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Ben NicholsonBen Nicholson signed mixed media collage 'Ronco', 19791979
1979
About the Item
A rare and signed Ben Nicholson original work from 1979.
Ben Nicholson (British, 1894 – 1982)
Ronco, 1979
Mixed media collage
Signed and inscribed and dated ‘(Ronco) 1979 Nicholson’
27.1/2 x 25.1/2 in. (70 x 64.5 cm.)
The middle panel has pencil, ink and further ink workings in pen smudged to give a 3D effect around the edges.
- Creator:Ben Nicholson (1894 - 1982, British)
- Creation Year:1979
- Dimensions:Height: 27.5 in (69.85 cm)Width: 25.5 in (64.77 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This board is further laid into a grey backboard with some abrasions to the edges, some former guide marks in pencil. Laid down on a white backboard with white spaces on the inside of a black stained oak Nicholson frame in excellent condition.
- Gallery Location:Petworth, GB
- Reference Number:1stDibs: LU540316111992
Ben Nicholson
Ben Nicholson, one of Britain’s most influential modernist painters, was the son of renowned artist William Nicholson. His early career was shaped by extensive travels during the 1920s with his first wife, Winifred Roberts, living between Cumberland, London, Paris, and Switzerland. Initially experimenting with a post-Cézanne style, Nicholson later embraced a more consciously "primitive" approach to landscape painting in 1927, influenced by his encounter with the work of Alfred Wallis. Between 1931 and 1939, while living in London, Nicholson became closely associated with leading artists and critics such as Henry Moore, John Piper, Naum Gabo, and Herbert Read. Encounters with European modernists, including Hans Arp, Constantin Brâncuși, Piet Mondrian, and Jean Hélion, profoundly shaped his artistic direction. By the late 1930s, he had developed the highly abstract style for which he is best known.
In 1931, Nicholson met sculptor Barbara Hepworth, who would become his second wife. During World War II, they relocated to St Ives with Gabo and Adrian Stokes, contributing to the town’s emergence as a centre for modernist art. By the 1950s and 1960s, Nicholson had gained an international reputation, his work celebrated for its purity of form and pioneering abstraction.
Following the war, he lived in London, Cambridge, and Switzerland at various times. In later years, he married for a third time, to photographer Felicitas Vogler, continuing to refine his artistic vision until his death in 1982.
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