Anita Loos

Autograph by Planson - Autograph Letter Signed by André Planson - 1950/6

1950s - 1960s

Autograph Letter Signed by the Romanian and French avant-garde poet and artist, Tristan Tzara (Moinești, 1896 – Paris 1963) to the Swissh editor Nesto Ja...

This is an Autograph Letter Signed by Tristan Tzara (Moinești, 1896 – Paris 1963), the Romanian and French avant-garde poet and artist, to the Swissh edi...

Autographs by Édouard Pignon to Nesto Jacometti. This lot is composed of 2 items: Autograph Letter Signed by E. Pignon to N. Jacometti. April 28th 1...

Confidential Autograph Letters Signed by the French poet, Abel Bonnard (Poitier, 1883-Madrid 1968) to the Countess A. L. Pecci-Blunt. Around 1930's. In French. One page, single-sid...

AUTHOR: MILNE, A. A.. TITLE: A fine ALS mentioning Christopher Robin and Pooh. PUBLISHER: Chelsea, 1931. DESCRIPTION: AUTOGRAPH LETTER SIGN...

Presenting a very important Teddy Roosevelt letter of January 1918. On ‘Sagamore Hill’ letterhead. Fully handwritten and personally signed by President...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. Here, Ricard traverses visual art, text, and the pleasure of sculptural trompe-l’œil with this printed drawing of melancholy hand-written and typed love poetry, composed with natural earthen shades of antique white and brown. Monet Portrait of Jeanne Duval...

Two one-page letters on Faber & Faber stationery, SIGNED by T. S. Eliot. The first, dated 1 December 1949 is double sided, 10 1/4 x 8 inches (266 x 204 mm) in envelope 4 1/4 x 5 1/4 inches (110 x 133 mm). The second is dated 23 August 1950, one sided, 8 x 6 7.8 inches (204 x 174 mm) in envelope 4 1/4 x 5 1/4 inches (110 x 133 mm). Typed in black and red ink, central vertical and horizontal folds, with no sign of wear. The accompanying envelopes show minor signs of wear and the back flap of the first envelope is partially torn. Fine. These two typewritten letters were addressed to Robert Cecil Bald (1901 – 1965), an Australian scholar of English Literature, who taught at Cornell University starting in 1937 and then at the University of Chicago from 1952 to 1965. They attest to a cordial exchange between a poet and a scholar, and the rich network of contacts that Eliot had both as an author and as the long-time editorial director at Faber & Faber in London (1925-1965). In the first letter, dated 1 December 1949 with a Cornell University address, Eliot declines an offer...