Skip Hill

'Love Garden Party (Pussy Galore), ' by Skip Hill, Acrylic and Mixed-Media

2019

'Love Garden Party (Picnic #3)' is an original mixed-medium work of art composed of high quality acrylic paint, opaque, metallic and neon inks, and hand-cut collage, on 35.875"h x 23.875"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w.) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts two women gathered around a festive table filled with food and drink. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

'Love Garden Party (Picnic #1)' is an original mixed-medium work of art composed of high quality acrylic paint, opaque, metallic and neon inks, hand-cut collage, sealed with satin varnish on 36"h x 23.875"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts four women gathered around a festive table filled with food and drink with a myriad of disparate objects including masks, Asian porcelain, and flowers. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

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"An impromptu in music demonstrates its particular ability to translate the romantic effusion of a moment or of a mood. As I am looking through the window, the exterior scenery composes with my mood a complicated picture," says Simon-Gestin. "This piece expresses my complicated feelings about life." Impromptu #9 features two female figures conversing against a backdrop of rich blue windows, a vase of red flowers, and complimentary patterns and shapes. "After studying at the Beaux-arts in France, I have been painting, drawing, etching, making collage in the USA and in Italy, Austria, Denmark and China. In all these countries my work has been exhibited and collected. Numerous series have accompanied me during my itinerances. Questions about identity and my relation to the world mark my road. I wish to express the complexity, the beauty, the ambiguity of the world as I feel it. I paint women and children in a universe of fantasy made of strange animals in baroque situations. In all these women, there is something of me but the sum of all these women does not equal me or I would have nothing more to say." -- Josette Simon...

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