Mert Alas and Marcus Pigott

Kate Moss Vinyl Record Art Mert Alas and Marcus Piggott (Mert and Marcus)

2007

Kate Moss vinyl record art by Mert and Marcus (Mert Alas and Marcus Piggott) Off-set print on vinyl record. Measures: 12 inches in diameter. Excellent condition. Published by Visionaire Fashion, 2007. A very cool frame piece. About Mert & Marcus, as they are known in the industry, have worked for W, American Vogue, Pop, Numero and Arena Homme, among many other titles. Their commercial clients include Louis Vuitton , Gucci, Pucci, Versace, Missoni, Giorgio Armani , Roberto Cavalli, Fendi, Kenzo, MAC and Miu Miu. Their aesthetic is highly polished, colour-saturated and hyperreal. The photographers were both born in 1971, Alas in Turkey and Piggott in Wales. The pair met in 1994 in England. At the time Piggott was a photographer’s assistant and Alas was a fashion model, and the two quickly built a rapport and decided to work together. Their joint abilities were clear from the beginning. The first photos the duo submitted to Dazed & Confused made the cover. Related categories Fashion Photography. Supermodels. Mario Testino. Mario Sorrenti...

Jean-Michel Basquiat Gray: Rare Gray 7" Vinyl Record Album featuring a limited photo card/poster of Jean Michel Basquiat and his band Gray at Hurrah's, NYC, 1979 by Nicholas Taylor of Gray. This set is from a limited edition of 300 and is likewise accompanied by a hand-signed photo card by existing Gray members Nicholas Taylor & Michael Holman. Record label uniquely features an offset image of Basquiat's fingerprint & Gray designed logo, which Basquiat originally created for a 1979/80 gig at CBGB. Published in 2018 from a sold out edition of 300. Dimensions: 7x7 inches (applies to each individual piece). Excellent condition. The 7" record single is new & unplayed. Numbered from an edition of 300 on the label. Includes two photo cards, band photo by Nicholas Taylor and a remix of Gray's 'Sweetness of the New'. A fantastic Basquiat collectible that should not be passed upon. More on Basquiat Gray, see Glenn O'Brien, "Gray Matters," GQ Magazine April, 2011: "Gray’s approach to music was having heard music, to approach instruments and sound systems the way one would pick up a strange machine and try to intuit its operation and function. Since Basquiat didn’t know guitar technique, it seemed like a good idea to play one with a steel file. Michael Holman discovered that you could achieve a very nice effect by pulling masking tape off the skin of a snare drum... And then there was the clarinet that Basquiat liked to walk around with, that was as much a scepter and wand as wind instrument. This utterly charming 27-track album is chock full of the road not taken, which sounds so right just now. It is refreshingly stripped of flagrant virtuosity but it is conceived brilliantly, played perfectly, and arranged impeccably... If a wine can have notes of chocolate, leather, licorice, and tobacco, then this record can have notes of William DeVaughn, Willie Hutch, Marcel Duchamp, Larry Coryell, the Modernaires, Sergio Mendez, the Tube Bar Tape, Chet Baker, Melvin Van Peebles, Gilberto/Jobim, and Dragnet." Related Categories Basquiat Beat Bop. Basquiat The Offs. Samo. Boom For Real. Basquiat Gray. Basquiat album...

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Jasper Johns Letter ("one either jumps into the water or doesn't"), 1996 Hand signed letter framed on top of a Time Magazine cover depicting a work by the artist Hand signed by Jasper Johns underneath a typewritten letter by his secretary (JJ/st) Frame Included This listing consists of a typewritten letter, hand signed by Jasper Johns in response to one sent by the present addressee. While we do not see the fan's letter that prompted this response from Johns, it's not too difficult to guess, as Jasper Johns replies, stating, in part, "I wish I felt I could advise you but I can't. One either jumps in the water or doesn't. There doesn't seem to be any in-between." No truer words could have been spoken regarding the artist's life. Underneath this letter, is a vintage Time Magazine cover, presumably from the same year, depicting a Jasper Johns Flag...

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