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Philip Wittmann
Unforgettable

2023

$1,200
£927.21
€1,071.94
CA$1,695.69
A$1,901.83
CHF 995.96
MX$23,109.03
NOK 12,646.98
SEK 11,990.23
DKK 8,001.47

About the Item

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can be interpreted by the viewer in any way you want. There is no clear meaning attached to it. These signs might appeal to your conscious and/or unconscious thoughts. This is what he finds attractive. As we listen to people talking about what they ‘see’ in his work we are always surprised by the ‘stories’ that people build with themselves in their own minds. organization, sign, writing, calligraphy, signs, unconscious, conscious, thoughts, interiors, pattern, meaning, interpretation, design, abstract, series, ink, paint, Belgian artist, graphic, natural. ​

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Innocent
Located in New York, NY
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...
Category

2010s Contemporary Mixed Media

Materials

Ink, Handmade Paper, Acrylic, Watercolor, Archival Paper

Willingness
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Ink, Acrylic, Watercolor, Archival Paper, Archival Ink

Lust
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Ink, Archival Ink, Acrylic, Watercolor, Archival Paper

Self-Esteem
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass. Philip Wittmann work is based on signs. Sign...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Ink, Acrylic, Watercolor, Archival Paper

La croyance
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin Blond wood frame, glass. Philip Wittmann work is based on signs. Signs are for him an intermediary b...
Category

2010s Contemporary Abstract Paintings

Materials

Ink, Archival Paper

Thirst
Located in New York, NY
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Handmade Paper, Acrylic, Watercolor, Archival Paper

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