Teresa Vallejos

Peace of Mind (Diptych- FRAMED-21" x 17")

2025

Untitled, c. 20th Century Acrylic on paper 20 x 16 1/4 in. Matte: 24 x 20 in. Signed center: Shapiro

Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand signed and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artw...

Signed lower left, 'Carole Barnes AWS' (American, 20th century) and painted circa 1985. Carole Barnes has exhibited widely and with success and is the recipient of over 50 prizes, m...

Signed lower left, 'Marianne K. Brown' (American, 20th century); additionally signed, verso, with certification of authenticity and dated 1987. Brown has taught watercolor and des...

Signed lower right, 'Jane Malinasky' (American, 1920-2003) and dated, verso, 1980. Jane Malinasky attended the College of William and Mary.

A fine and delicate, watercolor landscape showing a view of the rural Philippines by this celebrated Philippine Modernist. Signed, lower right, in graphite, 'Romeo V Tabuena' for Rom...

In "City-New York" by Dan Muller you can see people dancing, walking, cars driving by, and buildings. Dan Muller's use of mixed media brings to life the chaos and excitement that com...

Jose Maria Mijares Untitled, 1955 Gouache on paper 18 x 12 in

'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964. NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru ----- Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

Joan Snyder's early 1970s period is known as the best of her career, now an iconic period of time for feminist abstract painting of the era. This fully finished work on paper reads l...