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Piccoli Uomini Martini

2016

Christopher Windsor Fire, 2008 Borosilicate glass and steel 72h x 36w x 36d in

Danny White The Time Traveler, 2016 Furnace glass 13.75h x 6w x 4d in

Christopher Windsor Dichro Nesting Bowl Set, 2012 Borosilicate glass and copper Dimensions vary

Christopher Windsor Electric Artichoke, 2015 Borosilicate glass and steel 21.50h x 31.50w x 31.50d in

Drawing from the ethos of giving new life to the discarded, this sculpture of eco-art presents a striking lamp sculpture that marries the elegance of blown glass with the grounded, e...

"Coalescence #1" 25" x 21.5" inch by Oleg Char Medium: Spray paint, Acrylic on restored Antique Mirror, Wood frame THE ARTIST: Unearth the ...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Classically trained in Florence, Italy, Kii creates his modern mosaics using traditional techniques and materials, including hand-cut Italian marble and Venetian smalti glass. Eschewing the figural in favor of the abstract, his mosaics rely on contrasts of pattern and form to convey complex themes and achieve visual harmony. Toyoharu Kii’s latest body of work “Geophytes” continues themes of rebirth and renewal. A reference to plants that regrow from hidden elements beneath the earth’s surface, the series celebrates the resilience of the natural world. Each mosaic is imagined as a landscape that documents a history of environmental damage due to human activity, and the subsequent return of nature as a restorative force. Through the juxtaposition of patterns and the interplay of order and disorder, Kii creates man-made “images of destruction” and finds hope in the future by “reconstructing nature.” In this mosaic entitled "Ghost (Big Wings)," Kii takes a more representational approach to his storytelling, creating figurative drawings out of thin lines of tesserae. The mosaic belongs to his “Ghost” triptych, wherein Kii uses “wings” to represent the presence of a heavenly being, the ghosts of past spirits or the presence of an angel or guardian. In “Ghost (Big Wings),” Kii mourns the extinction of many creatures due to environmental change and imagines their lonely spirits wandering the earth. Enveloping their silhouettes is “a bird with big wings,” writes Kii, depicted here within a dense mosaic of abstract patterns, a symbol for nature’s healing power. “The bird consoles...