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Sasha HallockUntitled, Small Works No. 59 (colorful, layered, geometric abstract)2018
2018
$368
$46020% Off
£285.25
£356.5620% Off
€324.44
€405.5520% Off
CA$527.40
CA$659.2520% Off
A$578.28
A$722.8520% Off
CHF 302.31
CHF 377.8820% Off
MX$6,925.99
MX$8,657.4920% Off
NOK 3,813.54
NOK 4,766.9320% Off
SEK 3,577.11
SEK 4,471.3820% Off
DKK 2,423.77
DKK 3,029.7220% Off
About the Item
Mixed media on paper, mounted on wood panel.
- Creator:Sasha Hallock
- Creation Year:2018
- Dimensions:Height: 7 in (17.78 cm)Width: 5 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU16810633972
Sasha Hallock
Sasha Hallock is a contemporary abstract painter living and working in Brooklyn, New York. With an Iranian father and American mother, Hallock’s paintings speak to a “bringing together,” of disparate pieces to create an object of beauty. Geometric forms, vibrant colors, odd textures and sculptural landscapes populate Hallock’s paintings. Each painting is the result of meticulous building, one line, shape, and color in relationship to the next. Hallock uses a unique abstract language to express themes of play, joy and faith. A graduate of SUNY New Paltz with a concentration in painting and drawing, Hallock has participated in group shows in New York City, Kansas City, and Fort Collins, Colorado.
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• One-of-a-kind abstract artwork on paper measuring 20 x 16 inches
• Unframed and signed by the artist on the back
• Includes certificate of authenticity issued by the art gallery
• Convenient local Los Angeles delivery available
• Affordable Continental U.S. and international shipping available
Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking.
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REPRESENTATION
Artspace Warehouse, Los Angeles, USA
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Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio
2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio
2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio
GROUP EXHIBITIONS
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2023 No Zoning, Reeves Art and Design, Houston, Texas
2022 Crimson Tide, Soft Times Gallery, San Francisco, California
The Big Show, Lawndale Art Center, Houston, Texas
Small Works, Soft Times Gallery, San Francisco, California
Summer Preview, Todd Weiner Gallery, Kansas City, Missouri
2022 Salina Biennial, Salina Art Center, Salina, Kansas
Project for Ukraine, Far By Wide — Online Exhibition
Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio
2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition
Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York
DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio
Loop, Box 13 ArtSpace, Houston, Texas
2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas
Lines of Thought, CICA Museum, Gimpo, South Korea
Flatfile Exhibition, Collar Works, Troy, New York
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Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas
Priority Mail, Ground Floor Gallery, Brooklyn, NY
Art Hustle, Reed Gallery, Cincinnati, OH
Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York
2018 Trade Show, My Friend PTX, Paris, Texas
TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia
Papercuts, curated by Kristian Day, Saatchi Gallery, London, England
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2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England
Winter Exhibition, James May Gallery, St. Algoma, Wisconsin
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Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California
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