Simon Lewty

Simon Lewty, Visions of a non-resident

1988

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

A lively, well executed sketch painted by a 19th century follower of Francesco Guardi Follower of Francesco Guardi, 19th Century Figures by a Roman Arch Watercolour with ink and sc...

A most attractive watercolor by one of the forefathers of British watercolour painting. John White Abbott (1763-1851) Abraham and Isaac in an extensive landscape Pen, ink and wash 7...

Colin Latter (born 1961) Lipstick Latter Signed Acrylic on canvas 30 x 18 inches Unframed A really eye catching image that "pops" out at you. This looks stunning against a white w...

On paper, acrylic paint and marking implements; graphite and Art Graf, a water-soluble kinetic media in tailor’s squares that easily fits into the hand to use the edges or the flat s...

'Untitled #5' in 2017 by New York City base, French artist Sandrine Kern. Acrylic, oil, and ink on paper, Paper: 14.75 x 21 in. / Frame 19 x 25 in. This abstracted landscape work on paper features colors in blue, purple, pink, red, white, and black. Sandrine Kern's work is indicative of landscapes conjured by memory that communicate residual emotions to her viewers. The thick surfaces of her paintings are built up through her unique alteration of a technique similar to encaustic. Instead of utilizing hot wax in her process, Kern combines oil sticks, oil paint, and cold wax...

'Untitled #6 in 2017 by New York City base, French artist Sandrine Kern. Acrylic, oil, and ink on paper, Paper: 13.25 x 17 in. / Frame 19 x 25 in. This abstracted landscape work on ...

"Homage to Vermeer & The Girl with the Pearl Earring & Beyond with Butterflies" is an original mixed media collage by David Barnett, signed in the lower right. It incorporates dried ...