Synthetic Resin Mixed Media

Acrylic on canvas Udi Cassirer is an Israeli visual and contemporary artist born in 1965 who lives and works in Tel Aviv - Yafo, Israel. He is graduated from Midrasha Art School. In...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Hand Finished Vinly Record Cover 12 × 10 × 2 in 30.5 × 25.4 × 5.1 cm Edition of 50 Hand Signed by the Artist. Jose Parla for Wide Awake Arthur Baker Vinyl...

This sculpture titled "I See Your Beauty" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This exhibition is made up of meticulously coll...

Mixed media on canvas

Experimental photographic work by Kim Frohsin, who is often associated with the Bay Area Figurative movement, began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art: The Morgan Flagg Collection." Frohsin is a multidisciplinary visual artist, who is at home with painting, drawing, monoprintIng, and mixed media. Her subjects include the female figure as well as mundane ''objects" and series — including ‘Cautionary Tales’ and ‘Portraits of Numbers’— that attract her attention, and which are most often autobiographical in nature. This mixed media work is created from deconstructed pinhole photographs...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist Joy Eyitayo...

Jean Francois's signature red flower work Red Dance captures the red flower field with a harmonious feeling of serenity. In Europe when people start seeing these little wild red flowers means that summer has finally came. This painting will be shipped already stretched and ready for the wall. BIOGRAPHY OF JEAN FRANCOIS DEBONGNIE...

This is a very active and textured painting in a vertical composition. There are multiples collages on a blue background. The main focus is a person in red holding a a black star, along with other figures and lit up homes. Paint also drips down that canvas. At the bottom of the painting is a grey Saturn. To see more images of this piece, please message us. Casey McGlynn grew up in rural Ontario, where he would sit in front of the television and draw on old grocery bags and scrap paper tirelessly, creating self-taught surrealist pop art. McGlynn attended the Ontario College of Art and Design, however, he was not enrolled in the visual arts. McGlynn’s work contains reoccurring symbols such as animals from his upbringing, birds from his studio window sill and numbers that derive from when he memorized math tables in his early years. McGlynn’s work is as much about revealing the truth and expressing emotions as it is about documenting actual fact. His paintings reach into a wealth of historical influence and skill. Creating symphonic glyphs on rudimentary, raw quilt-like patterns, the works simultaneously evoke rural Southern quilts...

Contextually within the framework of postmodern Neo-pop and Post-pop, Miller utilizes a semiotic process of mining familiar pictorial codes from the popular culture of his youth for ...

Well known for her cut paper artwork, and amusement park themes, Ms. Marano’s delightful imagery is included in numerous books and documentaries about Coney Island history. In this ...

Elfi Schuselka (Austrian, b. 1940), Rainbow Found Object Composition, Mixed Media, dried paint and painted sticks on twine grid, apparently unsigned. 31.5" H x 32" W. Provenance: Fro...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

This evocative wall sculpture by Vera Vizzi, titled VITA, forms part of the artist’s ongoing exploration of maritime themes and human vulnerability. Crafted in mixed media on reclaimed wood, the piece presents a poetic seascape made of three stacked wooden blocks, each painted in shifting shades of deep blue and stormy grey to evoke a layered oceanic horizon. Atop the highest block sits a delicate miniature boat with small figures, amplifying the sense of fragility and scale. The composition recalls coastal environments and states of emotional suspension—between movement and stillness, presence and absence. The textured surfaces and chromatic modulation suggest tides, foam, and sediment, while the figurative element introduces a narrative of journey, survival, or return. Like much of Vizzi’s work, VITA resonates with themes of resilience, the pull of memory, and our longing for connection with the sea. This one-of-a-kind sculpture belongs to the artist’s new 2024 collection and is ready to hang. Ideal for collectors interested in contemporary marine art, mixed media assemblage, or metaphorical sculpture. Keywords: By the Sea, Miniature Boat, Mixed Media Sculpture, Marine Art, Wall Sculpture, Ocean Artwork, Seascape Assemblage, Contemporary Nautical Art, Small Boat Sculpture, Vera Vizzi, Blue Wall Art...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and unique uses of media. Through a combination of collage and paint, Kuttner is able to find personal expression in the clear colors and contrasting soft textures he creates. This artwork is part of Kuttner's "Cut-Out" series where the artist uses a process, not unlike that of Matisse late in his career. The economy of design and the utilitarian simplicity therein allow for the creation of simple, archetypal pieces. This one-of-a-kind mixed media painting measures 24 inches square. It is wired and ready to hang. It is signed by the artist on the back and initialed on the front. The sides of this artwork are painted and it does not require framing. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. This artwork comes with a certificate of authenticity issued by the gallery. Kuttner’s artworks have been featured in Architectural Digest Magazine as well as in popular films and television shows including Two and a Half Men, Californication, and Nashville. Presently, Kuttner’s work is on display in a large number of private, royal, museum, and corporate collections worldwide. Artplex Gallery has been representing and exhibiting Kuttner's original artworks since 2021. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks representing a broad spectrum of major international artists. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY Artplex Gallery, Los Angeles, CA 2023 Artplex Gallery, Los Angeles, CA 2022 “Outlook of Entity”, Artplex Gallery, Los Angeles, CA Affordable Art Fair New York, NY Winter Salon, Chicago Art Source Gallery, Chicago, IL 2021 Artplex Gallery, Los Angeles, CA Studio E Gallery, Palm Beach Gardens, FL 2020 Grace Renee Gallery, Cave Creek, AZ 2018 McVarish Gallery, Portland, OR Chicago Art Source Gallery, Chicago, IL 2017 Susquehanna Art Museum, Harrisburg, PA Ormond Art Museum, Ormond Beach, FL Kelsey Michaels...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

"Gentrification" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is made from acrylic and ink on mixed media panel and was originally...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

With collectors like, Hugh M. Hefner, Elton John and Rod Stewart, Ceravolo's Large scale paintings have received international acclaim for more four decades. His art, came to popular...

"Survival of the Fittest" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The hand illustrated and painted piece is made from acrylic, marker, ...

In ALL ONE, Sue Fox makes a prescient statement about the complex racial issues which plague American life. While originally intended to function as an demographically-accurate ethno...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

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This image is from a mini fanzine created by the artist and spread through downtown New York. If pigeons could talk would they rat us all out. Instead of framing his work he prefers ...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Acrylic on canvas with gold piping.

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

Melanie Tiongson invites viewers into a world of fun and whimsy with her captivating artwork. Inspired by Filipino folklore and the boundless imaginations of her children, Tiongson's...

This is a one of a kind original mixed media (Acrylic, plaster, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, titled, "Poppy". Its dimens...

Contextually within the framework of postmodern Neo-pop and Post-pop, Miller utilizes a semiotic process of mining familiar pictorial codes from the popular culture of his youth for ...

Mixed media. Feathers in shadow box, painted with acrylic on top surface of the plexi glass.

GREG MILLER "True (2 Panels)" Acrylic, Collage 40 x 66 in. Overall Signed verso by artist Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Mi...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry.

"Peek A Boo" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is part of Lugo's mounted "Blackbooks" series paying tribute to blackboo...

Hamilton Aguiar's iconic melting poppies are front and centre in this contemporary pop art work. Playing off the idea Warhol presented in his floral prints adding his own flair Aguia...

"Window VI" is one piece in Heather Hartman's Spare Room series. Hartman’s work combines paper softly appearing behind polyester mesh to create the illusion of light glowing through ...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Julian Opie Statue of Shahnoza 2., 2007 Aluminium, lights, polycarbonate, vinyl and paint 78 x 349 x 21 cm (30 3/4 x 137 3/8 x 8 1/4 in.) Unique Julian Opie’s simple, graphic figu...

"Seabrush Romp" is a unique combination of precisely cut colored paper layered over painted wood. It is part of a recent series I call "wUNDERsea, which heralds the wondrous beauty ...

Float (Whimsical Landscape Collage of Swans and Figure Against Blue Sky) by Olan Quattro 2024, gouache, paper, and acrylic on wood panel, 24 x 36 inches Olan Quattro's subtle and so...

0971, 1785, 1909 and 0946, 2022 by Salvatore Arnone From the ONE series 1909: Photography, pencil, ink, acrylic and pastel on fabric 0971 and 1785: Photography, pencil, ink and paste...

Amber Goldhammer’s vibrant heart-filled contemporary paintings invite you to color your love and let the joy flow. Known for her dramatic abstract compositions in acrylic on canvas, ...

Mixed media on canvas

Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Araldi uses ink pen and gold, creating geometrical patterns and graphic...

GREG MILLER "Wonder Palms" Acrylic, Collage on Panel 24 x 60 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relation...

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Introducing "21 // 23," a tactile symphony of acrylic, textured paint, and cardboard on wood, this piece captures the mesmerizing effects of light as it plays across its multifaceted...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Me Myself And I" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is made from acrylic, marker, and ink on panel and debuted in Lugo'...

Melanie Tiongson invites viewers into a world of fun and whimsy with her captivating artwork. Inspired by Filipino folklore and the boundless imaginations of her children, Tiongson's...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Currency #266" by Natasha Lelenco presents a monochromatic blue female profile on a muted greenish-grey background, rendered in acrylic on a circular wooden panel measuring 26 cm in...

Nesting Season (Whimsical Collage of Female Figure and Birds in the Forest) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 16 x 12 inches Olan Quattro's subtle and...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

Black heritage portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ac...