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Sarah Nicole Phillips
Multiply Your Experience

2014

$450List Price

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Mo'jam
By Farah Khelil
Located in Los Angeles, CA
Farah Khelil, Mo’jam, Fine Art Print, 99.7 x 150 cm, 2015 antoine lefebvre editions bookworm, curated by Antoine Lefebvre The boundaries between passion and destruction fade away. bookworms is an transnational transmedia artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction. From the encounter with a destroyed book stems a reflection between two artists who are both passionate about books. It is important for us to present this project in different countries because the issues of transmission of knowledge are everywhere the same. This project is about the ignorants for whom knowledge, intelligence and education has become a threat and who seek to drag others with them into darkness. For Khelil, the book eaters are thinkers and intellectuals against conservatism and dogmatism. *** bookworms is an artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction This project is the fruit of a very special encounter with an object… After the death of her grandfather in 2012, Tunisian artist Farah Khelil (b. 1980) explored his library and found an old family dictionary in Arabic (Mo'jam Arabia), at least what was left of it, for it had been devoured by book eaters. She decided to collect some fragments without knowing what she would do with them. Impressed by how carefully cut the pieces were, she wanted to transform them into artworks that would honor the memory of her grandfather. Because she knew how important the book object is in my artistic practice, she showed me the fragments and invited me to participate in an exhibition at the Tunisian gallery A.GORGI in her hometown Sidi Bou Said. I then thought about introducing her to Barbara Denis-Morel, the curator of the Avranches Library. This library conserves, among other treasures, more than 200 medieval manuscripts from the abbey of the Mont Saint-Michel, but it also holds a few books that were entirely devoured. Thanks to the curator, we could consult old books that were infected, quarantined, pierced by galleries and routes that revealed the passage of book-eating insects. We filmed these pages to create a video that we entitled ALL THE MEMORY IN THE WORLD, Toute la mémoire du monde, which is an appropriation of the eponymous film by Alain Resnais. Farah had also kept some intact pages of the devoured dictionary. Then we used this sequence of 120 pages to build the lay-out structure of an artist’s book. The idea was to empty all the textual content —captions and definitions— to keep only the figures, the dropped initials, and the page numbers. The emptied columns of the dictionary were then filled with artistic contributions and texts that we commissioned to invited authors. Printed in an edition of 500 copies, this artist book was made by Farah Khelil and antoine lefebvre editions from the remains of a devoured book. It will be a key element, of this second presentation of the project, and a special edition with a bookstand will produced especially for the fair. Behind the idea of book-eating insects, there is the issue of conservation but also of conservatism, as in Solitaire, an installation Khelil made with a peg solitaire game and mothballs. This work is a “portrait” of her grandfather, Abdelaziz Majdoub, who taught Arabic at the Sadiki High School for a long time where he specialized in “ilm al-kalam,” the science of language. This project is imbued with nostalgia, it is reminder for the artist of the time she spent as a child with this thinker always with his head in books. These encyclopedic pieces transformed into artworks draw the territories and communal places of knowledge. They are extensions of a family memory and reflect a culture going back and forth between book-loving and book-eating, conservation and conservatism. This idea of book destruction is one of the main dangers threatening the library and the books that compose it: fire, water and confinement. But there is also this minor or mediocre scourge that intend to harm the books: the book eaters. This exhibition is a metaphor, a reflection on ignorance, not as opposed to knowledge but as an enemy of knowledge. Ignorance is what attempts to undermine the intelligence, kill or reduce it. Just like the bookworms...
Category

21st Century and Contemporary Conceptual Mixed Media

Materials

Mixed Media

Mo'jam
Price Upon Request
The Long Room IV, Trinity College Library, Dublin Ireland
By Reinhard Görner
Located in Los Angeles, CA
This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Ireland. The vaulted ceiling arches above, while below a warm, golden light fills the room, illuminating bookshelves and cultural artifacts. The room is flanked by white marble busts of philosophers, writers, and great minds who have shaped the intellectual landscape of the Western world, adding a sense of gravitas and continuity to the space, and bringing public cultural heritage into private space in the rich, glowing tones of aged brown wood, leather and gilt. Reinhard Görner is known for invoking an atmosphere of awe, meditation and contemplation through crisp, richly detailed scenes of grand historical and cultural narratives. This effect is enhanced through aesthetically striking compositions, which might include stunning symmetry, portals through a series of doorways, and other careful choices of perspective and scale. Housing about 150,000 volumes, this library is not only the largest in Görlitz, but also the most significant regional library between Dresden and Wrocław. Rich in history, it stands at the crossroads of Germany, Poland, and the Czech Republic, serving as a beacon for historical research and knowledge transfer in the region. Lit by a warm, timeless glow, the scene leads you through multiple carved archways of antique wood, along well-trodden wooden floors, a testament to the intersection of history, knowledge, and architectural elegance. Established in 1779 by twenty representatives from Görlitz's educated bourgeoisie and enlightened nobility, this library is a symbol of the Enlightenment movement, focusing on human reason and research across all fields of study. Today, it's open to the public and widely regarded as one of the most spectacular libraries globally. Görner's photography celebrates libraries as both shelters and places of escape. This particular photograph is part of his quest to explore the most beautiful and solemn reading rooms around the world. Görner aims to convey how architects play with shadows, light, proportions, and rhythms to create spaces that breathe beauty and silence. Starting from his work with architect Sir Norman Foster in 2005, Görner has meticulously documented libraries' cathedral-like atmospheres across the globe. His photographs seek to convey the impact of architecture on our awareness of life, showcasing spaces that tell stories and refer to a time when aesthetics and spatial awareness were intertwined. Embrace the tranquility and beauty encapsulated in Görner's art and allow it to transport you to the grand arches and timeless serenity of The Long Room, Trinity College Library. Perfect for art collectors, architecture enthusiasts, and advocates of intellectual history, this piece serves as a gateway to explore the spirit of great builders through Görner's distinctive lens. 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...
Category

2010s Conceptual Landscape Photography

Materials

C Print, Lambda

DETAIL FROM: FOUR REGENTS OF THE GROOT-KRAMERGILD, 1622 painting
By Reinhard Görner
Located in Los Angeles, CA
Detail From: Four Regents of the Groot-Kramergild ​DETAIL FROM: FOUR REGENTS OF THE GROOT-KRAMERGILD, 2008 WERNER J. VAN DEN VALCKERT, 1622, PAINTING GALLERY BERLIN ​ Timeless autho...
Category

Early 2000s Conceptual Figurative Photography

Materials

Lambda

Venus and Amor I, 1530, Lucas Cranach The Elder, Painting Detail Photograph
By Reinhard Görner
Located in Los Angeles, CA
Reinhard Görner’s Venus and Amor I presents an exquisite close-up of Lucas Cranach the Elder’s 1530 masterpiece, capturing the delicate interplay of sensuality and symbolism characte...
Category

21st Century and Contemporary Conceptual Figurative Photography

Materials

Archival Pigment

Venus (detail), Sandro Botticelli Workshop, Painting Gallery, Berlin, Photograph
By Reinhard Görner
Located in Los Angeles, CA
Venus (detail), Sandro Botticelli Workshop, Painting Gallery, Berlin, Photograph 53.4 x 40 inches ed. of 7 $4400 66.7 x 50 ed. of 5 $6800 signed and numbered on label, verso Rein...
Category

21st Century and Contemporary Conceptual Nude Photography

Materials

Archival Pigment

DETAIL FROM: YOUNG WOMAN WITH BARE BREAST, 2008 GIACOMO DI ANTONIO NIGRETI
By Reinhard Görner
Located in Los Angeles, CA
DETAIL FROM: YOUNG WOMAN WITH BARE BREAST, 2008 GIACOMO DI ANTONIO NIGRETI, NAMED PALMA IL VECCHIO, 1524-26, PAINTING GALLERY BERLIN 40 x 53.4 inches ed....
Category

21st Century and Contemporary Conceptual Figurative Photography

Materials

Lambda

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