Steven Kinder

GBG 014-17

2017

Steven Kinder talks a lot about energy, form and movement and getting at the essence of something. Getting to the middle of it. He wants his work to call out in some way. He is inspi...

Steven Kinder talks a lot about energy, form and movement and getting at the essence of something. Getting to the middle of it. He wants his work to call out in some way. He is inspi...

Steven Kinder (b. 1956, Queens, NY) was trained at Cooper Union and has been making drawings, paintings, and large-scale installation for over 40 years. His recent work advances his interest in various forms of dynamic tension and movement found in nature, specifically tidal bores, surges or whirlpools. In his new work, the artist further explores tension and balance between the intuitive, gestural mark and the intellectual organization of form. His 9 inch square drawing series, a format he has been using for years, have now become templates for his paintings. In the drawings Kinder works out how form and color can come together and break apart while maintaining a compositional integrity inside a small space. His habit of placing ¾ inch blue painter’s tape around the edges of his designated area to serve as a border has now become part of the picture plane. The tape’s slightly elevated hard edge creates a physical barrier for the paint but adds a beautiful collage dimension as well. Its rough textured surface catches and slows the end of the brush stroke, softening the color and extending its energy over the intended border. Like a tidal pool at the base of a waterfall, the tape is both an extension of the thing, and a separate thing itself. When Kinder translates the small drawings onto larger canvas, there is a palpable and necessary shift of pressure, color intensity and rhythm. He does not project the drawing on the canvas, nor does he use graphs. Instead he simply places it next to the canvas and refers to the drawing as an architectural blue print...

Steven Kinder (b. 1956, Queens, NY) was trained at Cooper Union and has been making drawings, paintings, and large-scale installation for over 40 years. His recent work advances his interest in various forms of dynamic tension and movement found in nature, specifically tidal bores, surges or whirlpools. In his new work, the artist further explores tension and balance between the intuitive, gestural mark and the intellectual organization of form. His 9 inch square drawing series, a format he has been using for years, have now become templates for his paintings. In the drawings Kinder works out how form and color can come together and break apart while maintaining a compositional integrity inside a small space. His habit of placing ¾ inch blue painter’s tape around the edges of his designated area to serve as a border has now become part of the picture plane. The tape’s slightly elevated hard edge creates a physical barrier for the paint but adds a beautiful collage dimension as well. Its rough textured surface catches and slows the end of the brush stroke, softening the color and extending its energy over the intended border. Like a tidal pool at the base of a waterfall, the tape is both an extension of the thing, and a separate thing itself. When Kinder translates the small drawings onto larger canvas, there is a palpable and necessary shift of pressure, color intensity and rhythm. He does not project the drawing on the canvas, nor does he use graphs. Instead he simply places it next to the canvas and refers to the drawing as an architectural blue print...

Mixed media on canvas. Mixture of acrylic and oil paint, and acrylic spray paint. Unframed Excellent condition. signed

This painting is softer than some of my other pieces. I wanted to convey a feeling of hope and new beginnings. :: Mixed Media :: Abstract :: This piece comes with an official certifi...

This 20" x 30" contemporary abstract mixed media piece by Steven Rehfeld is a captivating exploration of form, color, and texture. The composition features a harmonious blend of soft pastel hues — calming blues, delicate pinks, and mellow yellows — juxtaposed against more assertive tones of deep magenta, vibrant orange, and charcoal gray. The painting showcases Rehfeld's signature style of blending geometric shapes, notably triangles and circles, with freer, more organic brushstrokes. The added depth is achieved through the inclusion of mixed media elements: fragments of paper with faint sketches, scribbles, and translucent overlays create a multidimensional visual experience. The smoky, sinuous black mark towards the center adds a hint of dynamism, while the layered application of paint and paper produces a tactile richness, making the piece an engaging visual journey. Steven is now one of the top emerging artists in the U.S. His works are groundbreaking, bold, and imbued with unflinching disregard for painting conventions. Many works are in collections and museums in the U.S. Steven is also part of the 'Outsiders' school of art, originating in France in the 19th century. Also known as the Naïve movement, and was comprised of people with no art training at all, who suddenly started to paint. Many of them are from very challenging backgrounds. All they had was talent that had never before been tapped. In no time this movement became a significant art phenomenon and spread all over the world. His work, however, has branched out past the movement and his use of earth elements renders a basic and raw interpretation of his message. Original, 1-of-1. Shown at the American Art Gallery, Carmel-By-The-Sea, California. Keywords: colorful, mixed media, contemporary, abstract, expressionism, blue, pink, yellow, magenta, orange, grey, Steven H...

Peter Rossiter with one of his favourite subjects, Circles. Mixed media on canvas. Framed Image 80cmx84cm