
"Day in the Life: Green #33", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #33" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Limestone
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"Pearlman Blue" Contemporary Bright Blue Found Object Violin Sculpture Painting
By Paul Reeves
Located in Houston, TX
Bright blue sculptural painting by contemporary artist Paul Reeves. The work features a found violin painted blue floating against a background of the same vibrant blue color. Curren...
Category
2010s Contemporary Pigment Mixed Media
Materials
Found Objects, Pigment
Terra Bruciata (Scorched Earth) - Small Abstract Painting with Earth Colors
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on a board. Unframed. The artist works with...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
Terra Bruciata (Scorched Earth) #3 - Small abstract purple and black painting
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #3" is a 10 x 10 inch abstract painting on paper mounted on a board. Unframed. The artist works with natural earths, charcoal, st...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
Terra Bruciata (Scorched Earth) #4 - Small abstract blue painting
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #4" is a 10 x 10 inch abstract painting on paper mounted on a board. Unframed. The artist works wit...
Category
2010s Contemporary Pigment Mixed Media
Materials
Charcoal, Mixed Media, Rag Paper, Pigment
Terra Bruciata (Scorched Earth) #57 - Small Purple and Blue Abstract Landscape
Located in New York, NY
Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #57" is an 11 x 13 inch abstract painting on paper mounted on a board. The artist works with natural earth, charcoal, straw, pigm...
Category
2010s Contemporary Pigment Mixed Media
Materials
Mixed Media, Pigment, Charcoal, Rag Paper
John Van Alstine, Auger Falls Landscape (Low Gear), Sculpture 2024
Located in Stamford, CT
Auger Falls Landscape (Gear Bottom)
Green granite and sealed steel
15" (height) x 18" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are cent...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Granite, Steel
NOW IV - abstract mixed media street art painting w/ black asphalt & graffiti
By Mat Tomezsko
Located in Bryn Mawr, PA
Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...
Category
2010s Contemporary Pigment Mixed Media
Materials
Acrylic, Panel, Wood Panel, Asphaltum
Ongoing
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Charcoal, Wax, Oil, Graphite, Pigment
Tami's A Float
By Kim Frohsin
Located in Burlingame, CA
California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Archival Paper, Mixed Media, Acrylic, Color Pencil, Pigment
Gubbio, Judith Brenner, Original Abstract Painting, Bright Expressionist Artwork
Located in Deddington, GB
Judith Brenner
Gubbio
Original Mixed Media and Acrylic Painting on Canvas
Size: H 95cm x 130cm
Framed
(Please note that in situ images are purely an ind...
Category
2010s Contemporary Pigment Mixed Media
Materials
Metal
Pots, Contain Universe Acrylic Pigment on Canvas, Black, Green, Grey "In Stock"
By Madhu Basu
Located in Kolkata, West Bengal
Madhu Basu - Magma n°244 - 25.75 X 21.25 inches (unframed size)
Acrylic & Pigment on canvas
Inclusive of shipment in roll form.
Vessels and pots being of importance in Madhu Bas...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Acrylic, Pigment, Charcoal
Bambara (Model one) - Carpet, raw wool, cotton, natural pigment
Located in London, GB
History, memory and the post-tribal inform the work of Persian-born artist Firouz Farman Farmaian, whose lifetime of living in exile in Paris, in Andalusia and in North Africa profo...
Category
2010s Contemporary Pigment Mixed Media
Materials
Wool, Cotton, Pigment
The Rubble #5
Located in Palm Desert, CA
“The Rubble” series consists of seven tapestry-like
paintings hanging from hand-wrapped dowels. The color choice and materials
identify what can be destroyed, re-formed, and at some ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Gesso, Thread, Paper, Pigment, Pins, Drypoint
John Van Alstine, Lunge 9-22 (Red Tail), Sculpture 2022
Located in Stamford, CT
Lunge 9-22 (Red Tail)
NY State slate/pigmented and sealed steel
23" (height) x 26" (width) x 6" (depth)
Stone and metal, usually granite or slate, and found object steel are central...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Slate, Steel
John Van Alstine, Sisyphean Circle (Rocker 16), Sculpture 2016
Located in Stamford, CT
Sisyphean Circle (Rocker 16)
Slate/pigmented and sealed steel
33" (height) x 40" (width) x 9" (depth)
Stone and metal, usually granite or slate, and found object steel are central i...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Slate, Steel
Desert Gossip #1
Located in Palm Desert, CA
Desert Gossip is a series of four paintings that echo the
colors of the desert at dusk. The use of the threaded grid is set up to
anchor and reinforce the circular movement of the lo...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Gesso, Canvas, Thread, Paper, Vinyl, Pigment
MODULAR 13
Located in Tulsa, OK
Kathleen Hope
MODULAR 13
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
The Rubble #7
Located in Palm Desert, CA
“The Rubble” series consists of seven tapestry-like
paintings hanging from hand-wrapped dowels. The color choice and materials
identify what can be destroyed, re-formed, and at some ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Gesso, Textile, Canvas, Thread, Resin, Paper, Pigment, Pins
Oasis in Chaos: CT No 3
By Kim Frohsin
Located in Burlingame, CA
Exquisite pool or body of water amidst encroaching growth in the form of construction and city growth from all sides. This work from Frohsin's Cautionary Tales series is bold, strong...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ink, Mixed Media, Acrylic, Gouache, Pigment
Queen of the Night (Dialect: series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Copper
The Rubble #3
Located in Palm Desert, CA
“The Rubble” series consists of seven tapestry-like
paintings hanging from hand-wrapped dowels. The color choice and materials
identify what can be destroyed, re-formed, and at some ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Gesso, Canvas, Thread, Resin, Paper, Pigment, Pins, Drypoint
The Rubble #4
Located in Palm Desert, CA
“The Rubble” series consists of seven tapestry-like
paintings hanging from hand-wrapped dowels. The color choice and materials
identify what can be destroyed, re-formed, and at some ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Gesso, Thread, Paper, Pigment, Pins, Drypoint
Mosaics (Barcelona)
Located in Palm Desert, CA
Mosaics is part of my latest series: Roots of a City.
Each painting in this series is based on the urban environments of places
that I have visited or lived in. There is an emotional...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Marble
Promenades
Located in Palm Desert, CA
Promenades is part of my latest series: Roots of a City.
Each painting in this series is based on the urban environments of places
that I have visited or lived in. There is an emotio...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Marble
One Moment Please
Located in Palm Desert, CA
Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Marble
$3,360 Sale Price
20% Off
"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope
2021
Photo on deconstructed paper
49.5” x 145.5” inch
Comes in white frame and plexiglass
Ben Cope...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
Jonquil
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Charcoal, Wax, Oil, Graphite, Pigment
Bay
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Charcoal, Wax, Oil, Graphite, Pigment
MODULAR 54
Located in Tulsa, OK
Kathleen Hope
MODULAR 54
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 35
Located in Tulsa, OK
Kathleen Hope
MODULAR 35
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 26
Located in Tulsa, OK
Kathleen Hope
MODULAR 26
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 57
Located in Tulsa, OK
Kathleen Hope
MODULAR 57
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 53
Located in Tulsa, OK
Kathleen Hope
MODULAR 67
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 6
Located in Tulsa, OK
Kathleen Hope
MODULAR 6
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
MODULAR 47
Located in Tulsa, OK
Kathleen Hope
MODULAR 48
cement, pigment, plaster
8.00 X 8.00 in
$250.00
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Mixed Media, Pigment
Glimpse #258
Located in Napa, CA
Oil, Wax, Pigment, Charcoal, and Graphite on Canvas
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Charcoal, Wax, Oil, Graphite, Pigment
"Untitled Closed" (FRAMED) Photography 30" x 26" inch Edition 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Untitled Closed" (FRAMED) Photography 30" x 26" inch Edition 1/1 by Ben Cope
From "If I could sleep, I wouldn’t" series
Mixed Media Photo and Oils. Comes in gold frame.
Ben Co...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
Pigment mixed media for sale on 1stDibs.
Find a wide variety of authentic Pigment mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kathleen Hope, Vincent Pomilio, Yiching Chen, and Harold Wortsman. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment mixed media, so small editions measuring 0.1 inches across are also available
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