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Fornasetti
THE CAT - Fornasetti glazed tile Milan , Italy 1980s

Price:$587.35
$716.28List Price

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VIOLIN - Mixed Technique and Collage, Giuseppe Chiari, Italy 1970s
By Giuseppe Chiari
Located in Napoli, IT
Mixed media, collage and violin on board in a wood and plexiglass case
Category

1970s Modern More Art

Materials

Mixed Media

ADAMO AND EVA - Engraving on numbered silver plate, Augusto Perez Italy 1970
Located in Napoli, IT
Engraving on silver plate numbered 24/100 and signed Augusto Perez (Messina, 1929 - Naples, 2001) Augusto Perez made his debut in the 1951 Neapolitan co...
Category

1970s Modern More Art

Materials

Silver

SIM SALA BIM - Lithographic poster of Dante the Great, 1970s
Located in Napoli, IT
This poster was used to advertise Dante's magic show at the NixonTheatre Pittsburgh. Dante (1883-1955) was born in Denmark to Harry August Jansen. He emigrated to the United States a...
Category

1970s Modern More Art

Materials

Paper, Lithograph

DEAD NATURE WITH TRICOLOR - Serigraph signed Concetto Pozzati, Italy 197s
Located in Napoli, IT
Screenprint on mirror, engraved signature at lower right
Category

1970s Modern More Art

Materials

Mirror, Screen

THE THRONES OF MYSTERY - Von Arx lithographic poster, 1970s
Located in Napoli, IT
Von Arx (Charles A. Nicol) was Great Nicholas' brother and himself a successful performer. Not wanting to exploit his brother Will's stage name, he used several stage names. Both Cha...
Category

1970s Modern More Art

Materials

Paper, Lithograph

THE ELEPHANT WHO DISAPPEARS - Lithographic poster by Carter the Great, 1970s
Located in Napoli, IT
This is a poster reproducing the incredible 1920s magic poster for Carter the Great. The issue in question, titled "The Disappearing Sacred Elephant," is rendered in incredible detai...
Category

1970s Modern More Art

Materials

Paper, Lithograph

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Located in Detroit, MI
“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 129, plate #236 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...
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John Glick Plum Street Pottery Reduction Fired Shino Glaze Cup Published in Book
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“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...
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"Mid-Century Modern Red Vase" Burnished Red, Black Stripe, Ceramic
Located in Detroit, MI
The Mid-Century Modern red vase by Dante Baldelli is an elegant example of the work his studio could produce for the consumer to enhance the décor of th...
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"Monumental Chalice" Rare Ceramic Turquoise Green Red Graphic Signed
Located in Detroit, MI
“Monumental Chalice” is a stunning rare monumental ceramic chalice by the world re-known Italian potter Guido Gambone. The shape is light and delicate with a comfortable weight. Turq...
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"Untitled" Ceramic Vase with Etched Figures, Green Glaze, Signed on Bottom
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SALE ONE WEEK ONLY Douglas’s etched ceramic vase in a rich earthy green glaze expresses the Mid-Century Modern style of simplicity of lines, forms and color. Despite its formal shap...
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Porcelain plate - A cyclist with wings. 2016, d 36 cm
Located in Riga, LV
Porcelain plate - A cyclist with wings. 2016, d 36 cm This Porcelain Plate depicting a figure in motion is a remarkable piece of art that combines whimsy and creativity. Crafted from delicate porcelain, this plate has a diameter of 36 cm, making it a visually striking and sizable decorative object. The central focus of the plate is a cyclist, portrayed with wings, adding a touch of fantasy and imagination to the artwork. This composition suggests a sense of freedom, adventure, and the ability to transcend boundaries. It symbolizes the joy of movement and the exploration of new horizons. Inese Margevica (1960) Education: 2004 – LU, master's degree of educational sciences in art pedagogy; 2001 – LMA, Master of Arts degree; 1990 – LMA, Department of Applied Decorative Arts; 1981 – Riga Applied Arts Secondary School; 1977 – Riga 5th secondary school; Professional unions: 1992 – Artists' Union of Latvia; 1991 – ceramics association "Logs" Personal exhibitions: 2006 – "Black and white", in "Apsida" gallery, Riga; 2005 – "Touch", in the "Apsida" gallery in Riga; 2003 – "Black and white stories", in Satakunta Museum, Pori (Finland); 2003 – "Black and white stories", in the gallery "Apsīda" in Riga; 2000 – "Ceļabiedri", in the gallery "Apsīda" in Riga; 1998 – "Gaisma", Unibank branch in Riga; 1996 – "Feast over water", in the gallery "Jāņas sēta" in Riga; 1994 – "Ornamentalism and figuralism", in the gallery "Kolonna" in Riga; 1993 – "Chamots", in Reiterna House in Riga; Exhibitions: 2006 – Exhibition dedicated to the Assembly of the International Academy of Ceramics "Clay is everywhere" at the Museum of Decorative Arts and Design in Riga; 2006 – International mini-ceramics exhibition at the Riga Porcelain...
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21st Century and Contemporary Modern More Art

Materials

Porcelain, Glaze

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