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Filippo De Pisis
Autograph Letter Signed by Alberto Savinio - 1934

1934

$357.86
$477.1525% Off
£261
£34825% Off
€300
€40025% Off
CA$490.70
CA$654.2625% Off
A$547.88
A$730.5025% Off
CHF 287.47
CHF 383.2925% Off
MX$6,761.78
MX$9,015.7125% Off
NOK 3,613.48
NOK 4,817.9825% Off
SEK 3,381.05
SEK 4,508.0725% Off
DKK 2,282.81
DKK 3,043.7525% Off
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About the Item

Colonna Review - A.L.S. is a Autograph Letter Signed by Alberto Savinio to the Countess A.L Pecci-Blunt. Milan, May 21st 1934. In Italian. One page, single-sided. Excellent condition, including original envelpe on letterhed paper "Colonna - Rivista mensile - Milano". The Italian intellectual informs the Countess and patron of the arts of the financial questions regarding the monthly review Colonna. Periodico di civiltà italiana he directed. Sometimes the Countess Pecci-Blunt re-funded the finances of the journal, because the periodical had the common intentions of the Countess and of Savini : to actively contribute to the revival of Italian culture. Thanks to this autograph we could understand the significant role of Alberto Savinio and the Countess played in the production and promotion of Italian culture during the early thirties. Alberto Savinio, pseudonym of Andrea Francesco Alberto de Chirico (Athens, 1891 - Rome, 1952) The Italian writer, painter, playwright and composer, Alberto Savinio, as well as brother of the famous painter Giorgio de Chirico, chose his stage name in 1914 when he published Les chants de la mi-mort in the magazine Les Soirées de Paris. He returned permanently to Italy in 1933, thus he collaborated with the newspaper "La Stampa" with a column, "Guard tower" (1934-1940). From 1934 he moved to Rome. In 1938, André Breton included him (the only Italian) in the Anthologie de l'humour noir. In the capital he collaborated at the Leo Longanesi's weekly Omnibus, for which he wrote in 1939 a piece of satire on Leopardi's gluttony (Leopardi's sorbet) which cost him the antipathies of the fascist regime. Countess Anna Laetitia Pecci-Blunt (Rome, 1885 - Marlia, 1971) Best-known as "Mimì" Pecci-Blunt , the Italian noblewoman was an art collector, patron and nephew of Pope Leo XIII. Extremely volcanic, she was very active in the cultural field, opening numerous lounges, galleries and theaters. In 1919 she married Cecil Blumenthal, later changed to Blunt, a wealthy Jewish banker from New York, heir to an important collection of nineteenth-century French painting. His Parisian and Roman salons was frequented by artists and intellectuals of the caliber of Salvador Dalì, Paul Valery, Poulenc, Paul Claudel, and Aldo Palazzeschi!
  • Creator:
    Filippo De Pisis (1896 - 1956, Italian)
  • Creation Year:
    1934
  • Dimensions:
    Height: 11.23 in (28.5 cm)Width: 8.9 in (22.6 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Period:
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-1149971stDibs: LU65037563472

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Autograph Letter Signed by Filippo de Pisis - 1947
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Located in Roma, IT
Le Foglie – A.L.S. is a Autograph Letter Signed by Filippo de Pisis to Gaetano Chiurazzi. Milan, June 3rd 1947. One page, double-side. On letterhead paper “Ne nous embarbouillons pas dans les métaphores” (Balzac). In Italian. Very good condition, with minor aging signs. Original envelope included, with lacquer wax. An affectionate greeting letter written with a rapid calligraphy written by the artist had just return to Italy with the first symptoms of an illness will lead to his death. The artist demands to his friend and Italian gallerist, Gaetano Chiurazzi (Naples,1899- Rome,1967), best-known as "Tanino", to lead him his oil on canval “Le Foglie”, exhibited at his popular gallery, “Le Vetrine di Chiurazzi”, in Via del Babbuino, Rome. De Pisis is today best-known for his cityscapes, metaphysically-inspired maritime scenes, and still lifes, especially those depicting flowers. His work has a particularly airy quality, and is laden with a sort of pathetic pleasure. This letter demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24-hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...
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Autograph Letter by Filippo de Pisis - 1934
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Autograph Letter Signed by de Pisis - "Love and Flowers" to Gaetano Chiurazzi. Venice, February 10th 1934. In Italian. With stamps and postmarks. Very good condition, with minor aging signs. Original envelope included. Perfectly readable, on ivory color paper and on letterhead "et spiritualis unctio". With autograph notes signed in blue ink at the end of the back, by an undefined author. An affectionate greeting letter written with a rapid calligraphy and in a cryptical way, with quotations understandable only within the friendship relationship between the poet-artist of "Loves and Flowers" and the Italian gallerist, Gaetano Chiurazzi (Naples,1899 - Rome,1967), best-known as "Tanino". De Pisis is today best-known for his cityscapes, metaphysically-inspired maritime scenes, and still lifes, especially those depicting flowers. His work has a particularly airy quality, and is laden with a sort of pathetic pleasure. This letter demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24 hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...
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