Richard Hutter

Ternion III

2004

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. This was from a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints from the Collection of The Israel Museum, Jerusalem. High Court of Australia, Canberra, Australia Artists: Abu Shakra...

Mixed Media collage Assemblage painting and or monoprint or monotype on BFK Rives French art paper. It depicts a wild profusion of bold colored flowers Education 1976 Stanley Hayter Atelier 17 Workshop, Paris, France 1975 Hugh Stoneman Workshop, London, England 1974-85 Bob Blackburn Printmaking Workshop, NYC 1972-74 Certificate of Completion in Fine Arts Graphics, The Art Students League of New York, New York, NY 1971-72 The Art Institute of Boston, Boston, MA 1970-71 Green Mountain College, Poultney, VT it was the League where Martha Bloom...

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Board Dimensions: 28.75 X 24 (size includes frame. signed with initials and bearing a label verso. Reminiscent of the Ar...

This is a unique mixed media edition of 50. on handmade paper with fabric, gold and other elements. Raised and educated in New York, Pat Hammerman is an ...

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Paper Dimensions: 19 1/2" x 19 1/2" Dimensions w/Frame: 29 1/4" x 29 1/4" Simon, an award-winning mixed media artist with four Best Of Show honors, and numerous other distinctions, has been featured in over a dozen one-woman shows and many group exhibits. She has a master's of fine arts degree from the University of Iowa, and has divided her time between Colorado, Iowa and New Zealand. The prestigious Southwest Art magazine a few years ago featured Simon on its cover along with a profile in a two-page spread. "Mine is a happy-go-lucky world where everyone gets along, cares for one another and celebrates the day," Simon remarks. "I am hoping to refine my images to the elegance of a simple Haiku, the short poem that captures a single perfect moment in time — a peaceful kingdom. "In much of my work, I enjoy thinking about what goes on in the canyons, the seas and the nighttime, when no one is watching, perhaps joy and playfulness and even deep thoughts occur during those unseen hours," she says. Simon draws on the past's creative techniques and designs to put her works into action on canvas. "Although my inspiration comes from far and wide, light, nature and the Native American Ancients are the strongest aspects in my works," Simon says...

Genre: Israeli Subject: Animals Medium: Mixed Media, Collage Country: Israel Dimensions: 8.5 x 5.5 Dimensions w/Frame: 15 x 12 Judith Yellin is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Teacher of arts and crafts in teachers colleges, Senior lecturer in the School of occupational therapy and the David Yellin Teacher's College, Jerusalem. 1941-43 Graduate of Bezalel Academy of Art, Jerusalem. Studied under Mordechai Ardon and Isidor Aschheim 1946-49 Graduate of the Central School of Arts and Crafts London. Studied under R.R.Tomlinson, W. Johnstone, J. Minton. 1966 Member of the Israel Painters and Sculptors Association. 1971 Studied etching under Stanley William Hayter, Atelier 17, Paris. 1965-75 Collages chosen for UNICEF greeting cards. 1970-96 World-wide distribution of series of art-posters, lithographs and serigraphs, reproduced in Israel from collages . Exhibitons 1954 "Ben-Uri" Gallery, London 1955 "Nora" Gallery, Jerusalem 1960 "Atelier 97", Tel-Aviv 1961 The Artists House, Jerusalem 1965 "Katz" Gallery, Tel-Aviv 1965 "Ezry" Gallery, Jerusalem 1969 The Artists House, Jerusalem 1971 "Stern" Gallery, Paris 1974 The Artists House, Jerusalem 1975 "Ben-Uri" Gallery, London 1975 "Old Jaffa...

Untitled Acrylic and paint tubes on resine ​ Provenance : - Galerie Bernart, Antwerp - former collection of the Dutch Cobra artist Corneille (Cornelius van ...

Entitled The Eagle Flies on Friday, this work on paper depicts a Bald eagle flying in the late afternoon on a Friday. The two guitars crossed in the upper left-hand corner and a French accordion hidden in the left bottom right corner give a celebratory feel to the image. A distant flock of purple swifts inhabit the right upper middle portion of the image. A purple indigo plant overlays the turquoise Spanish guar on the left. Undulating light blue lines depict water flowing overlay an emerging dark blue palmetto partially obscuring the accordion on the bottom right corner. A blue orb above the eagle symbolizes the New Blue moon signaling new beginnings. This is a unique multiple oil relief print on paper. Unique. because it's one of a kind. Although printmaking processes are used there are no multiples made. Only one. This work is made by printing with different relief blocks multiple times, brush painting, and airbrushing. The ink and paints used are oil-based. Because of the multiple printing techniques, the reverse contains notations in graphite pencil, and ink colors to be used on blocks. Also on the reverse, there is residual ink from the printing process. Signed and dated en verso ( on the Back). Writing on the back reads THe Eagle Flies on Friday (title) ©2014 Francis X Pavy...

Inspired after hiking Zion National Park, Debra Ferrari ceated a series of paintings capturing the feeling of the volcanic rocks, water pools, waterfalls, cliffs and botanicals seen ...

Curiosity and conversation drive her work. Curiosity allows her to be experimental. Conversation weaves the work together. With the analogue collages, she looks for conversations bet...

Curiosity and conversation drive her work. Curiosity allows her to be experimental. Conversation weaves the work together. With the analogue collages, she looks for conversations bet...

Curiosity and conversation drive her work. Curiosity allows her to be experimental. Conversation weaves the work together. With the analogue collages, she looks for conversations bet...