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Skylar Fein
Chumley's

2016

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Death of a Racist Stereotype
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Antique large handmade wood racist “Dancing Dan” puppet with exaggerated lips and distressed clothes, handmade trumpet, old wood handmade coffin. Can be a wall object or shelf...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Mixed Media

Karen
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Handmade old wood throne, hand carved wood puppet in old dress and boat flag sash, real pearls, vintage Rolex watch, probably fake, vintage painted pictures girls' career game pieces, handmade wood controller, antique sterling silver hand mirror...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Mixed Media

Under Repair
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Three vintage wood handmade and jointed dancing racist stereotype figures painted as Uncle Sam, one handmade vintage painted wood stereotype cutout. Handmade painted wood American...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Mixed Media

White Man's Burden
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: antique water-buffalo trophy horns with attached wood American flag crest from the Filipino/American War period (1899-1902). Large vintage rifle box...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Mixed Media

Room Service
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Antique carved & painted wood racist stereotype maid holding vintage toy cap hand grenade in grenade canister used in Afghanistan "Supreme Court Justice Louis Brandeis...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Mixed Media

Images From The Floating World
By Tony Dagradi
Located in New Orleans, LA
Medium: hardcover book, acrylic varnish TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his ...
Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Paper, Varnish

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Thomas the Unbeliever, 2017 Mixed media on paper and re-board 83 x 83 x 63cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA, 1991) and...
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WWW, Dark
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A faintly discernible globe of planet Earth can be found in this work inspiring dialog on where one might traverse via the world wide web. The original image, inspired by the Port of...
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"Hokusai Dreaming" 24K Gold Sculpture 7.5 x 1 in Ed. of 10 by Colin Burn
Located in Culver City, CA
"Hokusai Dreaming" 24K Gold Sculpture 7.5 x 1 in Ed. of 10 by Colin Burn Medium: 24K Gold, Diamonds & Pearls Edition of 10 NOTE: preparation time may take up to 8 weeks. Electrofo...
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"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
By Harold Wortsman
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
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"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
By Harold Wortsman
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
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