Olivia Munroe

Histories 030

2020

Beeswax, ink, metallic powder on vintage hand made paper

Beeswax, ink, metallic powder on vintage hand made paper

Beeswax, ink, metallic powder on vintage hand made paper

Beeswax, ink, metallic powder on vintage hand made paper

A walnut ink painting on book boards.

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

Sophia Lauer has a degree in both fine art and film from Lipscomb University and has worn many hats in the Nashville arts scene. Her creativity continues to be expressed through many...

Untitled 2017 67.70h x 74w in Oil on canvas Unstretched Luciana Levinton de-contextualizes architectural elements, sketches facades, delineates floor plans, and blurs interiors to re...