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Daniel ArshamFictional Nonfiction: Archaeology2019
2019
$2,574.44
£1,850
€2,172.13
CA$3,540.87
A$3,856.08
CHF 2,026.15
MX$47,104.91
NOK 25,165.87
SEK 23,797.72
DKK 16,214.28
About the Item
Daniel Arsham
Fictional Nonfiction: Archaeology, 2019
Plaster, crushed glass in custom packaging
8 × 5 × 1/2 in
20.3 × 12.7 × 1.3 cm
Edition of 500
Kindly note that the first photograph is a representation of the artwork. The piece I am selling is in its original sealed box and has never been opened.
In this unique blend of art, architecture and design, in conjunction with references to the past, present and future, Arsham presents an image of an eroding book by David Attenborough. This motif of decomposition physically spans across the front of the book, cascading along to the book's binding. It is as if the material is collapsing on itself, in turn creating a rough texture. The typography is indented into the material, creating a more tactile surface.
- Creator:Daniel Arsham (1980, American)
- Creation Year:2019
- Dimensions:Height: 8 in (20.3 cm)Width: 5.01 in (12.7 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2154215918322
Daniel Arsham
Daniel Arsham lives and works in New York. Arsham has been exhibited worldwide, including at the Moco Museum, Amsterdam; the How Museum, Shanghai; High Museum of Art, Atlanta, GA and the Contemporary Art Center, Cincinnati, OH. His works are included in the permanent collections of the Pérez Art Museum, Miami, FL; the Walker Art Center in Minneapolis, MN and the Centre Pompidou, Paris. His artistic practice includes several high profile collaborations with choreographer Merce Cunningham, Producer Pharrell Williams and Designer Hedi Slimane and companies such as Dior and Rimowa. Arsham is the co-founder of Snarkitecture, a New York-based collaborative design practice established in 2007 to investigate the boundaries between disciplines of art, architecture and design. A component of Arsham’s iconic and immediately recognizable practice is the conception of his works as fossilized “future” relics that distort the viewer’s perception of space and time.
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