Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Amy Wilson
Silence

2018

About the Item

I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
  • Creator:
    Amy Wilson (1973, American)
  • Creation Year:
    2018
  • Dimensions:
    Height: 26.5 in (67.31 cm)Width: 23 in (58.42 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Red Bank, NJ
  • Reference Number:
    1stDibs: LU2849216417732

More From This Seller

View All
There is Something Forgiving...
Located in Red Bank, NJ
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process, I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
Category

20th Century Expressionist More Art

Materials

Fabric, Textile, Thread

Running
By Amy Wilson
Located in Red Bank, NJ
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
Category

20th Century Expressionist More Art

Materials

Fabric, Textile, Thread

We Sank To The Bottom
By Amy Wilson
Located in Red Bank, NJ
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
Category

20th Century Expressionist More Art

Materials

Fabric, Textile, Thread

All The Beuty And Sadness
By Amy Wilson
Located in Red Bank, NJ
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
Category

20th Century Expressionist More Art

Materials

Fabric, Textile, Thread

What Happens To Us When We Die
By Amy Wilson
Located in Red Bank, NJ
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
Category

20th Century Expressionist Mixed Media

Materials

Fabric, Textile, Thread, Watercolor

Your Myth of Scarcity
By Amy Wilson
Located in Red Bank, NJ
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
Category

20th Century Expressionist Figurative Prints

Materials

Textile, Ink, Archival Paper

You May Also Like

Journey Trees IV, Sara Brennan, hand-woven textile wall sculpture
By Sara Brennan
Located in Wilton, CT
Journey Trees IV, linens and swing threads, 7.5" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 196...
Category

2010s Contemporary Figurative Sculptures

Materials

Fabric, Textile, Tapestry, Linen, Thread

Journey Trees III, Sara Brennan, hand-woven textile wall sculpture
By Sara Brennan
Located in Wilton, CT
Journey Trees III, linens and swing threads, 8" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 1963...
Category

2010s Contemporary Figurative Sculptures

Materials

Fabric, Textile, Tapestry, Linen, Thread

Summer and Winter, Mid-Century Tapestry, Woven Hanging, Textile Wall Sculpture
By Adela Akers
Located in Wilton, CT
Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...
Category

1970s Abstract Abstract Sculptures

Materials

Textile, Linen, Thread, Yarn, Fabric, Tapestry

Refleksy (Reflexes), Mid-Century Wool Tapestry, Abstract Textile Wall Sculpture
Located in Wilton, CT
Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...
Category

Mid-20th Century Abstract Abstract Sculptures

Materials

Fabric, Textile, Tapestry, Wool, Linen, Thread

Hand-Tufted Textile Artwork by Contemporary Artist from Visual Diaries series
Located in Vilnius, LT
Works from the series of "Visual Diaries". Young artist goes to her studio daily and create as if writing a diary documenting her daily life—closest surroundings or the changing wor...
Category

2010s Contemporary More Art

Materials

Textile, Canvas, Thread, Wool, Cotton

Cuerpo Humano, Embroidery on canvas from the Anatomy series
By Ana Seggiaro
Located in Miami Beach, FL
Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure, and the circulatory system coexists perfectly with the arteries of red linen, with the...
Category

2010s Contemporary Mixed Media

Materials

Cotton, Thread, Textile

Recently Viewed

View All