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Mickey "Kano" Kane"The Baron Waits" Satirical Bond Paperwork Collage1990
1990
$1,350
£1,019.38
€1,182.68
CA$1,897.17
A$2,113.72
CHF 1,103.46
MX$25,663.37
NOK 13,869.79
SEK 13,110.32
DKK 8,828.60
About the Item
"The Baron Waits" Satirical Bond Paperwork Collage
Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate design of a bond certificate to critique the fragility of global systems and the false promises of progress. An emaciated figure whose eyes are obscured sits atop floating elliptical forms, above them are a pair of wings with various textural details adding ornamentation and evoking baroque architecture. Underneath them the text reads "THE BARON WAITS" and "We cannot help but negotiate with You the same way we negotiate / SPACE TIME BEING / REDEFINE / WEALTH / before you redistribute your / SOUL." Below this, another figure walks into open doors through which trees can be seen, eluding to a potential positive path. Throughout the piece are more collaged details such as piece of currency and words such as "REASSIGNED," "REALLOCATED,"" and "margin of error: HALYCON DAYS." These details underscore the work’s poetic indictment of capitalism’s detachment from human and ecological cost, as well as the freedoms people risk losing as a result. Visually rich and symbolically loaded, the piece confronts viewers with the uneasy trade-offs embedded in the concept of “value.”
Signed and dated "Kano 90" to the right of the doors.
Paper size: 21.38" H x 29" W
Mickey “Kano” Kane (American, 1939-2002) was born in Illinois and grew up in Sacramento, CA. Kane moved to the Pacific Coast and worked on mixed media panels - which he would refer to as a “Totem” – and detailed collage compositions. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his “Totem” sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition.
Original Member, Artist’s Cooperative Gallery
Artist’s Statement:
The Totem is indicative of the unfolding 21st Century, graphically and metaphorically. It is neither one side nor the other, nor does one side challenge or compete with the other. Each side cooperates and thus enhances the other so that both "sides" transcend that definition into a composition revealing that, indeed, the whole is greater than the sum of its parts. The Totem reflects the inner harmony that all sides, whether two or two thousand, are striving to manifest in their own inimitable way.
- Creator:Mickey "Kano" Kane (1939 - 2002, American)
- Creation Year:1990
- Dimensions:Height: 21.38 in (54.31 cm)Width: 29 in (73.66 cm)Depth: 0.03 in (0.77 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition.
- Gallery Location:Soquel, CA
- Reference Number:Seller: JMA 99351stDibs: LU54216823882
Mickey “Kano” Kane (American, 1939-2002) was born in Illinois and grew up in Sacramento, CA. Kane moved to the Pacific Coast and worked on mixed media panels - which he would refer to as a “Totem” – and detailed collage compositions. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his “Totem” sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition. Original Member, Artist’s Cooperative Gallery Artist’s Statement: The Totem is indicative of the unfolding 21st Century, graphically and metaphorically. It is neither one side nor the other, nor does one side challenge or compete with the other. Each side cooperates and thus enhances the other so that both "sides" transcend that definition into a composition revealing that, indeed, the whole is greater than the sum of its parts. The Totem reflects the inner harmony that all sides, whether two or two thousand, are striving to manifest in their own inimitable way.
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