Wood Mixed Media

This unique and colorful painting has natural texture with natural pigmented soils on wood. It is Textured with 10 year seasoned slaked lime. Minerals from iron and copper mine. Pyri...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors ble...

Purvis Young (1943 - 2010) Hold Back the Eye, 1993 Mixed Media House paint and carpet on board 21 x 48 in

Mixed Media House Paint on wood and laid fabric

Abstract geometric artwork by a contemporary artist Gerald Wolfe. Gerald Wolfe’s wall pieces have a three-dimensional, architectural feel. The artist’s approach to his paintings is intuitive. He meticulously creates his works step by step, imbuing shapes and lines with energy. The interplay of forms, color, and texture creates tension between flatness and depth. His work can become a unique gift and will be a wonderful addition to any space, be it a living room of a modern home or a lobby of a commercial building. Gerald Wolfe received a Bachelor of Arts degree in history from the University of Maryland in 1972, discovered his interest in art and went on to study fine arts at the School of Visual Arts in New York City. In the summer of 1974, he also studied at Skowhegan School of Painting and Sculpture in Maine. From his first show in 1979, a summer invitational at OK Harris Gallery, Gerald has shown his work on a consistent basis in New York, including such galleries as Denise Bibro Fine Art, NYC, and Kim Foster Gallery, NYC . In addition, he has had solo exhibits at the Paterson Museum in Paterson, New Jersey...

Purvis Young (1943 - 2010) Come from the Mountains, 1993 Mixed Media house paint on thin wood 24 x 48 in

Contemporary artwork by New York artist David Rockwell. Oil and 3D printing on stretched canvas and wood frame. Rockwell makes paintings that live on the borders between traditional art practice, design, technology, and science. He enjoys the visual potential inherent in each of these interests; art history as an aggregate of thousands of years of representation, letterforms as brushstrokes of language, layering as a palimpsest of life lived, simple algorithms that give rise to complex forms in nature. Rockwell uses 3D printing to assemble computer modeled surfaces on both canvas and wood panels. Art historical references and figuration share space with pattern, texture and grid systems. This process also enables him to dive deeper through iteration (working in series, recombining elements) so that connections and themes emerge between individual paintings over time. “Three Body Problem...

Mixed Media house paint on thin wood Purvis Young (1943 - 2010)

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors bleed into each other, evoking patterns and shapes found in organic structures...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s pieces are inspired by nature. On the surface of these dynamic compositions, colors bleed int...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

Contemporary artwork by New York artist David Rockwell. Oil and 3D printing on stretched canvas and wood frame. Rockwell makes paintings that live on the borders between traditional...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...

A colorful abstract work of art by contemporary artist Andre Eamiello. Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...

Abstract geometric artwork by a contemporary artist Gerald Wolfe. Gerald Wolfe’s wall pieces have a three-dimensional, architectural feel. The artist’s approach to his paintings is intuitive. He meticulously creates his works step by step, imbuing shapes and lines with energy. The interplay of forms, color, and texture creates tension between flatness and depth. His work can become a unique gift and will be a wonderful addition to any space, be it a living room of a modern home or a lobby of a commercial building. Gerald Wolfe received a Bachelor of Arts degree in history from the University of Maryland in 1972, discovered his interest in art and went on to study fine arts at the School of Visual Arts in New York City. In the summer of 1974, he also studied at Skowhegan School of Painting and Sculpture in Maine. From his first show in 1979, a summer invitational at OK Harris Gallery, Gerald has shown his work on a consistent basis in New York, including such galleries as Denise Bibro Fine Art, NYC, and Kim Foster Gallery, NYC . In addition, he has had solo exhibits at the Paterson Museum in Paterson, New Jersey...

Unique Piece handmade Resin and Pigments on Wood As a self-taught artist, he uses the unique expression of resin materials to create fascinating works of art. Daniel combines various techniques to create a harmonious fusion of colors, textures and shapes. The use of resin allows him to create a fascinating depth and smoothness in his works, while also allowing for a certain unpredictability and randomness that gives abstract resin art...

Madonna Phillip's original art technique in glass and mixed media developed after studying with a master stained glass painter and experimentation. She is inspired by the qualities o...

Madonna Phillip's original art technique in glass and mixed media developed after studying with a master stained glass painter and experimentation. She is inspired by the qualities o...

Two 36' x 36' Panels. $5750 per panel or $10,500 for the whole piece. “Urban Overstory” This piece was influenced by literature .Madonna's reading life enters her studio with 2018 Pu...

Robert Yasuda Sustain, 2020 Acrylic on fabric on wood 92 x 2.5 inches RY119 Robert Yasuda is known for luminous multi-panel paintings on carved wood tha...

Robert Yasuda Aloha, 2022 Acrylic on fabric on wood 48 x 32 inches RY111 Robert Yasuda is known for luminous multi-panel paintings on carved wood that transmit and transform light. Notable installations include large, site-specific paintings at MoMA PS1 in an exhibition organized by Alanna Heiss in 2016. The exhibition, titled Forty, was a collection of work by artists who were key participants in the 1970s alternative art spaces movement and the early years of P.S.1 Contemporary Art Center. During the 1970s, Yasuda’s work was showcased at the Museum of Contemporary Art, Chicago; the Clocktower Gallery, New York; and the Corcoran Gallery of Art, Washington, D.C. Early gallery exhibitions include solo shows at Galerie Bruno Bischofberger (Zurich and St. Moritz), 1968 and 1969, and in 1975, the first of five shows at Betty Parsons Gallery...

Robert Yasuda Boundary, 2010-2020 Acrylic on fabric on wood 80 x 50 inches RY106 Robert Yasuda is known for luminous multi-panel paintings on carved woo...

Robert Yasuda Na Hoa, 2022 Acrylic on fabric on wood 55 x 16 inches RY099 Robert Yasuda is known for luminous multi-panel paintings on carved wood that ...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

Two 24" X 24" panels, $3,450 per panel or $7000 for both. Madonna Phillip's original art technique in glass and mixed media developed after studying with a master stained glass pain...