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Alex Katz Whitney Opening Area After Party 1986 (Area nightclub announcement)1986
1986
About the Item
The Whitney Museum "Alex Katz" Opening Area After Party invitation/announcement card 1986:
Rare vintage Alex Katz invitation/announcement card published on the occasion for the after-party for the Alex Katz opening at the Whitney Museum, New York, 1986. A VIP Area invite with complimentary admission for 2.
Dimensions: 8.5 x 5.5 inches.
Medium: Off-set printed invitation/announcement card.
Minor age related wear; good overall vintage condition.
Unsigned from an edition of unknown.
Area opened its doors in September 1983 and virtually overnight became the nexus of one of the most vibrant Downtown art and club scenes in New York. Every six weeks, they transformed the enormous space at 157 Hudson with a different art exhibit & performance theme. Area was the place where A-listers such as Andy Warhol, Francesco Clemente, Julian Schnabel, Madonna, JFK Jr. & many others went to see and be seen: A place where Basquiat DJ'd, while Keith Haring and Andy Warhol produced several installations. Area's wildly creative invitations became the hottest tickets in town and instantly collectible art in and of themselves.
Alex Katz is a contemporary American artist renowned for his large-format paintings of landscapes, flowers, and portraits of his wife Ada. Katz’s flattened forms and simplification of detail are trademarks of works such as Gray Day (1992). “We compete for audiences, as artists. I'm competing with the Abstract Expressionist guys. I'll knock ‘em off the wall,” he once remarked. “If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids. I'm there with the kids.” Born on July 24, 1927 in Brooklyn, NY, as a young man, he attended the Cooper Union School of Art and the Skowhegan School of Painting and Sculpture in Maine. It was here that the artist first began to make plein-air paintings of the Maine landscape. During the mid-1950s, Katz fell into the small circle of artists known as the 10th Street Scene, which included Lois Dodd, Larry Rivers, and Fairfield Porter, among others. Over the following decades, he developed his hallmark style of painting while also experimenting with collage, printmaking, and painted aluminum cutouts. His work has served as a beacon of style to younger generations of artists, including Elizabeth Peyton and Julian Opie. Katz maintains residences in Lincolnville, ME, and New York, NY. Today, his works are included in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, the Colby College Museum of Art in Waterville, ME, the Albertina Museum in Vienna, and the National Gallery in Washington, D.C., among others.
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Larry Rivers. Philip Guston. New York School. Pop Art. New York Artists. Fashion.
- Creation Year:1986
- Dimensions:Height: 8.5 in (21.59 cm)Width: 5.5 in (13.97 cm)
- Medium:
- Movement & Style:
- After:Alex Katz (1927, American)
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354315585372
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Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol.
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Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk.
Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues.
His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS.
Haring died on February 16, 1990 in New York at the age of 31. In addition to hundreds of exhibitions held during his lifetime, Haring has been the subject of numerous retrospectives in New York, San Francisco, Paris, Tokyo, Los Angeles and Berlin since his death.
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