Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Philomena Marano
Alarm, Rims, Tint, Urban scene, city, hard edge, graphic, industrial, tires

About the Item

Alarms, Rims,Tint is part of Marano's FLAT FIX series- Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster competition, and is a master of papier collé, the elegant cut paper technique she learned as a studio assistant to preeminent artist Robert Indiana. Her series, FLAT FIX elevates the often un-noticed gritty tire shops she has discovered during her walks through a bleak industrial area to her Brooklyn studio. "They suddenly stood out like little carnivals, red and yellow cones and signs, tumbledown but full of interesting graphics. I rendered them with as few forms as possible leaving the viewer's eyes to complete the scene." There are 12 images in the FLAT FIX series. Marano’s acclaimed series, “American- Dream-Land,” a decades-spanning project of papier collé originals and limited edition prints, penetrates the soul of Coney Island to reveal its twin promises of candy-colored paradise and gritty raw excitement. Her work has been exhibited by Tabla Rasa Gallery, ACA Galleries NY, by Prince Street Gallery NY, Smart Clothes Gallery NY, the Municipal Art Society, the Museum of the City of New York, the Bronx Museum of the Arts, and the Coney Island Museum among others in the New York area and at the George Krevsky Gallery in San Francisco and also at the DeLand Museum of Art in Florida. Her work is represented in private, corporate and museum collections including the Brooklyn Museum. “American Dream-Land” and Marano’s work as a co-founder (with artist Richard Eagan) of the Coney Island Hysterical Society were featured in Charles Denson’s award-winning book “Coney Island Lost and Found” (Ten Speed Press, Berkeley/Toronto, 2002). Additional publications featuring Marano and “American Dream-Land” include Amusing the Zillion, 24/7 Magazine, the New York Times, the Daily News and others. Her current work expands into the larger city, exposing elements of urban life: the underappreciated grace of an out-of-the-way tire shop; the disquieting lure of an exit sign at night. In addition to creating papier collé images for this examination of the city’s overlooked beauty, she is also working on a cut-paper animation, “Take Me There,” a fantasy inspired by both her early train rides to Coney Island and a proposal for the Franklin Avenue subway. The ”Take Me There” trailer is posted for viewing on You Tube. Born in Brooklyn, NY Lives & works in Brooklyn, NY and in Sarasota, Florida
  • Creator:
    Philomena Marano (1952, American)
  • Dimensions:
    Height: 15.75 in (40.01 cm)Width: 15.75 in (40.01 cm)Depth: 1.25 in (3.18 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Brooklyn, NY
  • Reference Number:
    1stDibs: LU133915700961

More From This Seller

View All
Reader, oversize drawing of young woman reading, minimal color
By Audrey Anastasi
Located in Brooklyn, NY
This work was intentionally torn and mended. It predates the artist's full immersion, years later into torn and re-pasted collages, using ripped previous drawings and paper-based materials from media. These recently discovered 1984 oversize drawings on archival papers were created working quickly, from a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...
Category

2010s American Modern Figurative Drawings and Watercolors

Materials

Mixed Media, Archival Paper, Watercolor, Graphite

Moonlight, oversize drawing of contemplative young woman, monochromatic
By Audrey Anastasi
Located in Brooklyn, NY
This work was intentionally torn and mended along the curve through the center of the work. It predates the artist's full immersion, years later into torn and re-pasted collages, us...
Category

2010s American Modern Figurative Drawings and Watercolors

Materials

Mixed Media, Watercolor, Archival Paper, Graphite

Leashed and Unleashed, dogs collage abstracted drawing color
By Jenny Toth
Located in Brooklyn, NY
This remarkable aquatint print handpainted and collaged with watercolor depicts dogs actively engaged in friendly play in a desert landscape. Leashes fly outside the square composit...
Category

2010s American Modern Animal Drawings and Watercolors

Materials

Watercolor, Aquatint, Archival Paper

Donkey Menagerie, mixed media on wood panel
By Jenny Toth
Located in Brooklyn, NY
Watercolor, pencil, and pen on wood
Category

2010s American Modern Mixed Media

Materials

Wood, Watercolor, Pen, Pencil

Tickets/ Coney Island, colorful detailed cut paper, urban New York graphic
By Philomena Marano
Located in Brooklyn, NY
Color Aid paper, Paint, Contemporary collage Hand cut color-aid paper Worked with Robert Indiana Philomena Marano has spent decades “penetrat[ing] th...
Category

Early 2000s American Modern Landscape Drawings and Watercolors

Materials

Paint, Paper

PLAY FASCINATION 2, colorful mixed media, text
By Philomena Marano
Located in Brooklyn, NY
Acrylic on canvas paper, mounted on masonite with black enamel painted frame.
Category

1990s American Modern Mixed Media

Materials

Enamel

You May Also Like

1964 San Francisco Construction Site Large Gouache and Pastel Landscape
By Gloria Dudfield
Located in Arp, TX
Gloria Dudfield Tractor at Work 6-10-64 Gouache and Oil Pastel on Paper 36"x32 1/2" Unframed Signed and dated lower right in crayon Very Good Condition - Minor wear consistent with ...
Category

1960s American Modern Mixed Media

Materials

Paper, Oil Pastel, Gouache

Chef Pasta - Vintage Illustration in Ink and Watercolor
By Irene Pattinson
Located in Soquel, CA
Chef Pasta - Vintage Illustration in Ink and Watercolor A charming illustration, by Irene Pattinson (American, 1909-1999), shows a chef in an 1800's toque blanche, pouring oil from an ornate bottle over a bowl. His face, with spectacles, a moustache and goatee in fine line work, is painted in vibrant pink watercolor for an added splash of color. Signed in the bottom right corner, "i.p." Presented in a new white mat with foam core backing. Mat size: 8.5"H x 11"W Paper size: 6.75"H x 6.75"W Image size: 4.13"H x 3.63"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art. Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works). Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...
Category

1950s American Modern Figurative Drawings and Watercolors

Materials

Paper, India Ink, Watercolor, Pen

General Merch Way Down in Chinatown - Vintage Illustration in Ink
By Irene Pattinson
Located in Soquel, CA
General Merch Way Down in Chinatown - Vintage Illustration in Ink This illustration, inked in intricate detail by Irene Pattinson (American, 1909-1999), shows two men with long brai...
Category

1950s American Modern Figurative Drawings and Watercolors

Materials

Paper, India Ink, Watercolor, Pen

"Elkhorn Slough" - Cyanotype / Watercolor Landscape
By Cheryl Trotter
Located in Soquel, CA
Soft watercolor accents add to the beauty of this cyanotype and watercolor titled "Elkhorn Slough" by Cheryl Trotter (American, 20th century), c.1980's....
Category

1980s American Modern Mixed Media

Materials

Watercolor, Laid Paper, Photographic Paper

Half Dome in Pastel Colors, Yosemite National Park Fauvist Landscape Watercolor
By Karen Druker
Located in Soquel, CA
Bright Fauvist landscape of Half Dome in Yosemite National Park, with beautiful use of color by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in...
Category

21st Century and Contemporary American Modern Landscape Drawings and Wat...

Materials

Paper, Pastel, Watercolor

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern
By Ramstonev (Ramsey/Stone/Evans co-operative)
Located in New York, NY
MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...
Category

1930s American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Recently Viewed

View All