Thomas R Colman Dibdin

Notre Dame d' Amiens

1880

Large watercolor and mixed media work Original frame. “Keith Finch was born in Holyoke, Colorado in 1920 but has lived in Los Angeles, where he attended the elementary grades and h...

Mixed media on heavy paper mounted on canvas presumably by the Artist. Signed on top and again on artwork,titled verso. Great condition with strong vibrant colors. American/Canadian printmaker, painter, sculptor, author, and educator Norman Laliberte was born in Worcester, Massachussets, in 1925, to French Canadian parents. He was raised in Montreal, Canada, where he attended l'Ecole du Musee des beaux-arts. After graduation in 1948 he returned to the U.S. to continue his studies at the Institute of Design (BS, 1951) and the Illinois Institute of Technology Chicago (MS in art education, 1956). Additional courses took place at Worcester Museum and the Cranbrook Academy in Michigan, to which he was granted a painting scholarship. He then began an extensive exhibiting career in conjunction with his work as a teacher. He began teaching in 1959, first at Kansas City Art Institute in Missouri from 1959 to 1960. This was followed by positions at St. Mary's College at Notre Dame Univerity, Indiana (1960 - '65); Rhode Island School of Design (1965 - '66); Newton College, Massachusetts (1967); and RISD once again from 1976 - 1977. Additionally, he was a guest lecturer and workshop leader at a variety of schools in both the U.S. and Canada. He received an honorary doctorate from both Notre Dame and McGill University. During his time as a teacher he continued to show in group and solo exhibitions;nhis first solo show took place at the Waddington Galleries in Montreal in 1965. A major feature of Laliberte's early output was banners executed in fabric, inpired by a trip he took to the Italian city of Siena during their summer festivals. This would prove to be a key turn in his career, as he was commissioned to work a consultant at the 1964 New York World's Fair, creating a structure made of 88 banners to represent stained glass walls for the Vatican Pavilion; this job earned him international recognition as both an artist and a designer. His most recent commission was eighteen large panels for the International Terminal at the Logan Airport in Boston. Norman LaLiberté died at his home in Nahant, Massachusetts on September 10, 2021. Selected collections: Aetna Insurance, Hartford, Ct.; Air Canada; Albright-Knox Gallery, Buffalo, NY; Alcan, Montréal; American Airlines; Art Institute of Chicago; Arthur Heaney Memorial, Ottawa; Ashland Oil; Banque Nationale du Canada; Bishop’s University, Lennoxville, Québec; Blankman Investments, Miami; CBS Building, New York; C.Y.R.K., NY; Citicorp, NY; City of Binghampton, NY; Claridge, Montreal Columbia University, School of Architecture, NY; Conseil des Arts du Canada; Coopers and Lybrand, Boston; Corning Community College, Corning, NY; Cotton, New York; Createx, Simsbury, CT; Channel 13...

American/Canadian printmaker, painter, sculptor, author, and educator Norman Laliberte was born in Worcester, Massachussets, in 1925, to French Canadian parents. He was raised in Montreal, Canada, where he attended l'Ecole du Musee des beaux-arts. After graduation in 1948 he returned to the U.S. to continue his studies at the Institute of Design (BS, 1951) and the Illinois Institute of Technology Chicago (MS in art education, 1956). Additional courses took place at Worcester Museum and the Cranbrook Academy in Michigan, to which he was granted a painting scholarship. He then began an extensive exhibiting career in conjunction with his work as a teacher.He began teaching in 1959, first at Kansas City Art Institute in Missouri from 1959 to 1960. This was followed by positions at St. Mary's College at Notre Dame Univerity, Indiana (1960 - '65); Rhode Island School of Design (1965 - '66); Newton College, Massachusetts (1967); and RISD once again from 1976 - 1977. Additionally, he was a guest lecturer and workshop leader at a variety of schools in both the U.S. and Canada. He received an honorary doctorate from both Notre Dame and McGill University. During his time as a teacher he continued to show in group and solo exhibitions;nhis first solo show took place at the Waddington Galleries in Montreal in 1965.A major feature of Laliberte's early output was banners executed in fabric, inpired by a trip he took to the Italian city of Siena during their summer festivals. This would prove to be a key turn in his career, as he was commissioned to work a consultant at the 1964 New York World's Fair, creating a structure made of 88 banners to represent stained glass walls for the Vatican Pavilion; this job earned him international recognition as both an artist and a designer. His most recent commission was eighteen large panels for the International Terminal at the Logan Airport in Boston. Norman LaLiberté died at his home in Nahant, Massachusetts on September 10, 2021.Selected collections:Aetna Insurance, Hartford, Ct.; Air Canada; Albright-Knox Gallery, Buffalo, NY; Alcan, Montréal; American Airlines; Art Institute of Chicago; Arthur Heaney Memorial, Ottawa; Ashland Oil; Banque Nationale du Canada; Bishop’s University, Lennoxville, Québec; Blankman Investments, Miami; CBS Building, New York; C.Y.R.K., NY; Citicorp, NY; City of Binghampton, NY; Claridge, Montreal Columbia University, School of Architecture, NY; Conseil des Arts du Canada; Coopers and Lybrand, Boston; Corning Community College, Corning, NY; Cotton, New York; Createx, Simsbury, CT; Channel...

American/Canadian printmaker, painter, sculptor, author, and educator Norman Laliberte was born in Worcester, Massachussets, in 1925, to French Canadian parents. He was raised in Montreal, Canada, where he attended l'Ecole du Musee des beaux-arts. After graduation in 1948 he returned to the U.S. to continue his studies at the Institute of Design (BS, 1951) and the Illinois Institute of Technology Chicago (MS in art education, 1956). Additional courses took place at Worcester Museum and the Cranbrook Academy in Michigan, to which he was granted a painting scholarship. He then began an extensive exhibiting career in conjunction with his work as a teacher.He began teaching in 1959, first at Kansas City Art Institute in Missouri from 1959 to 1960. This was followed by positions at St. Mary's College at Notre Dame Univerity, Indiana (1960 - '65); Rhode Island School of Design (1965 - '66); Newton College, Massachusetts (1967); and RISD once again from 1976 - 1977. Additionally, he was a guest lecturer and workshop leader at a variety of schools in both the U.S. and Canada. He received an honorary doctorate from both Notre Dame and McGill University. During his time as a teacher he continued to show in group and solo exhibitions;nhis first solo show took place at the Waddington Galleries in Montreal in 1965.A major feature of Laliberte's early output was banners executed in fabric, inpired by a trip he took to the Italian city of Siena during their summer festivals. This would prove to be a key turn in his career, as he was commissioned to work a consultant at the 1964 New York World's Fair, creating a structure made of 88 banners to represent stained glass walls for the Vatican Pavilion; this job earned him international recognition as both an artist and a designer. His most recent commission was eighteen large panels for the International Terminal at the Logan Airport in Boston. Norman LaLiberté died at his home in Nahant, Massachusetts on September 10, 2021.Selected collections:Aetna Insurance, Hartford, Ct.; Air Canada; Albright-Knox Gallery, Buffalo, NY; Alcan, Montréal; American Airlines; Art Institute of Chicago; Arthur Heaney Memorial, Ottawa; Ashland Oil; Banque Nationale du Canada; Bishop’s University, Lennoxville, Québec; Blankman Investments, Miami; CBS Building, New York; C.Y.R.K., NY; Citicorp, NY; City of Binghampton, NY; Claridge, Montreal Columbia University, School of Architecture, NY; Conseil des Arts du Canada; Coopers and Lybrand, Boston; Corning Community College, Corning, NY; Cotton, New York; Createx, Simsbury, CT; Channel...

This large contemporary African-inspired mask assemblage is an eye-catcher. The sharp contrast between the bright red and deep blue colors has a powerful visual statement and awakens your senses immediately. It will be a very personal and thrilling curiosity to have hanging. The sculptural artwork is an assemblage made of mixed media. Within it, you will find horns, fur, claws, an animal skull, hair, feathers, wooden objects, hair, etc. All of it is assembled and mounted on a wooden showcase and topped with a plexiglass box. The assemblage is made by the internationally celebrated Danish artist and sculptor Jørgen Waring...

Frame size 81x66 cm.

Technical Sheet - Title: "Window to the Cosmos" - Artist: Keith Evan Patterson (1925-1993) - Style: Abstract material-poetic - Technique: Mixed media and collage on cardboard...

This mandala thangka is hand painted on canvas with 24k gold. Different hues of Red,green and White colors blend seamlessly with the shimmering of real gold. The size of unframed can...