Yanieb Fabre

"Cuaderno íntimo" contemporary, double sided artist book, collage drawings

2017-2018

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

Made with oil crayons, the artist creates this piece almost as a ritual in which her body and its movement become protagonists when drawing on paper. Beneath these figures and drawi...

María Conejo’s proposal consists of a series of oil paintings and ink drawings that offer a profound and intimate exploration of the emotions within us. The artworks depict an anatom...

Grayson Perry Untitled, 2004 Watercolour, crayon, pen, pencil, glitter & collage on paper 41 x 59 cm framed Provenance: Victoria Miro Gallery, London

The viewer 2022. Paper/mixed media, 19.3x14.8 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, ...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell