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Ramananda BandopadhayayMixed Media in blue, royal, pink, black, Modern Artist, student of Nandalal Bose
About the Item
Ramanando Bandopadhayay - 8 x 10 inches ( Unframed )
Mixed media on paper
We shall include shipping in frame form all across the world. Just hang and relish the work.
Style :
Lyrical and romantic, his work is typical of the Bengal School and reminiscent of Nandalal Bose who was his mentor. He is inspired by the simplicity and uncomplicated lives of the rustics. His canvases have a radiant innocence that is strongly reminiscent of an earlier era when life had a dignity and graciousness. A very distinct characteristic of Bandopadhyay's work is the recurrent use of a palette that comprises principally of reds, browns, greens and whites. For almost four decades, he has consistently employed the same colours. Mythology is his favourite subject. He has painted the ancient and rich cultural heritage of his country.
About the Artist and his work :
Born : 1936, Birbhum (West Bengal).
Education :
Ramananda completed his graduation in Fine Arts from Kala Bhavan, Santiniketan, Kolkata in 1957 under the guidance of Nandalal Bose. He taught Fine Arts at the Ramakrishna Mission Vidyapith, Purulia. He was a member of Birla Museum and the Asiatic Society, Kolkata.
Solo and Group Shows :
1969 - Kala Bhavan, Santiniketan;
1971, 1975, 1981, 1986 - Academy of Fine Arts, Kolkata;
1972 - All India Fine Arts and Craft Society, New Delhi.
Exhibition : A Retrospective exhibition of his works was organised at the Academy of Fine Arts, Kolkata in 2003. He is one of the trustee members of Indian Museum, Kolkata and also a member of Kolkata Corporation Heritage Committee. He lives and works in Kolkata.
Award :
1961, 1972, 1978 and 1980 - Recipient of Four Academy Awards ;
2000 - Abanindranath Puraskar by the Government of West Bengal.
- Creator:Ramananda Bandopadhayay (1936, Indian)
- Dimensions:Height: 8 in (20.32 cm)Width: 10 in (25.4 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:Unframed size : 8 x 10 inches Framed size : 16 x 18 inches Price: $1,200
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:1stDibs: LU60432159293
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By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury
Untitled
Dry Oil Pastel on Paper
10.5 x 14.5 inches
2024
( Framed & Delivered )
Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel.
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Woman Face with Braid Dry Pastel on Paper by Artist Jogen Chowdhury "In Stock
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury
Woman Face with Braid, Dry Pastel on Paper
10 x 6.3 inches , 2022 ( this is the unframed size )
The work will be shipped inclusive of framing.
Signed in Bengali
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
2002: Saffron...
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Located in Kolkata, West Bengal
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The work will be shipped inclusive of framing.
Signed in Bengali
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
2002: Saffron art...
Category
2010s Modern Mixed Media
Materials
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Located in Kolkata, West Bengal
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Untitled, Figurative, Ink & Pastel on Paper
5 x 6.5 inches , 2003
Signed in Bengali
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
2002: Saffron...
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By Lalu Prasad Shaw
Located in Kolkata, West Bengal
Lalu Prasad Shaw - Babu - 12 x 8 Inches
Pastel on Paper Board, 2019
( Unframed & Delivered )
Style : Known widely for his highly stylized portraits of Bengali women and couples, Lal...
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Face of a Young Man, Dry Pastel on Paper by Artist Jogen Chowdhury "In Stock
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury
Face of a Young Man, Dry Pastel on Paper
7 x 9.25 inches , 2022 (unframed size )
The framed size of the work is 17 x 20 ( approx. )
The work will be shipped inclusive of framing.
Signed in Bengali
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
2002: Saffron art...
Category
2010s Modern Mixed Media
Materials
Paper, Pastel, Mixed Media
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