Peter Sandback

Nail Inlay Wall Piece No. 31 dyed maple, nails

2020

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clip...

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clipped, sanded flush with the surface, then polished. The result is a pattern of shiny dots of various dimeters. I create objects and furniture that is generally modern in form but highly decorated with as many as 11,000 nails. I use this nail inlay technique to make non-functional objects. The first were wall pieces. These pieces are not for a particular customer so I am much more free to express myself. The imagery and patterns are culled from endless web searches. A favorite has been Japanese stencils called katagami. I have hundreds saved and an equal number altered to fit my liking. My current interest is searching images from artist’s sketchbooks. A favorite is a very quick Donald Judd sketch of a simple object to be fabricated with a large “$60,000” written above. I have also used prints and drawings by my father. My current work involves nail patterns on firewood from my Father’s wood pile. He died 20 years ago but his wood pile remains untouched. He was the minimalist’s minimalist - constructing large sculptures from a few strands of yarn. The installation space is transformed with this simple use of this simple material. He was proud that he could build a meaningful sculpture with 50 cents...

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clip...

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clipped, sanded flush with the surface, then polished. The result is a pattern of shiny dots of various dimeters. I create objects and furniture that is generally modern in form but highly decorated with as many as 11,000 nails. I use this nail inlay...

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clip...

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clipped, sanded flush with the surface, then polished. The result is a pattern of shiny dots of various dimeters. I create objects and furniture that is generally modern in form but highly decorated with as many as 11,000 nails. I use this nail inlay...

Claudio Dicochea de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress), 2010 acrylic, graphite, charcoal, transfer, wood 2 @ 48" x 36" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

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Collage work on wood panel. Transdisciplinary conceptual artist, art critic, collage worker, performance artist.. Active in surrealism, new wage science fiction, erected poetry and ...